小说的

Wang Zengqi has broken the poem, the prose and the novel boundary. His novel does not arrest methodicalness, narrate and light the plot. The novel has the intense prose tendency. The novel language is aways the short phrase, the spoken language, but actually has accomplished one kind of fresh plain atmosphere; The characterization are ordinary unimportant person, but on their body completely has the noble sentiment, the fine mind.

汪曾祺打破了诗、散文、小说的界限，创作不拘章法，不重视叙事，轻故事情节，有强烈的散文化倾向；小说的语言多为短句，口语化，但却造就了一种清新质朴的氛围；人物塑造都为平凡的小人物，但在他们身上充满高尚的情操，有着美好的心灵。

One of the important aspects of his novels is that he explores the human soul and subconscious mentality. He has examined the human relationship from the point of its inherent nature and what he has found becomes the corn of his novelistic creations.

对人类心灵和人类潜意识心理的探索，是劳伦斯小说的一个重要内容，特别从人的本性的角度来观察人与人之间的关系构成了劳伦斯小说创作的核心。

When Horace Walpole in his "Preface to the Second Edition" of The Castle of Otranto claimed that his unprecedented literary attempt had been to "blend the two kinds of romance, the ancient and the modern," he was conscious of an anomaly with the results of this experimentation: i.e., although the settings and incidents in his narrative would be as quixotic and "unrealistic" as in the "ancient" courtly romance, the characters were supposed to be portrayed according to "realistic" conventions of the newly rising novel, reacting to these fantastic scenarios in such psychologically convincing manners as ordinary people would have done under the same situations.

中文摘要当瓦普在其小说《奥川多城堡》的第二版序言中声称他史无前例的文学创作是尝试要「结合两种传奇故事：固有与现代」时，他已然意识到这种实验所带来的突兀结果；换言之，虽然在叙事中的场景与事件如同「固有」浪漫传奇般天马行空且「不写实」，其中角色却又必须根据新兴小说的「写实」成规加以铺陈，对於身处的奇幻场景的反应必须如一般人面对同样情况时一样，在描绘上得令人信服。

As one way of narration, picaresque novel come into being in Spain since sixteen century.

"流浪汉小说"是诞生于十六世纪中后期的西班牙的一种叙事类型，它通常采用第一人称叙述方式，由一个下层主角的浪游串连一系列故事而成，是能够称之为现代意义上的"小说"的最早的散文叙事作品。

Therefore, we can abandon the standpoint of the body theory, but investigate the female image in the cloak-and-dragger angle of heart and practice, corresponding the analysis with the angle of the "person", looking for a new female image system: in this great novel, really exsits a group of plentifulness and colorful, complicated and vivid female image.

因此，我们抛弃身份论的观点，从小说的女性人物的内心与实践活动方面考察，以"人"的角度切入分析，寻找出一个新的女性形象系统：在这部伟大的小说中，确实存在着一群丰富多彩、复杂生动的女性形象。

According to the revealment of Luxun s duplex roles in "The story of new version"-poet and warrior,this paper classifies the themes of eight stories in the album into sentiment and utilitarian and then observes their development trend of creation diachronically.

论文依据鲁迅"诗人"与"战士"的双重角色在《故事新编》小说文本中的不同显现，将集子里八篇小说的主题区分为"意"的表达主题和"功"的需求主题，并进一步考察它们在创作时间纬度上的发展流变。

Besides, for Cao Xueqin and other scholars, their creative motivation is closely linked to lyrical literary tradition, this tradition started from Qu Yuan, he"expresses his emotions to vex his anger", and this self-expressive creation attaches mostly to personal success and failure, and causes new and some foundamental changes in the narrative vernacular fiction, one of the marks is the marks in the autobiographical tone.

此外，曹雪芹等文人小说的创作动因与中国抒情文学传统有着密切关系，他们继承了屈原开始的"发愤以抒情"这种"以一己的穷通出处为主"的自我抒解创作精神，使叙事文学的通俗小说产生了新的深刻变化，其标志之一就是"自况"的创作特征。

By reviewing how this novel has been translated, the present paper revolves mainly around arguments and controversial ideas about the chinese translation of its title. various factors leading to this divergence are also discussed, such as comprehension of the theme of the novel, method of re-expression, translators' aspiration, and readers' expectation, etc, which broaden the space of understanding the writer and his work.

本文通过回顾小说的翻译历史，围绕中译名的有关争论和不同观点，探讨了造成差异的种种因素：对小说主题的理解，再表达的方式，以及译者追求，读者期待等等，以此拓展了理解作家和作品的空间。

In this final book Swift seems to despair: for Gulliver, overwhelmed, as perhaps Swift himself was, by a black, misanthropic, despairing vision of reality, the only middle ground left between the dreamy utopia, the ironically "ideal" society of the Houhynhynms, and the abyss of Yahooism seems to be a stable in England.

在这整部小说的最后一部书中，作者似乎已经变得绝望。就好像是他自己一样，小说主人公格列弗被一个黒暗/充满憎恨与绝望的现实所包围。而那片唯一的中土之地则像英格兰某处的兽栏，遗留在梦幻般美好的乌托邦与铁石心肠般理性的赫比恩哈恩姆国以及Yahoo人形兽的深渊之间。

Whether novels subject or narrateable form in these novels occurs distinct changes, from vanguard to tradition. We can see that Yu Hua and reality take place much closer relation. Estimably Yu Hua does not lose the confirmed vanguard spirit in his novels. This successful change brings broad market and many readers to Yu Hua.

其中无论是小说的主题还是叙述形式都无一例外发生了显著的变化，从先锋回归传统，但也可以看出余华与现实发生了更为紧密的联系，且难能可贵的是余华并未因此失去自己小说中惯有的先锋精神，并且90年代的转型为余华赢得了更为广泛的市场和大量的读者。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。