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In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅,巨大的石头几乎占满了整个画面,相比之下,画中的人经过了激烈的挣扎,松弛了下来,形将瘫软一般,渺小,无能,心有不甘而黯然神伤,俨然已经放弃了与石头的搏斗,在这个英雄主义调式的系列里,尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对,这幅画中的人甚至显出了一种酸楚的滑稽感——这里,我们确知反讽已经介入了他的绘画,并且,可以理解为一种自我反讽,它并非是纨绔式的慵懒,然而,确实不再绷紧他全身的肌肉,不再保持激昂而单一的斗姿,好像一切都已经难以为继,在画中的英雄卸下了石头的同时,艺术家自己也仿佛卸下了英雄梦,任凭那巨大的石头像烈火般燃烧和蔓延,包围我们,紧紧地挤压、烤炙我们,并且溢出整个画面,它以全部的沉重、坚硬和尖锐使我们窒息,反衬出我们脆薄如剪纸般的生命。

Japan and China will more and more depend on each other because of the comparative advantage, and the opportunity of cooperation will surpass the competition. Accordingly the author puts forward the Mutual Benefit Statement. The economic development and increasing of China will bring more opportunities for the development of Japan. And China's political policy will do favor to the trade development simultaneously.

本文的最后一部分是对未来中日贸易关系的展望,认为中日贸易之间存在着较强的互补性,体现在中日两国战略资源各有优劣,互补性强,而且两国之间的合作大于竞争,有利于两国经济共同发展,进而提出"互利论"的观点,认为崛起的中国对日本意味着巨大的发展机会:中国的经济增长与经济国际化给日本带来了机遇;中国"睦邻、安邻、富邻"的外交政策有利于中日贸易的发展;中国巨大的消费市场,有利于日本企业发展,有利于日本产业升级,更有利于日本国民福利的提高。

Falling profit and overproduction produce instability in what he terms the "imperialist" world, but Mandel is prepared to take notice of "underproduction" in the "so- called socialist countries" which, even though they are "superior to a capitalist market economy in ability to avert great cyclical fluctuations, overproduction crises, and unemployment," have "monstrous waste and imbalances caused by the bureaucratic monopoly of economic and political management" and are distant from a genuine socialist economy pp.

利润的下降以及过度生产,造成了他所说的"帝国主义"世界的不稳定性。但是,曼德尔正在准备关注"所谓的社会主义国家"的"生产不足"。虽然这些国家,"在避免巨大的周期性波动、过度生产的危机、和失业上面,具有无可比拟的优势",但是,"因为经济和政治管理上的官僚垄断性,造成了巨大的浪费和不均衡",所以,与"真正的社会主义经济,有着遥远的距离"。

Falling profit and overproduction produceinstability in what he terms the "imperialist" world, but Mandel isprepared to take notice of "underproduction" in the "so- calledsocialist countries" which, even though they are "superior to acapitalist market economy in ability to avert great cyclicalfluctuations, overproduction crises, and unemployment," have"monstrous waste and imbalances caused by the bureaucratic monopoly ofeconomic and political management" and are distant from a genuinesocialist economy pp.

利润的下降以及过度生产,造成了他所说的"帝国主义"世界的不稳定性。但是,曼德尔正在准备关注"所谓的社会主义国家"的"生产不足"。虽然这些国家,"在避免巨大的周期性波动、过度生产的危机、和失业上面,具有无可比拟的优势",但是,"因为经济和政治管理上的官僚垄断性,造成了巨大的浪费和不均衡",所以,与"真正的社会主义经济,有着遥远的距离"。

Jameson's understanding of Asian urban landscape was sketched out in his description of Tokyo:"the street is somehow inside, so that the city as a whole, which has no profile, becomes one immense, amorphous, unrepresentable container ……"He described the open emporia with food markets, theaters, and bookstores as "ultimately and historically derived form the great open-air markets or bazaars of the East and of pre-capitalist modes of production".

詹姆逊对于亚洲城市景观的理解在他对东京的描述中可见一斑(图14),&街道是不可名状的内敛,使得城市成为一个没有外形轮廓的整体,成为一个巨大的无确定形态的不可言说的容器&。他将集餐饮、超市、剧院和书店于一身的开放性的大型商业中心描述为&从历史的根源上看起源于东方巨大的露天市场或者集市以及前工业时代的生产方式&。

Local interests are not less fostered by it. Our fellow-citizens of the North engaged in navigation find great encouragement in being made the favored carriers of the vast productions of the other portions of the United States, while the inhabitants of these are amply recompensed, in their turn, by the nursery for seamen and naval force thus formed and reared up for the support of our common rights. Our manufactures find a generous encouragement by the policy which patronizes domestic industry, and the surplus of our produce a steady and profitable market by local wants in less-favored parts at home.

地区性利益也同样得到发展,从事航海的北方同胞受到了巨大鼓舞,因为他们成为合众国其他地区大量产品广受欢迎的运输者,同时由于培养了海员,建立并训练了一支保护我们共同权利的海军,全国其他地区的人民也受益匪浅,由于保护民族工业的政策,由于剩余产品靠国内不发达地区的需要而找到了稳定有利的市场,我国的制造业受到了巨大的推动。

Now will the city have to fill and swell with a multitude of callings which are not required by any natural want; such as the whole tribe of hunters and actors, of whom one large class have to do with forms and colours; another will be the votaries of music--poets and their attendant train of rhapsodists, players, dancers, contractors; also makers of divers kinds of articles, including women's dresses.

城市里必定会充塞着巨大的喧嚣,各种新生的强烈职业欲望掩盖了所有原始的欲望,就像猎人部落倾巢而出和暴烈的马群一泻千里那样,一个巨大的阶级随着形势和颜色的转换而变化无常;耽迷于音乐之风也会盛行——诗人们和他们狂放的追慕者长队,乐手,舞者,承包商等应运而生;还有无数的文章鼓吹家和道德潜鸟,将显识学术包裹在女人们的内衣里。

D models are the most widely spread in the world of turbo-machinery for its simplicity, but they are indeed purely empirical correlations which not only fail to provide detailed information inside one or more components, but also require significant effort to recreate themselves if engine operating conditions or component representations change; quasi 3-D models have been the workhorses for compressor and turbine design for many years, and the primary benefit of using quasi 3-D system models is to facilitate the design and detail analysis of a particular component across the range of possible boundary conditions; Full 3-D models are gradually replacing quasi 3-D ones by virtue of requiring no exit flow angle model and loss model and being capable of predicting secondary flow in cascade.

零维模型由于使用时简单易行,因此在涡轮发动机的仿真中得到广泛应用,但零维模型作为纯粹的经验关系式无法反映部件内部的流动细节,并且一旦部件有少许改动则新特性的建立耗费巨大;准三维模型由于能够详细地提供部件内部的流动情况,方便设计而成为涡轮和压气机设计的主要工具;全三维数学模型正逐步取代准三维模型在涡轮设计中的主导作用,同后者相比前者能够预测叶轮机械内的二次流动,在粘性流计算时不需要气流角和损失的经验公式,因此拥有巨大的发展前景。

The long ramshackle machine shed along the west edge of the yards, and the tool shed, small and dark with the smell of grease throughout, houses the machinery, old harnesses, outmoded binder equipment and modern drills an saws.

barnyard,对饲养者牛大牧群高效率地计划和hogs,与二个大谷仓, corncrib 和砖筒仓庄严地上升在它之上,美丽如画被安定在巨型槭树之下和三角叶杨长的摇晃机器棚子沿围场的西部边缘,并且工具棚子,小和黑暗与油膏的气味始终,房子机械,老鞔具、老式黏合剂设备和现代钻子锯在这个没有漆的棚子东边是d 双重车库,被发现巨大的水储存箱,并且在哪些之后被发现一棵巨大的苹果树,富有与开花但缺乏在果子里房子的北部在忍冬属植物树篱之后,果树园舒展对北部,对狂放的葡萄树和莓兴旺盘旋县瓦片在春天是数以万计许多被遮蔽的紫罗兰开花在缠结阴凉地下的垄沟银行。

Access to modern production plant, 180 tons, 250 tons, 500 tons, the enormous capacity of 550 tons of stainless steel-lined storage tanks, stands, Wei-for-like concept, in which 500 tons, 550 tons of storage tanks is the first in Asia to We can not imagine that "750ml (about 0.00075 tons) a bottle of wine on a huge container that will be what kind of wonderful";'s existing quick-freezing machine 3 to deal with capacity 5 tons per hour, respectively, 10 tons, 15 tons ; company KHS of Germany introduced the first fully automatic filling lines, production capacity of 12,000 bottles / hour; two companies in 1999 "two-plus" technical transformation projects, re-introduction of the two Italian automatic filling production line, production capacity 15,000 bottles / hour, the hour of your production enough to afford to drink for 20 years, modern people still appreciate the charm of the unique, infinite, it is interesting.

进入现代化的生产车间,180 吨、250 吨、500吨、550吨容量的巨大不锈钢贮酒罐排列整齐,巍然耸立,蔚为状观,其中500吨、550吨贮酒罐属亚洲第一,能不能设想&750ml(约为0.00075吨)一瓶的葡萄酒放在这巨大的容器中将是怎样的奇妙&;公司现有速冻机3 台,处理能力分别为每小时5 吨、10吨、15吨;公司最早引进了德国KHS 全自动灌装线,生产能力为12000瓶/小时;1999年的公司二期&双加&技改工程,再次引进两条意大利生产的全自动灌装线,生产能力达到15000瓶/小时,这一小时的生产量够不够你饮上20年,现代化让人体味到的依然是魅力独特、无穷、有趣。

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