屋顶房间

After my shoes were removed, I entered a low-ceilinged room, stepping cautiously on the soft tatami matting.

我脱掉鞋子后，走进一间屋顶很低的房间，小心翼翼地踩在柔软的塌塌米垫子上。

After my shoes were rearoused, I entered a low-ceilinged room,treading cautiously on the soft tatami matting.

我脱掉鞋子后，走进一间屋顶很低的房间，小心翼翼地踩在柔软的塌塌米垫子上。

Spacious upper and lower classes is not an area of the rules; the upper complex production process, working fine research, have a rest mountain get up and tilt roof, windows and doors are carved railings; lower room is not formal, but some have been suspended under the sculpture, there are all kinds of golden melon or head of animal, flowers drawings.

上层宽大，下层占地很不规则；上层制作工艺复杂，做工精细考究，屋顶歇山起翘，有雕花栏杆及门窗；下层不作正式房间，但吊下部分均经雕刻，有金瓜或各类兽头、花卉图样。

The secretary of the Province of New Netherland, writing in Dutch, in 1650, for the information of those who wished to take up land there, states more particularly that those in New Netherland, and especially in New England, who have no means to build farmhouses at first according to their wishes, dig a square pit in the ground, cellar fashion, six or seven feet deep, as long and as broad as they think proper, case the earth inside with wood all round the wall, and line the wood with the bark of trees or something else to prevent the caving in of the earth; floor this cellar with plank, and wainscot it overhead for a ceiling, raise a roof of spars clear up, and cover the spars with bark or green sods, so that they can live dry and warm in these houses with their entire families for two, three, and four years, it being understood that partitions are run through those cellars which are adapted to the size of the family.

一六五0年，新尼德兰州州秘书长用荷兰文写过一段话，更加详细地告诉预备往那里移居的人说，在新尼特兰的人，特别在新英格兰的人，起初是无法按他们的愿望建造农舍的，他们在地上挖个方方的地窖似的、六七英尺深的坑，长短随便他们自己，然后在墙壁上装上木板，挡住泥土，用树皮合缝，以免泥土落下来，当然也有用了别种材料的，还用木板铺了地板，做了天花板，架起了一个斜桁的屋顶，铺上树皮或绿草皮，这样他们全家可以很温暖很干燥地在里面住上两年、三年，或者四年，可以想象，这些地窖中，还隔出了一些小房间，这要看家里的人口数目了。

The secretary of the Province of New Netherland,(22) writing in Dutch, in 1650, for the information of those who wished to take up land there, states more particularly that those in New Netherland, and especially in New England, who have no means to build farmhouses at first according to their wishes, dig a square pit in the ground, cellar fashion, six or seven feet deep, as long and as broad as they think proper, case the earth inside with wood all round the wall, and line the wood with the bark of trees or something else to prevent the caving in of the earth; floor this cellar with plank, and wainscot it overhead for a ceiling, raise a roof of spars clear up, and cover the spars with bark or green sods, so that they can live dry and warm in these houses with their entire families for two, three, and four years, it being understood that partitions are run through those cellars which are adapted to the size of the family.

一六五0年，新尼特兰州州秘书长用荷兰文写过一段话，更加详细地告诉预备往那里移居的人说，在新尼特兰的人，特别在新英格兰的人，起初是无法按他们的愿望建造农舍的，他们在地上挖个方方的地窖似的、六七英尺深的坑，长短随便他们自己，然后在墙壁上装上木板，挡住泥土，用树皮合缝，以免泥土落下来，当然也有用了别种材料的，还用木板铺了地板，做了天花板，架起了一个斜桁的屋顶，铺上树皮或绿草皮，这样他们全家可以很温暖很干燥地在里面住上两年、三年，或者四年，可以想象，这些地窖中，还隔出了一些小房间，这要看家里的人口数目了。

Much of the Lemurian civilization lived in homes with transparent roofs.

很多姆大陆文明都居住在拥有透明屋顶的房间。

Dr Marka envisages two or three light curtains in a home: one at the door, one around a sleeping person and one surrounding the area in which mosquitoes typically hide (under the thatched roof of a hut, for example).

马尔卡博士设想在一个房间里有两到三道光帘幕：一道在门口，一道在熟睡的人周围还有一道在有蚊子隐藏的典型区域周围（比如，茅草屋的屋顶下面）。

In Crewdson's world the hidden forces and dark energies of unbridled and untamable nature have now even entered people's homes. An uprooted tree lies across the living room; it could not possibly have come into the house through the relatively small hole in the roof. A bear roams through a room that is completely overgrown.

在Crewdson的影像世界里，隐藏的力量与无法控制的黑暗能量以及不羁的自然已全然进入了人类的家园：一棵拔地而起的树径直横卧在起居室而它几乎没有可能从屋顶那个小洞穿过，一头发育过度的黑熊慢步穿过房间。

Three different conditions are created, each with its own identity; a sculptural basement is carved in the rock, the ground floor is arranged as a loft, a free space around a core and the first floor, containing all the rooms, is compartmented taking advantage of the roof's slope, providing each room with a unique proportion.

三种不同的创造条件，与自己的身份为何；一雕塑地下室是在岩石雕刻，地下是一座阁楼里，围绕一个核心自由的空间，第一层包含所有的房间，安排，是隔间趁屋顶的斜坡，相互提供了一个独特的比例空间。

B Three different conditions are created, each with its own identity; a sculptural basement is carved in the rock, the ground floor is arranged as a loft, a free space around a core and the first floor, containing all the rooms, is compartmented taking advantage of the roof's slope, providing each room with a unique proportion.

三种不同的创造条件，与自己的身份为何；一雕塑地下室是在岩石雕刻，地下是一座阁楼里，围绕一个核心自由的空间，第一层包含所有的房间，安排，是隔间趁屋顶的斜坡，相互提供了一个独特的比例空间。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。