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The double status of a revolutionary soldier and a romantic literati dominated the amphibiousness of the left-wing romantic literati's personality.

以个性上义、自山干义为内核的浪漫梢神是左翼浪漫文人走上政治革命的起点,也是他们陷入两难境地的基囚,并山此导致了启蒙与革命的错位,个性与信仰的对立。

Mr da Silva's own life story—the seventh child of a dirt-poor family from the north-eastern backlands who rose to become a trade-union leader—entitled him to assume the moral leadership of a new, democratic Latin American left, one that seemed to have freed itself from the past attachment to an all-powerful state.

席尔瓦先生自己的故事——一个来自东北偏僻地区赤贫家庭,排行老七的小孩,通过奋斗成为一位商会的领导——使得他有资格领导一个全新的民主拉美左翼,一个看起来已经摆脱了过去对一个超级大国依赖的党派。

These two developments, one aesthetic and one political, met in Oshima's fourth feature, Night and Fog in Japan (Nihon no yoru to kiri, 1960), in which the director essayed a scathing satire on the disunity of the radical left.

美学和政治的两方面发展在大岛渚的第四部故事片中交织在了一起,在这部名为《日本的夜与雾》(Night and Fog in Japan,1960)的影片中,导演试图对激进左翼派别的缺乏团结给予尖刻的嘲讽。

Its earliest infertility, its latish maturation after the self-reflection and adjustment formed a rather complex phenomena that could not completely interpreted by the choice of politics to literature or the choice of literature to politics.

如果说在历史变革由文化启蒙到政治革命转换的过程中,自由主义、民主主义文学以其对于历史主潮的疏离保证了文学的多元发展,那么,左翼文学则以其对于历史主潮的自觉认同保证了文学对新生历史内容和历史主导精神的关注。

If this paper has some innovation it should be owed to my teacher, Professor Kong Fanjin, just with his macro-view of the 20〓 century literature I tried to renewably sort out the momentous phenomenon of "The Conversion from literay revolution to Revolutionary Literature" and clarify its internal logic.

可以说,恩格斯所要求的现实主义文学,在我国是到了30年代这一批左翼青年作家手里才得以比较广泛地实现,他们的涌现标志着新文学现实主义真正结束了&革命文学&的时代并迈入一个新的阶段,而新文学的现实主义潮流也正因为有了这样一支新生力量,才能够以浩大声势继续向前发展。

The left talks with pride of previous generations of Scots who scrimped and saved to give their children an education but vents its ire on parents who are doing the same today.

左翼派自豪的谈到上一带的苏格兰的家长们节省开支去给他们的孩子提供好的教育,而今天同样的事情也在发生。

The Modernism literature deputized by the New Sense school, with a view of exhibiting the materialized humanity in modern cities, in pursuit of the images and senses of art, as another important literature power in 1930s, also formed a confrontation to the mainstream.

新月派是基于文学的审美文化价值而强调普遍人性的,而左翼文学则从社会历史层面把握文学的阶级意识,这种不同价值范畴错位的对话是30年代文学多元选择的表征,其所共同支撑的文学时空在客观上形成张力。

The ruling Christian Democrats, who hope to gain votes in next year's election partly by demonising the ex-communist Left Party, is demanding that East German history become a "core subject" in schools.

身为执政党的基民党,为了赢得来年大选的选票而将原社会主义性质的左翼党妖魔化,他们要求将在学校的教程中将东德历史的部分划为核心内容。

With the surging wave of the revolution, left movements and the artistic thinking of our party have deeply influenced and changed the literary and artistic thinking of Ding Ling, her identity has gradually become a revolution participant, and even was a special political leader status from a free writer.

随着革命浪潮的涌动,左翼运动和我们党的文艺思想深深影响和改变着丁玲的文艺思想,她的身份也逐渐由一名自由主义作家变为革命事业的参与者,甚至是具有特殊政治地位的领导者。

At a time when there is an extraordinary left/right, transatlantic consensus that China is a threat – encompassing everyone from white-haired rightwingers in America offended by China's economic rise to trendy students in Britain who think China is polluting their pristine parks in with its global smog – it seems Chinese editors are on the lookout for sceptical western voices that say something different.

这一次,左翼和右翼跨国大西洋达成了一个非凡的共识,那就是&中国是一个威胁&——几乎每个人都认为如此,从遭到中国经济增长威胁的美国右翼老家伙,到认为中国用覆盖全球的烟雾污染他们公园的英国愤青——因此中国的编辑们似乎把注意力放在寻找怀疑西方的那些异样声音。

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