居高临下的

Her antiquity in preceding and surviving successive tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant implacable resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.

365她历史悠久：地球上连绵不断的世世代代存在之前她就存在，并将继续存在下去。她在夜间的优势。她作为卫星的依存性。她反射光的性能；起落盈亏，运行有常，恒久不变。她的容貌注定永不改变。她对不明确的讯问，都给以暧昧的答复。她能够支配潮汐涨落。她具有使人迷恋，心碎，赋予美，逼人发疯，煽动并助长人们为非作歹的种种本事。她的表情那么安详而秘不可测。她孑然一身，居高临下，毫不留情，光彩夺目，令人望而生畏，不敢挨近。她预示着暴风雨或天朗气清。她焕发出的光芒，她那一举一动与存在都给人以刺激。她的喷火口，她那枯竭的海，她的沉默，在在都发出警告。看得见时，她是何等光辉灿烂，看不见时，她又是何等富于魅力。

There are some details worth to mention. Any who watched some of Law's roles could feel his profession at "style". But on Hip Tin, his application of style reached such a high degree that exaggeration could be sensed, from which the minus effect created just satisfied the requirement of "abnormal". For example, when Hip Tin wrote time periods for stocks himself before asking Bok to write the prices from memory , a stylish move was seen: Turn around, writing vigorously by one hand with another hand quickly moving at his waist. Such a small move not only matched Hip Tin's confidence and pizazz as "God of the Wall Street",but also implied his madness by its exaggeration which had the big difference between a normal move.

这里有几个细节值得一提：但凡看过一些罗大侠作品的人都可体会到他对于"型"的擅长，而在叶天身上，他注入的"型"明显高到了夸张的地步，如此一来触发的反效果恰与"非正常"三字一拍即合，譬如他在要求展博默出股票全日造价并在黑板上写下该股各时段时一个很"型"的小动作：转身和叉腰，即符合叶天"神"的潇洒和自信，又因动作极其夸张而与正常人的反应相去甚远，继而成为其病征的隐含交代--这样充满分裂感的动作还有很多：盘膝坐在桌上居高临下对展博训话，叶天世界里的目空一切--现实中病态的表现；满怀激情送走得意门生后在废墟中享受的回眸，但之前又伴随了一个虚弱的踉跄脚步--心力和体力分裂的表现。

The poet, that beautified the sect, that was otherwise inferior to the rest, said yet excellently well: 'it is a pleasure, to stand upon the shore, and to see ships tossed upon the sea; a pleasure to stand in the window of a castle, and to see a battle, and the adventures thereof below: but no pleasure is comparable to the standing upon the vantage ground of truth:' (a hill not to be commanded, and where the air is always clear and serene;) 'and to see the errors, and wanderings, and mists, and tempests, in the vale below;' so always, that this prospect be with pity, and not with swelling, or pride.

"有一派感性主义哲学〈指伊璧鸠鲁派哲学家克莱修（ Lucretius ，罗马人，约前99—约前55）。名著有《特质论》。认为感觉是一切的尺度〉在许多方面是肤浅的，但其中一位诗人却由於向往真理而流芳於世。他曾说过："居高临下遥看颠簸于大海中的航船是愉快的，站在堡垒中遥看激战中的战场也是愉快的，但是没有能比攀登于真理的高峰之上（一座高出一切的山陵，在那里的空气永远是澄清而宁静的），俯视尘世中的种种谬误与迷障、迷雾和风暴之变更愉快了！

Our house attractive Phoenix Mountains Crescent, built on the momentum and build, occupy a commanding position, implies it is a few kilometres you, the Chinese parasol tree forest woodland hill ;11 metres high household hall along to exhibit honorable, the entrance point magnificent large water screen Falls, flyings feet jade, it rains cool; Western-style pavilion, luxury clubs, rooftop swimming pool, Roman sculpture, secluded Department, more water flows; Wu Dong China and the United States in the deep green onions noble buildings show the Mid-Levels, which is a constellation of 12 creative theme of the West Cottage Fung Tsui Court.

背靠苍翠秀丽的凤凰山畔，依山就势而建，居高临下，极目之处是绵延数公里、森林茂密的梧桐山；11米高的住户大堂气势磅礴，彰显尊贵，入口之处蔚为壮观的大型水幕瀑布，飞花溅玉，似梅雨清凉；西式凉亭、豪华会所、天台泳池、罗马雕塑，曲径通幽处，更有流水潺潺；五栋华美高贵建筑物点缀在苍葱的半山，这就是按西方十二星座为创意主题的庐峰翠苑。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。