小说

As a major nineteenth century English novelist, Thomas Hardy occupies an unusual and prominent position in the age of literary transition from realism to modernism His structure of narration illustrating itself in "square dance","coincidence"and symbol of the four seasons in his novels,could be regarded as his great invention, a new writing approach which has enriched the writing style of novel The unusual structure of narration has endowed Hardy 's novels with a special charm and distinguish...

英国 1 9世纪小说家托马斯？哈代生活于小说创作的现实主义和现代主义交界时期，他以独特的创作手法在英国文坛上赢得了一席重要的地位。叙事结构可谓是他的一大独创，为小说创作提供了崭新的创作手法。这种结构具体体现在"方阵舞"的阵型、"巧合"的运用和四季的象征中，赋予了哈代的小说一种独特的魅力，也使他迥异于 1 9世纪英国其他的小说家。

CHALKER and Mark OWINGS (1945-), in The Index to the Science-Fantasy Publishers (1966; rev vt Index to the SF Publishers 1979; very much exp vt The Science-Fantasy Publishers: A Critical and Bibliographic History 1991), provides a checklist of almost every title released by the specialist sf houses, arranged by publisher.

乔克尔和马克。奥英斯的《科幻幻想小说出版者索引》（1966），再版名为《科幻小说出版者索引》（1979），扩充很多的版本更名为《科幻幻想小说出版者：评论和书目历史》（1991），提供了由出版业者准备的专业科幻出版社出版的几乎所有作品的目录。1991年的版本其内容十倍于初版，对使用者掌握20世纪科幻小说出版的情况提供了莫大的帮助——但是在细节上则有所欠缺。

The Counterlife, written during the 1980s, paves the way from Zuckerman Trilogy to Philip Roth Trilogy and is an experimental novel in which the author makes bold variation not only in respect of writing style, structural organization, characterization but themes as well.

这部小说创作于20世纪80年代，不同于罗斯早期的小说，但其在罗斯的创作生涯中占据极其重要的作用，可以被看作是从朱克曼三部曲过渡到罗斯三部曲之间的桥梁，亦可以被看做一部实验性小说，不但在创作风格，小说结构以及人物塑造方面有重大突破，在主题方面也发生了巨大转变。20世纪70年代时罗斯曾声明自己不是犹太作家，而只是一名犹太裔作家。

Either the inchoation of the reflexivity of Nabokov's writing or the procreation of the metafictionality of his fiction can be regarded as such an effect.This fact further confirms the influence of Shakespeare's play-within-a-play on Nabokov's novelistic narrative.

不论是纳博科夫小说自反性的显露，还是他小说元叙事性质的生成，都是&小说中的戏剧&所带来的效应，也进一步说明了莎士比亚&戏中戏&对纳博科夫小说叙事的影响。

His ultimate pursuits of philosophy reflected in his poetics on novels is that he concerns and emphasizes the recognizant values of novels.

他的终极哲学追求反映在小说诗学中，就是对小说认识价值的关注和强调，与之相应的&百科全书式小说&，就是要求小说走向开放、多元和对话。

His ultimate pursuits of philosophy reflected in his poetics on novels is that he concerns and emphasizes the recognizant values of novels. The"encyclopedic novel"guides the novels to the openness, pluralism and communication.

他的终极哲学追求反映在小说诗学中，就是对小说认识价值的关注和强调，与之相应的&百科全书式小说&，就是要求小说走向开放、多元和对话。

In consideration of the complexity and deeper meaning of the prototype, and the main highlights of Lawrence works itself, this thesis mainly chooses the female character prototype of the Bible, the imago prototype of the Bible and the scene prototype of the Bible in his three representative novels mentioned above to analyze thoroughly, by adducing and contradistinguishing the Lawrence text from the Bible text, explores the connotative meaning of Lawrence\'s novels from the new point of view, digs religion culture connotation and history origin for inditing of Lawrence\'s novel, and unveils the inheriting of Lawrence to the Bible culture and the occidental literature history.

考虑到原型模式的复杂意义与深广内涵，以及劳伦斯作品本身的特点，本论文主要选择上述劳伦斯三部代表性小说中的《圣经》女性人物原型、《圣经》意象原型、《圣经》场景原型进行深入分析，通过对劳伦斯的小说文本和《圣经》文本的引证与对照，从而以新的角度探寻劳伦斯小说的深层意义，挖掘劳伦斯小说创作的宗教文化内涵和历史渊源，揭示劳伦斯对《圣经》文学和西方文学史的继承性。

Their differences in form make this effect a complicated process of intersecting and dissociating, attracting and resisting.

日常叙事的风行是对曾经一统天下的宏伟叙事的偏执性反拔，是启蒙神话破裂之后的幻灭叙事，写物主义倾向和日常生活本身的封闭性与重复性使小说的主体性呈现为碎片状态；模糊审美作为叙事风格主要表现为内心光照逐渐黯淡的黑夜主题夺走了叙事者的存在基础，欲望化叙事和表象化叙事闪现着一种遗忘意志，作家相对主义式的犹豫表达模糊了必要的价值分野；小说的新闻化倾向作为一种文体现象，是对快速推进的信息时代和全球性的非虚构化潮流的文化回应，但它所标榜的真实性因为只能停留在表浅层次而显得暖昧和可疑；自我重复是反修辞和反诗学的命题，是指相同的叙事成分在同一作家的不同作品中的机械重复，自我重复有细节重复、情节与结构重复、扩写与改写等表现形式，媒体时代的强制性文化法则、作家的内在缺陷和叙事模式的局限性是其文化根源；反讽与讽刺相比，是一种相对温和却又更具普遍性的文化反抗形式，但九十年代小说的言语反讽、情境反讽和总体反讽都因为主体缺乏内在的价值支撑而陷入虚无，虚伪的反抗成为一种遮蔽现实的屏障；九十年代小说的叙事视角从传统的全知视角转向限知视角，具体表现为旁观视角和窥视视角，这种强调局部性和差异性的视角本来可以成为扩展个人话语空间的正当途径，但由于它们被过分地利用于渲染感官刺激和心理刺激，与大众趣味不谋而合。

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

Jonathan wild, the Great, the history of Tom Jones, a foundling, and Amelia, the author tries to analyze and appreciate the theory and the artistic form of Henry fieldings novels, expecting a deeper insight of his theory and a better understanding of his works.

本文采用文本细读法，试从亨利·菲尔丁的《约瑟夫·安德鲁传》(The history of the Adventures of Joseph Andrews，1742)、《大伟人江奈生·魏尔德传》(The life of Mr·Jonathan wild，the Great，1743)、《弃儿汤姆·琼斯的历史》(The history of Tom Jones，a foundling，1749)、和《阿米莉娅》(Amelia，1751)这四部作品入手，对菲尔丁的小说理论和小说艺术进行分析和评价，以期更深入地了解菲尔丁小说理论和更好地把握他的小说。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。