屏幕

At any spot where the public might pause for more than a few seconds, there are screens bombarding you with athletic action from around the globe. In the lobbies of office blocks, waiting for the lift, you can catch a glimpse of English club football - goalmouth dramas, shots of Arsène Wenger looking pensive and Newcastle fans celebrating.

在任何一个公众有可能停留超过几秒的地方，你都会被屏幕里的各种体育活动狂轰滥炸；在写字楼的大堂里，你等电梯的时候可以瞥到英式足球的广告----有进球精选，有阿森纳教练沉思的镜头，还有纽卡尔斯球迷们欢庆的画面。

On the main screen, you will see the status of your GPS module.

在主要屏幕上，您将看您的GPS模块的状态。

Your computer has no sound card or jerky and grainy screen movements.

你的电脑有没有音效卡或干和粒状屏幕动作。

You have to deactivate or assign different key combination for screen flipping (usually through display / graphics adapter settings in your computer) before using this feature.

使用此功能之前，你必须停用或分配不同的快捷键组合给屏幕翻转（通常是通过您的计算机上的显示/图形适配器进行设置）。

PRC support commonly used file format such as HTML, Palm effective in the PDB format support BMP, ICO, GIF, JPG, PCX, TGA, CHM文件 encountered have other graphics format support PDF file format supports ZIP compressed format support document not codecs which can be read directly on the content of encrypted ZIP support document Default passwords can be erected show its support for the arbitrary change font size, type, color, arbitrarily change the background color waterline support multiple types of support, the screen was set up to support fringe character spacing.

中华人民共和国支持常用的，如HTML，Palm公司在PDB格式支持BMP，保险公司，的GIF，JPG，PCX，热重分析的有效文件格式，CHM文件遇到有其他图形格式PDF文件格式支持支持ZIP压缩格式的支持文件，可以不编解码器予以对加密文件的ZIP支持直接预设的密码内容可以设置显示其对任意更改字体大小，类型，颜色，任意更改背景颜色水线支持支持多种类型的支持，屏幕成立了支持边缘字符间距。

C language to write the basic procedures, you can read and write in graphics mode the screen as points of the source code.

详细说明： C语言写的基本程序，可以在图形模式下读写屏幕象点的源代码。

The challenge is in the choice of the subjects: on a big canvas is often represented one big object, extrapolated from daily life as a newspaper, an airplane, a car… In different occasions art has helped simple objects to become "great". In this case the artist can accomplish this with a more personal touch, hinting mysteriousness, suspense typical of thrillers, as in the portrayal of a broken ATM screen, of a watch abandoned on the grass or of a cutter with traces of blood.

画布上往往呈现一个大的物体，它通常来自日常生活中，如一张报纸，一架飞机或一辆汽车……艺术可以使简单东西变得很奇妙，而这里，艺术家以更个性的方法，有时甚至是神秘的暗示，一个悬念，有如惊险小说中一样，比如取款机打碎的屏幕，被丢弃在草地中的手表以及带有血迹的刀。

The challenge is in the choice of the subjects: on a big canvas is often represented one big object, extrapolated from daily life as a newspaper, an airplane, a car… In different occasions art has helped simple objects to become "great". In this case the artist can accomplish this with a more personal touch, hinting mysteriousness, suspense typical of thrillers, as in the portrayal of a broken ATM screen, of a watch abandoned on the grass or of a cutter with

画布上往往呈现一个大的物体，它通常来自日常生活中，如一张报纸，一架飞机或一辆汽车……艺术可以使简单东西变得很奇妙，而这里，艺术家以更个性的方法，有时甚至是神秘的暗示，一个悬念，有如惊险小说中一样，比如取款机打碎的屏幕，被丢弃在草地中的手表以及带有血迹的刀。

The challenge is in the choice of the subjects: on a big canvas is often represented one big object, extrapolated from daily life as a newspaper, an airplane, a car… In different occasions art has helped simple objects to become "great". In this case the artist can accomplish this with a more personal touch, hinting mysteriousness, suspense typical of thrillers, as in the portrayal of a broken ATM screen, of a watch abandoned on the grass or of a cutter with tra

画布上往往呈现一个大的物体，它通常来自日常生活中，如一张报纸，一架飞机或一辆汽车……艺术可以使简单东西变得很奇妙，而这里，艺术家以更个性的方法，有时甚至是神秘的暗示，一个悬念，有如惊险小说中一样，比如取款机打碎的屏幕，被丢弃在草地中的手表以及带有血迹的刀。

Hi, it is a grat article but i have one problem with changing screen resolution.

嗨，这是一个伟大的文章，但我有一个问题，改变屏幕分辨率。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。