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In terms of the language form and the narrative adventure aimed at literature itself, vanguard novels not only recompose the definition of modern novels and literature itself but exalt the immanent essence of belles-lettres and the elevation of art, therefore bringing about the genuinely modern transformation of Chinese modern literature from sheer production to criticism.

但长期以来,先锋小说一直佩戴批评家授予的形式主义徽章,"叙事革命"所产生的广泛深远的影响并没有得到应有的阐释,人们大都从纯文学审美自律的视域出发,对先锋小说的形式探索作单向度的解读,形式实验与社会、历史和意识形态之间复杂互动的关联常常被遮蔽悬置。

This thesis tries to search for the shaping and the imagination beyond such a soul, studying the trace of Wu's past works to explore his imagination of races and tribes, and the orbit of his life back to the culture of land, merging with the extended theory of Bildungsroman to analyze the text of his novel.

本论文试图探求这样一具灵魂的背后,他的形成,以及他的想像,用吴锦发过去的文字轨迹,来追寻他的文学成长背后的族群想像与回到土地文化的生命轨迹,融入成长小说的延伸理论来分析他的小说文本。

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性,可以分为三种不同的类型:"两个世界的构建"是早期新现实主义和童话寓言创作阶段的主要方法,二分和弥合是其艺术特点,标志作家世界感和创作观念开始形成;"共时并置"和"晶体模式"则是后现代主义小说创作时期的突出特征,作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

Furthermore it illustrates there are three forms of interior monologue in this novel:direct and indirect interior monologue,metaphor and metonymy interior monologue,and consecutive and free interior monologue.

根据作者退出小说的程度、诗学和语言学、人物性格和文化修养,剖析了《尤利西斯》中的内心独白,指出小说中存在三种形式的内心独白:直接的、间接的内心独白,隐喻的、转喻的内心独白,条理型的、自由型的内心独白。

I have an unforgettable experience of—really chase for somebody for a whole year, and this somebody---is the ideal internet friend in my thinking, she is so excellent, so cute, and so attractive, most of all, she really has talent of writing novels, and enormous knowledge about the literature, but not boast herself—which is quite different from the recent bl authors (sing high praise for themselves for nothing).

我有一段忘不了的经历—确确实实追逐某人一整年。而这个某人—是我想像中的理想网友,她很优秀,灵黠和吸引人,最重要的事,仿佛她生来就有写小说的天赋,和对于中国文学的无穷无尽的知识,然而从不自夸,这与现代的耽美小说作家很不一样(都是半桶子水荡啊荡的多)。

Apart from the main plot of the children's homecoming, a more interesting and historical subplot makes the feminist tonality of the two novels much more obvious—hidden in the narrations, conversations and sometimes memories are the scraps of the lives of Abigail Tillerman and Liza Tillerman (respectively Dicey's grandmother and mother).

小说的女性主义基调则更明显的体现在一个隐匿的次要情节中——两部小说的叙述、对话、和人物回忆中零零散散地撒落着戴西的母亲和祖母两代女性的生活遭遇,从三代女性生活的不同时代、各自相异却息息相关的生活经历中,我们可以看出她们女性意识的变迁。

The novels in poetry for Turgenev and Theodor Storm, there are no clear theoretical form, but in reality they have always maintained that the creative characteristics, This kind of way in novel writing with the poem writing technique the idea is naturally, is following its creation profession from beginning to end, is their whole characteristic, May say on this, two 19th century writers not on own initiative has arrived.

诗化小说在屠格涅夫和施笃姆那里都并没有形成明确的理论,但是在现实的创作中他们一直保持着这样的特色,这种用诗的笔法写小说的理念是自然而然的,是伴随着其创作生涯自始至终的,是他们整体的特色,可以说在这一点上,两位十九世纪的作家不自觉地走到了一起。

In fact, a careful reader will find inklings of this novel in her earlier short story "The Silver Temple", with the difference that the novel further develops the plot and broadly foreshadows the emergence of the characters, all of whom, including the prominent Meimei, pale by comparison with the real heroine Si Yiwen.

一些细心的的读者将发现这本小说与她更早期的短篇小说《银庙》有着某种联系,区别在于,这部小说的情节有了更进一步的发展,广泛地预示了所有人物性的凸现,包括突出的眉眉和苍白力的与她有着真实对照的女主人公司猗纹。

There has always been, however, a critical tension between Sontags aesthetic ideas and popular culture as she never allows herself to follow the trend in a blind way.

桑塔格早期的小说《恩人》和《死亡套件》是对她理论的诠释,形式的实验旨在创造出一种反常规的美学叙事,两部小说的怪诞和意识探索的模式带有明显的&反对阐释&的设计动机。

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性,可以分为三种不同的类型:&两个世界的构建&是早期新现实主义和童话寓言创作阶段的主要方法,二分和弥合是其艺术特点,标志作家世界感和创作观念开始形成;&共时并置&和&晶体模式&则是后现代主义小说创作时期的突出特征,作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

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