左手的

Reading for two years after junior high school drop-out to a welfare factory workers, and later with the help of a friend came to Shanghai wholesale Xiansun, but has not Diediezhuangzhuang Earn any money, but he believes that as long as people have a strong sense of self-confidence and keen观察力, the opportunities will always go down. 06 summer, his wife's encouragement to buy a computer, because it is pure rookie, there is only one left-handed typing, the beginning of the time very difficult, and even copy and paste are not the people, but he is convinced that, will be paid Fruitful, efforts live up to conscientious, or a 50-day drill, the time is 63 days or a drilling, he said his dual Rujisike day in Taobao, the university desperately to absorb nutrition, to every business every The sky is falling, as the pie, he did not believe that the wings were also啦how they can still Taobao in the sky started to fly half wings!

初中读了两年后便缀学到一个福利厂里打工，后来在一个朋友的帮助下来到上海批发鲜笋，跌跌撞撞却也没赚到什么钱，但他相信，人只要有强烈的自信心和敏锐的观察力，机遇总是会垂青的。06年夏天，他在妻子的鼓励下买了电脑，因为是纯菜鸟，又只有一个左手打字，刚开始学的时候非常艰难，甚至连复制粘贴都不会的人，但是他坚信，付出就会有收获，工夫不负有心人， 50天升了一个钻，63天的时候又升了一个钻，他说自己每天偶如饥似渴地在淘宝这所大学里拼命地吸取营养，把每一个生意每一个客户看作是天上掉下的馅饼，他相信没了个翅膀又怎么啦，自己照样能在淘宝的天空里展开半个翅膀飞翔！

After panting for a few minutes, he turned in the direction where the fusillade was raging, lifted his left hand to a level with his nose and thrust it forward three times, as he slapped the back of his head with his right hand; an imperious gesture in which Parisian street-urchindom has condensed French irony, and which is evidently efficacious, since it has already lasted half a century.

喘过一阵气以后，他转向枪声紧密的地方，把左手举到鼻子的高度，向前连送三次，同时用右手敲着自己的后脑勺，这是巴黎的野孩们从法国式的讽刺中提炼出来的藐视一切的姿势，并且效果显然是良好的，因为它迄今已风行了半个世纪。

A series of descending continuous notes implies the speed steeply turning from the initial fierce to gentleness, and the repeated variation form which is remotely melodic like from distant valley is conveying the mood of unrestrained freedom but hardly uncovered blue. Due to the swiftly glissando and left-handed splendid pinches, this kind of blue spreads its beauty surfing over and over.

随着一系列的连音，最初的激烈逐渐柔和，而以小提琴为变奏和反复作为技巧来演奏的那份似空谷传音的旋律重复表达着内心虽奔放、自由却也掩盖不了的忧郁，这份忧郁因在轻巧的泛音和华丽的左手拨弦中飘逸着美丽的气质。

In chapter 1, the paper overviewed the feature of Chaozhou guzheng, introducing other representatives of Chaozhou guzheng. In chapter 2, the paper studies Chaozhou guzheng melody formulated by Mr Xu, summing up its spectrum surface characteristics. In chapter 3, combined with the author's personal experience of learning with Mr Xu, in three different spectral mode of Chaozhou guzheng set by Mr Xu, From Playing by the right hand and composing by the left hand, specifying the actual performance characteristics.

在第一章中，文章概述了潮州筝派的特点，对许守诚先生同属潮州筝派的其他代表人物做了介绍；第二章中，以许守诚先生订谱的潮州筝曲谱本为研究对象，归纳总结出许先生订谱的潮州筝曲的谱面特点；第三章，作者结合跟随许先生学习的亲身体会，分别对许先生订谱的三种不同调式的潮州筝曲，从右手弹奏和左手作韵两方面，具体阐述实际演奏的特点。

One important line of evidence comes from flaking patterns of stone cores used in toolmaking: implements flaked with a clockwise motion (indicating a right-handed toolmaker) can be distinguished from those flaked with a counter-clockwise rotation (indicating a left-handed toolmaker).

一条重要的明显的线索来石片图案中心所使用的工具：是按顺时针的方向来工作（这表明这个精具的制造者是用右手工作的），这能识别按逆时针方向来旋转的薄片（这表明这个精具的制造者是用左手工作的）。

He was dressed in a particularly gorgeous manner, with plenty of articles of jewellery about him---all about three sizes larger than those which are usually worn by gentlemen---and a rough great-coat, he thrust his left hand the moment he dismounted, while from the other he drew forth with his right, a very bright and glaring silk handkerchief, with which he whiskered a speck or two of dust from his boots, and then, crumbling it in his hand, swaggered up the court.

Dickens， Pickwick Papers 主人是四十来岁的男子，长着黑头发和细心梳理好的胡须，穿戴得非常华丽：戴了大量的珠宝饰物——全都比一般绅士们通常戴的要大三倍光景——外面再加上一件粗质地大衣。他下车就把左手插进大衣的一只口袋，同时用右手从另外一只口袋里掏出一条非常耀眼的丝手绢，用它掸一掸靴子上的一两点灰尘，然后把它捏在手心里，大模大样地走了了胡同。

Her left hand steals in between their bodies to aid her in the release while she is offering the fingers of her right hand to his lips, begging to be enfolded by his mouth.

她的左手次抢断，他们的机构之间，以帮助她的释放，而她的手指提供的右手向他的嘴唇，乞讨是enfolded了他的嘴。

It is one thing to strum on the piano, as you and I do, faking the left-hand passages as we go along, or to daub a few patchy watercolours, or to paste on to clumsy prose some old spangles of rhetoricD, and it is quite another thing to be an accomplished musician or artist or writer.

这可不是像你我那样随手敲敲钢琴就瞎编出一段左手部分的曲子；也不是涂涂抹抹，画出一幅补丁样的水彩画；更不是用华丽的辞藻给一篇拙劣的诗歌镶上过时的闪光饰片。要成为有所成就的音乐家，艺术家或作家，可完全是另一回事。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

Twenty minutes after the winner, Joan Benoit, crossed the finish line, the 39-year-old Andersen-Scheiss staggered into the stadium, suffering from heat prostration. Her right leg was stiff and her left arm was hanging limply by her side.

在马拉松金牌获得者撞线20分钟后， 39岁的安德生-希斯才一瘸一拐的走进体育场，此时她的右腿已经僵硬，左手也瘫痪了，原来她在比赛中途中暑，她以自己的毅力最好的诠释了伟大的奥林匹克精神。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。