岷江

Leaf thickness, leaf saturated water content and mid-vein thickness increased with decreasing temperateness.

岷江上游干旱河谷区土壤水份和生长季温度可能是影响矮探春叶片形态解剖特征的主要因子。

Average DBH of scent mark trees was 37.2±17.8cm, 22 (92%) trees were Abies fargesii var.

嗅味树的平均胸径为37.2±17.8cm(N=24)，其中92%为岷江冷杉Abies fargesii var。

Leaf anatomical charactersistics and their relationship with ecological factors of Cotinus szechuanensis growing at different elevations in the dry valley of the upper Minjiang River were investigated.

运用生态解剖学的方法对岷江上游干旱河谷海拔梯度上乡土优势灌木－四川黄栌的叶片解剖特征进行了比较分析。

The PH of surface layer is greater in lower altitude (wasteland and Cupressus chengiana) and with the increase in altitude to reduce.

表层土壤pH值在低海拔荒地与岷江柏林处最高，随着海拔高度的增加而降低。

The germination characteristics of Cupressus chenggiana S.

通过对采自四川小金县的岷江柏CupressuschenggianaS.Y。

Cupressus chenggiana S. Y. Hu is a specific and endangered plant in Sichuan and Gansu provinces of China. Of four C.

研究了我国四川和甘肃地区特有珍稀濒危植物岷江柏Cupressus chenggiana S。

In this paper, there has been suggested a method of optimization for calculating longitudinal dispersity of natural river, and studied longitudinal dispersion of Jueqi section in Min River.

提出了计算天然河流纵向离散系数的最优化方法，并用此法对岷江蕨溪段的试验数据进行处理，计算出了该段河流的纵向离散系数。

Diexi earthquake\ Minjiang fault\ Isoseismic lines\ \ Genetic fault

叠溪地震；岷江断裂；等烈度线；发震构造

The ovaries and leaves of Lilium as explants were cultured in virtro.

对岷江百合的子房和叶片进行组织培养。

The mechanism ru nning of sustainable development of a ba sin system is analyzed, the index system of sustai nable deelopment and its fundamental str ucture are established.

从静态和动态两个方面对岷江上游流域系统的可持续发展作了综合实证分析。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。