小说

When I became a teen-ager at high school,1 was interested in detective and mystery st0-ties.

上小学的时候，我喜欢读寓言和科幻；到了中学，我对侦探和神秘小说感兴趣；现在我喜欢读浪漫小说。

This paper examines the content of Zhangs novels for the collision between traditional and modern ideals, from an artistic perspective, takes a look at the integration of tradition and modern styles, and studies the background of the author, her special family circumstances, and personal experience that made Zhang Ailing the person she is.

本文试图对张爱玲的小说从思想内容方面说明其传统与现代的碰撞、从艺术表现方面说明其传统与现代的融合，并结合张爱玲所处的时代背景和她比较特殊的家庭环境及个人经历简述其小说传统与现代碰撞和融合的历史成因。

In his works, thematically female and romantic novels play a virtually important role, and the pursuit of an ideal female remains his main issue.

其中，女性与爱情的主题思想在其小说中占了相当重要的份量，理想女性之追寻一直是钟肇政在其小说中不断思索的议题。

It's not a novel, but it's still a thriller.

这不是一本小说，但却是一本惊悚小说。

Apart from the main plot of the children's homecoming, a more interesting and historical subplot makes the feminist tonality of the two novels much more obvious—hidden in the narrations, conversations and sometimes memories are the scraps of the lives of Abigail Tillerman and Liza Tillerman (respectively Dicey's grandmother and mother).

而小说的女性主义基调则更明显的体现在一个隐匿的次要情节中——两部小说的叙述、对话、和人物回忆中零零散散地撒落着戴西的母亲和祖母两代女性的生活遭遇，从三代女性生活的不同时代、各自相异却息息相关的生活经历中，我们可以看出她们女性意识的变迁。

In 1450, most Europeans probably lived in villages, but some regions were so hilly, lacking in good soil, or heavily timbered that villages could not keep going, and settlement was that of solitary herdsmen or shepherds.

我没有按照传统的分类方法把书分为小说类和非小说类、长篇类和短篇类、修身养性类和娱乐消遣类，而是把床头读物分为催人入眠类和驱散睡意类。

I have seen people reading fiction with tears in their eyes, because in the fiction things are going so tragically.

我看到过，有人看小说的时候，流眼泪，因为小说里面的情节太让人伤心了。

Historical limitations,such as lack of transcendency,incomplete criticism and limit prospect,exist objectively...

但反思小说的历史局限也是客观存在的，表现出超越性不强、批判性不彻底，前瞻性有限等特点，从而导致了反思小说思潮的逐渐消退。

One is the integrity and complexity of plots, the second is trenchancy ofcharacters, the third one is the pwticularty of depiction in environmellt.

由于体裁限制，小说化的叙事诗只是在一定程度上类似小说。

First section elaborates that "GuZhangJueChen" uses the voluminous chapter novel's multi-chapter narrating, tries to make a symmetric, tidy and formal multi-chapter imitative works of Huaben narrating pattern, however it makes the works existing an obvious aesthetic trend because of sedulously pursing the trimness.

第一节论述《鼓掌绝尘》借鉴长篇章回小说的多回叙事形式，试图建立一种匀称整齐富有形式美的多回体拟话本小说叙事范型，然而刻意追求整齐划一使作品存在明显的唯美倾向。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。