小说

In this special issue, Idea explores the world of design for Otaku culture, which are not confined to the rules of Western design with their composite gestalts.

附注：&轻小说&源自日本，近些年来兴起的一种小说分类，以年轻读者为主要读者群取向，通常使用漫画风格作为插画的一种娱乐性文学作品，因为写作手法的随意，阅读起来多数较为轻松的缘故，因此得名。

At first, it ingratiates its definition briefly dates brace to its source of civilization and education function, to order to proceed its trace and history, and at this foundation of the whole in words to sort these novels in foundation words of the Ming Dynasty, this of the culture makes in brief.

本章首先对话本小说的概念做了简单的界定，然后对话本小说教化功能的源流进行追溯，并在掌握明代话本小说的整体概况的基础上将明代话本的教化作一个简单的分类。

In Asimov's fiction, the profound theme shows the sublimation and degeneracy of humanity before science, the technique of contrast puts up the conflict between science and humanity in the most direct way and the rational mode inosculates science and human logical mind together as the clue of the fiction.

在阿西莫夫的小说中，邃远的主题真切地体现了人性在科技面前的升华与堕落；常用的对比手法将科技与人性之间的冲突以最直接的形式表现出来；充满理性精神的模式将人类理性与科技相融合，以之作为结构线索为小说主题服务。

Types of these novels were abundant, but their classification was much intermixed, which reflected the blurry concept of novels.

报载小说的类型比较丰富，但是其分类非常混杂，反映出小说观念的模糊。

YU DAFU 's novel pays attention to the affection to drain, melancholy again is it expresses feelings one of the keynotes, is also a hot point that his novel causes to dispute.

郁达夫的小说注重感情的宣泄，忧郁又是其抒情基调之一，也是他的小说引起争议的一个热点。

And here comes in what is the actual livening spark of the novel: the novelist's imagination has a power of its own.

而正是这一点赋予了小说生命之光：小说作者的想象力是无与伦比的。

As for other writers, Han flaps a manicured hand:"I don't do this kind of comparison. And frankly, I don't think your readers will be interested in Chinese literature at all." Nor is he."I don't read fiction now," he says."All I read are magazines. I stopped reading books seven to eight years ago. I think I've read enough."

谈及到其他作家，韩寒轻拍他那修剪过指甲的手说：&我不会做这样的比较，坦白的说，我并不认为你的读者会对中国的文学感兴趣&就像他一样，&我已经很久都不读小说了，&他说：&我现在只读杂志，我已经7，8年不读小说了，我觉得我读的早已经足够了。&

As the representative of "filial piety","father" is the very symbol that the modern people must defeat and overcome for freedom and liberty. Such a conflict is usually reflected in literature. But the absence of "father" from Jin Yongs novels militates it more or less.

作为中国传统&孝&观念的中心体现者的&父亲&，是现代人追求自由首先要进行抗争的对象，这种矛盾也会反映到小说中来，小说用缺失了&父亲&的方式缓冲了这种矛盾冲突。

Chapter two " a succession of montages, leave and connect fading out"— The novels of the film and Zhang Ailing, enter the Zhang Ailings novel world again in term of writing in image .

第二章&一连串的蒙太奇，下接淡出&——电影与张爱玲的小说，从影像化书写的角度再次进入张爱玲的小说世界。

Of all fiction written in classical Chinese style, legendary stories seem to have more literary flavor.

在文言小说中，传奇小说的文学意味相对来说较浓。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。