屏

NO more death blue screens, NO more crashes and NO more Windows Fatal Exceptions.

没有更多的死亡蓝屏，没有更多的崩溃并没有更多的Windows致命的例外。

This is one of the most realistic aquarium screensavers ever developed.

这是一个最现实的水族馆屏保以往任何时候都发达。

It had a minuscule viewing screen, no color-adjustment features, and only the most rudimentary controls. It didn't even have an optical zoom.

它有一个很小的观景屏，没有颜色调整功能，只有最基本的控制功能，甚至不能光学变焦。

As the man page states, Screen is a full-screen window manager that multiplexes a physical terminal between several processes.

按照手册页的语句，&screen是一个全屏窗口管理器，它混合多个工作（通常是交互性shell）到一个终端上&。

But he has dropped the idea of India outpacing China and replaced it with thoughts about the potential for co-operation between the two countries.

但他已经屏弃了印度超越中国的看法，取而代之的是思考中印两国间的合作潜力。

But he has dropped the idea of India outpacing China and replaced it with thoughts about the potential for co-operation between the two countries.

但康纳先生已屏弃了印度超越中国的看法，取而代之的是思考中印两国间的合作潜力。

In the shadows of the loft overhead, Simon released what seemed an hour's worth of prisoned breath.

在阁楼上面的阴影里，Simon放松了他屏了一个小时的呼吸，这样做是值得的。

On the basis of above, the laser beam propagates through the turbulence is simulated.

在此基础上模拟了激光束穿过随机相位屏形成的干涉条纹情况。

How does your website do when pruned down to a tiny screen?

在一个非常小的屏面上显示的时候，你的网站会怎样做呢？

Zhang's slides very familiar indeed, recapping ideas and principles argued and agreed over more than a decade of experimentation and wrangling (some of his screen shots of application profiles might yet provoke discussion among the architecture crowd).

DC老手们会对张博士的演示稿感到非常熟悉，许多想法和原则已经试验和争论了十多年（一些应用纲要的截屏可能会遭到&元数据架构&组的激烈讨论）。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。