山水

This article discusses the theoretical conception of i° Shan-Shui Cityi± from the demanding of natural envi roment and surroundings of in habitant of age of art in the future.

该文从生态环境和未来艺术时代的人居环境需要，论述了"山水城市"的理论概念。

Sometimes he looks like a day dreamer and sometimes he is a person fallen in love.With no intention to please anyone,his image of San Xia only expresses experiences of love and sorrow,life and death and then takes a look on both of some cultural nature of location and a nature of heartquake or a peace inside slumber and doom.

有时侯他像个梦呓者，有时侯他像个恋人……作为三峡之子，生生死死往返于山水古镇老桥之间，他的图像不取悦于人，只表达爱与哀、生与死相关的经历，表达特定地域的文化秉性与气质，表达沉睡与消亡的震动与静穆。

His latest work "On the Quiet Water, Heavenly City" appears to be more theatrical and dramatic. Differ from the Phantom Landscape series' lyrical subtlety, it points directly to the environment global issue.

他的近作"天空之城，止水之上"渐渐向戏剧化的大场面发展，和"蜃市山水"比较隐讳抒情的手法不同，直指全球化的环境大问题。

The Chinese tradition scenery painter has the intense subjective consciousness in the spatial constitution creation, creating an ideal picture boundary with the original spatial thought.

中国传统山水画家在空间构成创作中具有强烈的主观意识，用独到的空间意念去营造理想的画境。王蒙作品中的面与线的变形，以扭曲的形态，由细节生发到全幅构图，体现出一种超自然的增生力量和空间幻觉。

With Wang Wei's hands,Mountains and Rivers idyll had been greatly condensed and remarkbly improved.

山水田园诗在王维的手中得到一次总结和显著的提高。

The part two is to analyse the three methods that was used to created the artistic conception in the mountain-water and pastoral poetry of Tang Dynasty: the aesthetic excitement got in present ,the building of an independent and complete new world,the method of time to control space and the immanentism of space .

第二部分分析唐代山水田园诗创造"时空合一"的艺术意境的方法，即它的三个时空特点：一、"当下即得"的审美感兴；二、建构自足完满的新世界；三、以时统空和空间内在化。

An extremely attentive work is made under inattentiveness. He wins a good painting by surprise skill. His composing the painting is different from "big to small". He sets the composition first, and then delineate the contour one layer after another with his old method of "small to big". Each line produces another line so as to compose a good picture. The colors are either thick or thin. At the beginning there is no specific idea of composition.

他作画技法骨法用笔，注重点线面，强调「写」而反对「描」，做到笔的轻重疾徐，墨的乾湿浓淡，线条大小粗细、虚实及用笔多角度，方圆之间酣唱淋漓，力透纸背，充满韵律感和节奏感，故能表现密体山水，细笔中笔笔写到，千笔万点溶为大整体；近视精微之，远视只见大整体；近观如入山中密林，远观见山峦之气势。

In particular, with rosewood, boxwood and ivory and other materials, meticulously carved inlayer long xi zhu , Longfeng Ching Cheung, Sheung Fung wings, Phoenix, as well as ancient figures show peony, flowers and other landscape pattern of high-grade pen, more like icing on the cake, as a both cases the value of a practical, elegant and exquisite arts and crafts.

尤其配上红木、黄杨木和象牙等材料，精心雕刻镶嵌的二龙戏珠、龙凤呈祥、双凤展翅、凤凰戏牡丹以及古装人物、山水花木等图案的高档笔杆，更似锦上添花，成为一件件既有实用价值，而又精致高雅的工艺美术品。

A who's-who of writers attended, including George Lucas, Lawrence Kasdan (The Big Chill, The Empire Strikes Back, Raiders of the Lost Ark), Nora Ephron (When Harry Met Sally...), Buck Henry, Brian Helgeland (L.A. Confidential), Bob Gale, Nicholas Pileggi, Eric Roth and Curtis Hanson.

功成名就的作家们出席了此晚会，其中包括乔治-卢卡斯，劳伦斯-卡斯丹(《山水又相逢》、《帝国大反击》、《法柜骑兵》)，诺拉-依弗朗，巴克-亨利，布莱恩-海尔格兰德，鲍勃-盖尔，尼古拉斯-皮莱基，埃里克-罗思和柯蒂斯-汉森。

In the UK around 1982, the Sansui AU-D101 amplifier and its more powerful sibling the AU-D33, were highly acclaimed by audiophiles and were so well matched to a pair of KEF Coda III speakers that they could be bought as a set from some outlets.

在英国，大约1982年，山水1.00 - D101放大器和更强大的同胞，非盟D33 ，有很高的评价，并因此发烧友以及相匹配的一对经营者总协会尾三的发言者，他们可以买一套从一些发售。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷