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On the basis of the analysis of the scores, the author makes conclusions about the characteristics of Schubert"s last three piano sonatas as followings: 1 The device of universal development in the movements composed in sonata form and rondo-sonata form is the most distinctive feature in the last three sonatas, which is also decisive in the trend of the whole movement and makes the developments relatively "still". 2 In the device of themes, the method of irregularity is preferred. However, By using extension, abbreviation, repetition and further repetition of periods, Schubert brings those themes to ingenious balance in both architectonics and aesthetics. 3 Chain method is applied in the connection of themes, in which the previous material is taken as basis and then modified together with the variations of new materials. By this way, the theme is continuously developed. 4 The principle of the dominant-subordinate is followed in Schubert"s three-key exposition, and the process of each key is extended.

本文在详尽分析乐谱的基础上,对最后三首奏鸣曲的主要创作特点进行了以下总结: 1、奏鸣曲式和奏鸣回旋曲式乐章中展开的普遍化是最后三首奏鸣曲最为显著的特点,它决定了整个乐章的走向,并使展开部具有相对"静止"的特点; 2、舒伯特的主题写作中更喜欢运用非方整性写法,并通过自身材料的延长、缩减和重复或者更高一级的段落重复使其达到了结构上和审美上的巧妙平衡; 3、舒伯特喜欢用链式的主题贯穿方式,音乐以之前的材料为依据,经过变化后再加入新的材料,用这种方式不间断地发展; 4、舒伯特的三调呈示部遵循从主到属的总体原则,并扩展了调性历程。

There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深层线条becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.

他通常在副部的开始加入一个三度的调性,有时再加入一个新主题,最后在呈示部结束之前到达属调; 5、较多地运用整小节的休止,使其不仅具有深刻的表情意义,而且在结构乐曲中起到了不可或缺的作用; 6、舒伯特在慢板乐章中运用同一旋律异调配置的和声变奏方式来构成音乐的段落,使同一个旋律在不同的和声色彩里闪现,既避免了单调的重复,又保持了旋律的抒情性和完整性; 7、展开的段落中习惯运用半音化的发展手法,半音阶式的深层线条成为某些展开段落的显著特点; 8、c小调和A大调奏鸣曲中都运用了"阿特拉斯"动机,三首奏鸣曲中运用了大量叹息的音调,并倾向于~#c小调的运用; 9、"流浪者"的情感因素是音乐强烈冲突的深刻思想根源。

Experiments indicate that the method makes the unrolling achieve a level of 97 frames per second, when dealing with 1024×768 source image to 1152×256 target image. It is 20 times faster than a lookup-table panorama unrolling without block prefetch.

实验结果表明,分块预取方法在对1024×768分辨率的原始全景图像展开为1152×256分辨率的目标全景图像时,展开数据可达每秒97帧,与不采用分块预取策略的查表展开方法相比,此方法要快近20倍。

To identify the non-uniform coating in a carbon fiber tow can be overcome by the pneumatic spreading process; two groups of spread and unspread carbon fiber tow coated with nickel by electroless plating were compared.

为了证明藉由气体展开制程可克服碳纤维纱束不均匀镀层的结果,将碳纤维纱束分为展开与未展开两组,比较无电镀镍后的结果。

Results N-hexane ∶acetoacetate ∶95%alcohol(12.8 ∶7.2 ∶2.2)were used as developing agent together with strong aqua ammoniae,in which the thin layer plate was saturated for 40 m...

结果以正己烷-乙酸乙酯-95%乙醇(12.8∶7.2∶2)为展开剂,用浓氨水和展开剂同时饱和40min,展开,取出晾干,以10%浓硫酸-乙醇为显色剂,70℃下加热30min,可获得分离清晰的6个有色斑点。

The draw ratio is the direct relationship between the draw punch and the blank edge—the greater the distance between the draw punch and the blank edge, the greater the resistance to flow, primarily because of the additional surface area of sheet metal clamped between the die face and the blank holder.

拉伸率直接体现在拉伸冲头和展开平板边缘之间的关系---拉伸冲头和展开平板边缘之间的距离越大,限制流动的阻力越大,主要是因为在压边圈和模具表面间有额外金属板表面被夹紧。试着用不同尺寸和外形的展开平板进行实验。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上,本文以意象分析法为贯穿全文的主要方法,通过对意象的具体分析来****凉山诗群的诗歌世界;在诗人的选择上以其作品的影响力及意义为标准,选择了这一诗群的七位诗人展开论述,他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加;在论述过程上,笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索,着重探讨了这一诗群创作的三个主要倾向和三个主要领域,前者详论,后者略述,具体表现在对前三位诗人的论述以诗人论的形式详细展开,探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向,即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构,对后四位诗人的论述则以主题的方式展开,探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索;在文章结构上,全文主要分为两大板块,一是对各位诗人创作的具体意象分析,二是在前文分析的基础上进行理论的整合,以此将前面散珠似的论述贯穿成一个有机整体;在结论上,我们通过整合得出:1、凉山诗人群新时期以来诗歌创作的大致发展脉络:在母族文化的基质之上的多元诗艺探索,其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态;2、新时期彝族凉山诗人群汉语诗歌创作的特点,即民族文化意识的深层自觉,对诗性的关注和探索;3、新时期彝族凉山诗人群汉语诗歌创作的缺陷,即情感意蕴的雷同和创作格局的狭小。

Optimization technology was acetidin: N-hexane (3:7) as low-pole solvent system, methanol: dichloromethane (1:9) as polar solvent system, 20% glycerol filter paper as moisturizer, 14 h age Bacillus subtilis as indicating strain seed on thin layer plate cultivated for 14~18 h, 1% TTC staining time 1~2 h, bacterial mix method suitable to 0.2%~0.6% agar semisolid bouillon culture-medium, bacterial spread method suitable to 1% agar semisolid bouillon culture-medium.

结果:该方法展开系统筛选简单,抑菌斑位置准确、斑点清晰,其优化条件为:以乙酸乙酯:正己烷(3:7)为弱极性展开系统,甲醇:二氯甲烷(1:9)为强极性展开系统,用20%甘油滤纸对湿室保湿,以14h菌龄的枯草芽孢杆菌为指示菌种子液,自显影薄层板36℃培养14~18h,1%TTC显色时间为1~2h,含0.2%~0.6%琼脂的半固体肉汤培养基应使用混菌法生物自显影,含1%琼脂半固体肉汤培养基应使用涂布法生物自显影。

In which whole length of the expanded equatorial line is assigned as horizontal-axis, and half of length of the expanded prime meridian is assigned as longitudinal-axis.

首先,我们提出了以中央经线和纬线的直接展开为基准的新的全球投影——纬平面投影,该投影以赤道线展开为横轴、以中央经线展开长度的一半为纵轴,纬线在纬平面上投影为一系列平行的直线段。

Used thin-layer chromatography, outspread dose were CHC13: MeOH (8.5: 1.5) and CHC13: MeOH (7:1)(with a little ammonia and diethylamine), color reagent was 10% oil of vitriol. Observe the fluorescent spots and color sports.

通过薄层层析色谱的分析,分别用黄酮展开剂CHCl_3∶MeOH(8.5∶1.5)和生物碱展开剂CHCl_3∶MeOH(7∶1)薄层展开后,10%的浓硫酸显色,观察荧光和显色斑点。

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Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。

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