小说

This thesis consists of three chapters, apart from the introduction and conclusion. In the first chapter, enter-city farmers" images are divided into the following 5 kinds according to their different living styles presented in the novel texts:(1)"loach " in trouble;(2)"migratory bird" in city sky;(3)"trumpet creeper flower" in desire;(4)"upper dog who changes his status by effort;(5) fighter who strives to be stronger.

本文共分为三个部分：第一部分主要立足于小说文本，将九十年代以来小说中的进城农民形象依据其不同的生存方式划分成五种类型：困境中的"泥鳅"；城乡上空的"候鸟"；欲望中的"凌霄花"；变脸的"成功"者和自强的奋斗者。

Turgenev's status as a lyrical master of the world has long been recognized.

而中国对于施笃姆的研究，尤其是对他小说艺术特色的研究，除了作为译者的杨武能先生的在他的《施笃姆的诗意小说及其在中国的影响》进行过论述外，可以说非常稀少。

The novels in poetry for Turgenev and Theodor Storm, there are no clear theoretical form, but in reality they have always maintained that the creative characteristics, This kind of way in novel writing with the poem writing technique the idea is naturally, is following its creation profession from beginning to end, is their whole characteristic, May say on this, two 19th century writers not on own initiative has arrived.

诗化小说在屠格涅夫和施笃姆那里都并没有形成明确的理论，但是在现实的创作中他们一直保持着这样的特色，这种用诗的笔法写小说的理念是自然而然的，是伴随着其创作生涯自始至终的，是他们整体的特色，可以说在这一点上，两位十九世纪的作家不自觉地走到了一起。

Novel, the author appear at the beginning of the volume,"Introduction "There's Note:" Li Zi Cheng is a central figure in the novel, I have in shaping the image of his hero, in character, largely based on his own deeds in the prototype, but other characters will also be the ancient qualities and talent to his focus on body, a lot of moving fictional plot, so that the image of his plump and typification."

小说作者在一卷卷首的《前言》有个说明："李自成是小说中的中心人物，我在塑造他的英雄形象时，在性格事迹方面基本上根据他本人原型，但也将古代别的人物的优秀品质和才干集中到他的身上，虚构了许多动人的情节，好使他的形象丰满而典型化。"

First, they focus on the plain life of common people; second, they aim at reflecting the feelings and lives of some "small figures"---the humble people living in the understratum of the society, true, unvarnished, though not elegant and lofty.

在他们身上，几乎没有缺点。"新写实小说"则不然，首先在题材上，关注人们的日常生活，琐碎、平凡，带有"原生态"的特色。底层百姓的饮食起居、喜怒哀乐，都成为描写对象，它消解了崇高意义，使文学从天上走向人间。在人物塑造上，"新写实小说"重在刻画"小人物"，甚至是卑微低贱的底层人物，写他们的感情，不论是否高尚，但却是最真实、最质朴的人生体验。

The superhuman imagination, discussed states the different behind, the implication is unreliably the author about the life unique belief, is now at last behind the novel phenomenon real is at.

这些小说以《蜀山剑侠传》为代表，不仅蕴含了超人的想像力和丰富的文化内涵，更是还珠毕生思想信仰的集中体现，超人想象、谈玄述异的背后，蕴藏的是作者关于生命的独特信仰，这才是小说现象背后的真实所在。

All these contribute to the formation of an unique concept-the love of seeking unusualness, which include the following three aspects: creating no novels without showing unusualness, seeking unusualness from usualness and integrating novelty with unusualness.

李渔小说创作理念首先表现出一种浓厚的尚奇意识，这种意识不仅体现在他的小说评点当中，也渗透在话本小说集《无声戏》和《十二楼》的创作之中，从而渐渐形成了一种独特的观念―尚奇观。

If Vanity Fair is a novel without a hero, it is also a novel without a villain.

如果说《名利场》是一部"没有英雄的小说"，它也同样是一部没有"坏人"的小说。

Third, in chapter 5, the thesis analyzed the attempting of The Mandarin and Butterfly School in novel's type of writing in the first years of the Republic of China. Using the method of linguistics, I discussed how they made the type of writing in novel into modern vemacular.

第五章探讨了鸳蝴派在推进民初小说语体演变方面的尝试，特别是运用语言学的理论，从对文言成分的融化和对外来语成分的吸收两个方面，分析了鸳蝴派如何推动白话小说语体向现代白话文演变。

Black Fiction surveys a wide variety of novels,bringing to our attention in the process some fascinating and little-known works like James Weldon Johnson's Autobiography of an Ex-Colored Man.

黑人小说》考察了广泛的小说，在此过程中我们的注意力被吸引到一些引人入胜但鲜为人知的作品上，如詹姆士·威尔顿·约翰逊的《一个曾是有色人的自传》。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。