崇高

A close look at the "fear/sublime-mongering" conventions of Radcliffean Gothic romance shows that, although Radcliffe consciously subscribes to the contemporary Deist belief, and her characters are often described as aspiring "beyond the awful veil that obscures the features of the Deity", this Deity is indeed obscured in her Gothic text: The mysterious Supreme Being is forever fading away in the repeated assertion and regression of the veil.

通过分析拉氏哥特传奇中制造恐惧和崇高的套路，本文认为，尽管拉德克利夫的崇高描述与18世纪的自然神论观点常有相似之处，她笔下的主人公不时被崇高自然所震慑，似乎要穿越一层肃穆的帷幕去企及隐藏在幕后的上帝，然而小说中帷幕之后的这个终极存在的面目却始终十分含混，所谓上帝只是在不断重复、不断被声张却又不断后退的帷幕中逐渐隐去。

An exalted ideal; argue in terms of high-flown ideals- Oliver Franks; a noble and lofty concept.

崇高的理想；为崇高的理想辩论-奥利弗·弗兰克斯；一个高贵而崇高的信念。

As a cognitive activity, science embodies the lofty ideal and spirit seeking and struggling for the truth and knowledge;As a intelligential activity, science embodies the lofty Olympic ideal and spirit going forward forever toward the aim of " quicker, higher and stronger" on intelligence;As a social activity bearing close on the future and destiny of humanity, science embodies the lofty ideal and spirit of serving and benefiting humanity and struggling for the freedom and liberation of humanity.

科学作为一项认识活动，它体现着对真理和知识的追求并为之奋斗的崇高理想和精神；科学作为一项智力活动，它体现着在智力上永远向着&更快、更高、更强&的方向迈进的崇高的奥林匹克理想和精神；科学作为一项与人类的前途、命运息息相关的社会活动，它体现着为人类的幸福、自由和解放而奋斗的崇高理想和精神。

Comedy expression shows a combination of happiness, wisdom and thought, and enriches and turns present arts expression.6. As value identity sign in temporal society, sublime in China's teleplay is endowed uncopied modern meaning by consumed background.

喜剧的表现方法呈现了乐感与机智、反思相结合的超越方式，并以喜剧范式中的闯入式结构和肯定性的喜剧人物的塑造，丰富和扭转了崇高既有的艺术表现方式。6、中国电视剧中崇高，作为世俗社会的价值认同符号，消费语境也赋予了崇高不可复制的当代意义：首先，在商品社会中，崇高是因为缺席，成为了消费的内容，并以仪式化的方式构成了一种具有召唤能指的文化符号。

In the problem of handling the social contradictions,the traditional cultures preach up man's power.substituting rights for laws.and when it's unpartial in jurisdiction it's general.while in west people hail for laws.raising up the authority of constitution and rules which not only maintains the rights and freedom of citizens but also at the most degree, decreases the social cost

在社会矛盾的处理上，中国传统文化崇高人治。以权力代替法律。司法不公的现象十分普遍。西方则崇高法治，在全社会崇高宪法和法律的权威。既维护了公民的权利和自由，又最大程度地减少社会成本。

As I am writing to you, good friend, who are well versed in literary studies, I feel almost absolved from the necessity of premising at any length that sublimity is a certain distinction and excellence in expression, and that it is from no other source than this that the greatest poets and writers have derived their eminence and gained an immortality of renown.

既然我只为你这样一位饱读诗书的好友写作，那么我就毫无必要浪费任何笔墨去解释：崇高是一种独特而卓越的表达方式，崇高只存在于最伟大的诗人和作家笔下，他们凭借崇高而声名远扬、成为不朽。

As I am writing to you, good friend, who are well versed in literary studies, I feel almost absolved from the necessity of premising at any length that sublimity is a certain distinction and excellence in expression, and that it is from no other source than this that the greatest poets and writers have derived their eminence and gained an immortality of renown.

既然我只为你这样一位饱读诗书的好友写作，那么我就毫无必要浪费任何笔墨去解释：崇高是一种独特而卓越的表达方式，崇高只存在于最伟大的诗人和作家笔下，他们凭借崇高而声名遥扬、成为不朽。

Firstly, sublime expression changed form grand narration code to calm and little-narrativite. The narrative view transferred form king to personal and civilian, thus to look into historical and practical sublime in everyday view, and to transfer to anti-epic in narration, and to establish sublime topic by chanciness explaining inevitability and overthrowing hero mythic. Secondly, flat character as a new form of teleplay sublime expression, break out round character personifications.

首先，崇高的表现范式中庄重的宏大叙事被编码为平实、轻巧的小型叙事，叙述视角从王者视野转向了个人视野、民间视野，以日常观照的方式看取历史与现实中的崇高，叙事方式出现了反史诗性的转向，以偶然性解构必然性和颠覆英雄神话的方式建构崇高主题；其次，扁型人物作为电视剧中崇高表现形式上的新态势，打破了圆型人物作为崇高人格化形象的大一统格局。

Besides preface and conclusion, this thesis includes three parts: first of all, exploring the concept of the sublime having been probed into by Longinus, Burke, and Kant; secondly, elaborating upon the features of tragic sublimity; and thirdly, looking deep into the play, Medea, and finding the reasons why its protagonist is short of sublimity.

本论文除前言及结论外，主要重点有三：一为探索自朗加纳斯、柏克、康德以来有关崇高的论述；二为仔细討论悲剧崇高的特徵，三为深入《米蒂亚》一剧，探究其主角之所以缺乏崇高特质之因。

Besides preface and conclusion, this thesis includes three parts: first of all, exploring the concept of the sublime having been probed into by Longinus, Burke, and Kant; secondly, elaborating upon the features of tragic sublimity; and thirdly, looking deep into the play, Medea, and finding the reasons why its protagonist is short of sublimity.

本论文除前言及结论外，主要重点有三：一为探索自朗加纳斯、柏克、康德以来有关崇高的论述；二为仔细讨论悲剧崇高的特徵，三为深入《米蒂亚》一剧，探究其主角之所以缺乏崇高特质之因。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。