展览

Messe Frankfurt hope to use this highly efficient network for the Chinese parties to visit the exhibitors or to provide direct and thoughtful service.

法兰克福展览有限公司希望利用这一高效的网络为中国各方的参展或参观活动提供直接、周到的服务。

In order to better support business in Greater China, Messe Frankfurt Co., Ltd.(March 2002) and its Beijing office (May 2003) also have been set up to form a Greater China region covering the sales and service network.

为了更好地支持在大中华区的业务，法兰克福展览有限公司（2002年3月）及其北京办事处（2003年5月）亦相继成立，形成了覆盖大中华地区的销售、服务网络。

Super showcase which is sponsored by Messe Frankfurt take this role with expected 1500 exhibitors and 70,000 visitors from both Japan and abroad in 2006 for its first appearance.

由法兰克福展览公司主办的2006日本国际超市展将借此机会期待来自日本和其它国家的1，500参展商和70，000参观商。

The EOG exhibition will be continue held by German Messe Friedrichshafen in the next five years.

据悉，在未来五年内，EOG展会将继续由德国菲德烈斯哈芬展览公司承办。

He also was included in the "watershed" exhibition American Sculpture, 1951 at the Metropolitan Museum of Art.

他也被列入了"分水岭"展览美洲雕塑1951年在大都会艺术博物馆。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Image Existence" the 5th Shanghai Biennial 2004,"In the Deep of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Techniques of the Visible" the 5th Shanghai Biennial 2004,"In the Depth of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Micro-politics in Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

Selected Exhibitions : 2008 /"The Third Guangzhou Triennial : Farewell to Post-Colonialism", Guangdong Museum of Art, Guangzhou,China / 2007 /"Alchemy of Shadow : 3rd Lianzhou International Photo Festival", Lianzhou, China / 2006 /"A Yellow Box In Qingpu: Contemporary Art and Architecture in a Chinese Space", Shanghai /"Micrology, the Politics of Realism Chinese Contemporary Art Exhibition, Macao / 2005 /"In the Depth of Reality : China Contemporary Art Exhibition", Hangzhou /"Gift, Contemporary Art Invited Exhibition", Hangzhou / 2004 /"Formatting: New Media Art Project", Hangzhou /"Labyrinth : the Second Chinese New Media Art Festival", Hangzhou / 2003 /"Experimental Art Project in White Pagoda Mountain", Hangzhou /"Links: Contemporary Art Exhibition", Hangzhou /"Exhibition of Chinese Young Artists, Hangzhou

郑端祥，1977年生於中国福建，现任教於中国美术学院造型基础学部。作品《时间的横截面III》於2006年展出於澳门艺术馆"显微境。观：中国当代艺术展"，同年影像装置《时间的横截面之夜游记》展出於"黄盒子在青浦"，2007年於连州国际摄影展展出《失忆系列》和《工厂系列》。重要展览有： 2008年/雕塑中国，香港汉雅轩/广州三年展：与后殖民说再见，中国广东美术馆、中国第三届媒体艺术节：四季，中国杭州，2007年/中国当代艺术展：在瓦伦西雅55天，西班牙瓦伦西雅、首届今日文献展：能量－精神。身体。物质，今日美术馆，中国北京、夜间摄影，香港汉雅轩，2006年/。盒子，中国上海、显微境。观：中国当代艺术展，中国澳门当代美术馆

The thirty quilts in this exhibit represent works from three different Amish communities: Lancaster County and Mifflin County in Pennsylvania and the Midwestern states of Ohio and Indiana.

展览展示的三十幅作品分别来自三个阿米什人部落：宾西法尼亚州的兰开斯特城、米富林城以及中西部州的俄亥俄州部落、印地安那州部落。

Exhibiting its main defense mechanism, a millipede curls into a tight spiral.

展览它的主要防御机制，一只百足虫卷曲变成紧的螺旋形。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。