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From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代,中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放,其所表现出来的特点,一是正面赋予性欲望以合理性,这种合理性是在人性解放和爱情前提下获得的;二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注,其焦点主要在体格方面;三是树立起新的性伦理道德观念,表现为强调在性爱问题上的个人选择自由,性爱成为个人自我实现的重要方式,从而赋予人在性爱问题上的独立性,同时还扩大了性爱表现的领域;四,这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓,首先是把性还原为欲望本身来探索,沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用,突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容;其次在叙事中表现出对欲望化了的身体的描绘与关注;第三是解构了性的伦理道德,无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德,或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军,其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱;第四,出现了由女性作家表现的女性性意识,在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在,而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙,其主要特征一是性爱在人道主义前提下获得合法性,但要求性爱不超出伦理规定的范围;再就是将性爱叙事同国家观念和民族神话相融合;此外还有对身体的描写审美化诗意化等。80年代中后期,小说性爱叙事进入了多元化探索的阶段,作家通过还原性欲望来还原人性、还原人类的本真状态,不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱,写出其具有的创造性力量和毁灭性特征;将性爱与暴力相联系并通过其来表现人性的黑暗;强调性爱的创造性作用,尤其在民族&血性&的传承方面。

The novel is surely well-written and successful. But to say it is the most popular novel in the

这本小说的确写得很好,也很成功,但要说它是过去十年间最流行的小说,倒是言过其实了。

As two forms of culture, Christianity and novels are perfectly harmonious and well-blended in creating fictions by American novelists in the 19th century.

基督教与小说这两种文化表现形式在19世纪美国小说创作过程中水乳交融。

This essay aimes to analyze the symbolic meaning manifested in the novel's title, the social space, the private space and the novel's structure.

本文拟从小说的标题,人物生存的社会空间、私人空间及小说的框架结构等方面阐释&魔种&的象征意义。

Chapter three analyzes one of his works—Good-bye Kinmen, whereas chapter four gives analysis on his other work Sunset red tile house.

本文章节安排分别为:第一章为绪论,叙述本文的研究动机、目的与方法;第二章为作者介绍,透过本章了解陈启淦在儿童文学创作上的想法与活动历程,并透过整理,了解陈启淦累计至目前的创作成就;第三章为《再见金门》作品分析、第四章为《日落红瓦厝》作品分析、第五章为短篇小说作品分析,各章分别就「题材选取与情节铺陈」、「主题探析」与「人物刻画」等各种面向,为作者的少年小说作品进行深入剖析,并透过第六章依据创作形式与内容两部份,分别整理、归纳陈启淦少年小说的创作特色,并提出笔者的个人评价;第七章则为本文结论,并提出笔者的意见,做为后进研究者的研究参考。

This thesis aims at her novel creation, analyzing the three sections of Temple of flower , Women and Little brothers, and in order to explore her novels ideological characteristics and artistic style.

本文拟以其小说创作为研究对象,以《花之寺》、《女人》和《小哥儿俩》三部小说集为特例进行分析,探求其小说的思想特色和艺术风格。

Based on the subject the female seek for equality and freedom in the famous short novel One Hour Story , this article analyses the symbolic meaning of " door " and its symbolic effect .

本文根据著名短篇小说中女性追求平等和自由的主题,分析了门在小说中的象征意义以及它在小说中的象征作用。

Based on the subject the female seek for equality and freedom in the famous short novel One Hour Story, this article analyses the symbolic meaning of "door" and its symbolic effect.

本文根据著名短篇小说《一小时的故事》中女性追求平等和自由的主题,分析了门在小说中的象征意义以及它在小说中的象征作用。

In chapter 6, the thesis analyzed the narrative spirit of The Mandarin and Butterfly School, which can enhance us to better understand the change of narrative mode. Analyzing the fusion of genre was also a new angle.

第六章中对鸳蝴派小说叙事精神的讨论有助于更深入地理解近代小说叙事方式在此时的演变。

This paper compares the novel Jane Eyre and the movie Jane Eyre for its high position in the literature and art history firstly, and secondly for the adaptability of the novel such as the intricate plot, mythical scene, beautiful picture, and characters with unique personality and so on. In addition, the readers of the novel and the audience of the movie have the similar social and cultural background and the adapted movies are paid much more attention by people. For all these factors the novel and the movie are worth deep researching and comparing.

选择《简·爱》的小说和电影比较,首先在于小说长久以来的文学艺术地位;其次,是这一小说本身的适于改编性,如它跌宕的情节,神秘的场景,质感的画面,个性化的人物等等,这些都具有相当程度上的视觉表现意义;此外,二者在接受上相类似的社会文化背景因素,以及改编自小说的电影的广泛受关注,都不得不引起我们的重视和思考,激发我们的深入探究。

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从鲍尔点的形成原理出发,分析对称连杆曲线上鲍尔点的产生条件,提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

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