就我而言

As far as i be concerned , he can do whatever he like

就我而言，他可以喜欢什麽就做什麽

For all that I ponder on the deep-rooted structural meaning of life at short intervals, as far as I'm concerned, for the time being I indeed find it difficult to seek out the accurate orientation of my life, career, even love.

所有，我思考根深蒂固的结构性生命的意义在短的时间内，就我而言，目前我确实很难找出准确的方向，我的生活，事业，甚至爱情。

For me , I can't stand my boss,he is so bossy.

就我而言，我受不了我的老板，他总是趾高气扬的。

Can' For me , I can't stand my boss,he is so bossy.

就我而言，我受不了我的老板，他总是趾高气扬的。

As for me, I have the satisfaction of knowing that I walked tall and bowed to no man.

就我而言，我知道我从未屈服于任何人，对此我感到心满意足。

Fo my own pat I find that the longe I know people, the moe they puzzle me.

就我而言，我觉得，认识一个人的时间越长，就越觉得困惑。

So from my point of view, when I see his work, it's actually no longer readable.

所以，就我而言，看到他的作品，就不再有可读性了。

As far as I am conc高三英语unit12教案erned, you can do what you like.

就我而言，你想干什么就干什么。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

If they are discontented, they want happiness, whereas, for myself - if I may be personal - I did not want the opposite, I wanted to find out; and so gradually through various questionings and through continual friction, I came to realize that which one may call truth or God.

如果他们不满，他们就想要快乐，但是就我而言，如果可以以我为例，我不想要那反面的东西，我想要发现；然后逐渐通过各种质疑和不停的冲突，我发现了那种可以叫做真理或上帝的东西。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失