层片

When Schindler modernizes a building and installs destination elevators, it provides a CD that plays in the lobby.

辛德勒公司将一座大楼变得现代化并装设目的层电梯时，会提供一片可在大厅播放的 CD

Mr. Harris, more than matching his tumultuous performance in ''Pollock,'' creates a wrenching, incendiary portrait of a man ravaged with illness, who thrashes with rage and bitterness, his emotions burning out of control like a torched oil slick on a contaminated lake.

诗人病魔缠身，一点点地被吞噬。暴怒，痛苦抽打着他，内心的情感猛烈地燃烧最终难以自制，犹如污染的湖面上漂浮的一层油膜。本片中Harris的演出远胜于他在''Pollock''一片里喧闹的表演。

A stability of hue had been gradually concentrated within a certain range accompanying with the increase of opaquing ceramic thickness.

使用TC—PHG型全自动测色色差计测定样品片的x、Y、△L^＊值，研究不同品牌不透明层厚度与色度的关系。

You do that with composites, you're going to gouge the material and damage the underlying plies.

金工往往使用打磨片的前端来打磨，但如果以这种方式来打磨复合材料结构，就非常可能造成下面铺层的损伤。

The game story is set in Shanghai of 1930s. It was a place of legend with inexhaustible energy, to which the sinister gangs, adventurers, plutocracies, corps, gifted scholars and beautiful ladies belonged. In the common people, however, it was an era of darkness filled with turbulence, anarchy and horror. Further more, the Japanese devils' invasion upon Shanghai painted the sky darker. Xing is an orphan living in the Miaotou Hamlet of Shanghai's suburb.

游戏故事背景定于上个世纪30年代初的上海，这是一个有着黑帮，冒险家，财阀，军团，有着才子佳人，有着无穷活力的传奇之地，然而对百姓们来说，这却是一个动荡不安、充满恐怖和黑暗的时代，日本的侵沪战争为这片幕色再添一层阴影。

The game story is set in Shanghai of 1930s. It was a place of legend with inexhaustible energy, to which the sinister gangs, adventurers, plutocracies, corps, gifted scholars and beautiful ladies belonged. In the common people, however, it was an era of darkness filled with turbulence, anarchy and horror. Further more, the Japanese devils invasion upon Shanghai painted the sky darker. Xing is an orphan living in the Miaotou Hamlet of Shanghais suburb.

游戏故事背景定于上个世纪30年代初的上海，这是一个有着黑帮，冒险家，财阀，军团，有着才子佳人，有着无穷活力的传奇之地，然而对百姓们来说，这却是一个动荡不安、充满恐怖和黑暗的时代，日本的侵沪战争为这片幕色再添一层阴影。

And the rafted processing included two stages, one of which was the directional connect of the γ′ particle, and the second of which was the planing process of γ′ piece.

筏形化的过程包括两个阶段，一是γ′粒子的定向连接阶段；二是筏形γ′片层的平坦化。

The width and direction of rafted γ′ piece were closely related to original size and the crystal orient of γ′.

筏形化γ′的初始片层厚度及筏形化方向主要由γ′原始尺寸及晶体取向决定。

Then I started painting things more close to the final output. First of all I transformed high resolution circuitry design to different sizes and shapes of different leaves and used with overlay layer option then retouched individually after merging down with leaves.

于是我开始更接近与最终画面的元素，首先我把高分辨率电路纹理针对不同的叶子转化为不同的大小和形状，新建一个覆盖层，然后把它们与每一片叶子独立地合成在一起。

These layers are sandwiched between two sheets of glass or plastic.

这些层夹在两片玻璃或塑料之间。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。