小说

In the third chapter, the paper juxtaposes Dong Han's poesy and novel on the basis of the first chapter and the second chapter, analyses the split, combine, and conformity of the two styles, the function of the poesy in the novel, the meaning increment of the poesy and novel autotype, to sew Dong Han's literature character and literature space by the "dispatch" and "combination".

以此得出韩东小说的力量和意义：剥去生活的包装纸、社会的遮羞布、文明的外壳，揭示人们处心积虑建立起来的知识与道德，并暴露这些所赖以生存的伦理和价值是多么的不可靠；以此来揭示生命的虚无真相与非自在存在状态。第三章是在第一、二章的基础上把韩东诗歌与小说并置一起，分析两种文体的分裂、互文与整合，即相反的用力方向，小说中诗歌的文体修辞功能，诗与小说复写的意义增值，最后通过二者"差"与"合"的运算缝合韩东的文学品格与文学"空间"。

This dissertation is a study of the ancient Greek origin of the novel, focusing mainly on three questions: how ancient Greek thought has influenced the overall plot management of the novel; how Euripides'Bacchae is reproduced; and whether the novel and play are extensively comparable within a classical framework.

本文主要研究了小说的古希腊渊源，集中讨论了三个问题：古希腊思想是如何影响小说的艺术创作的；欧里庇得斯的悲剧《酒神的女祭司》如何在小说中得以再现；小说与欧氏这部悲剧是否具有全面的可比性。

I explained that I did not do it because of his novels, since except for The Chalet of the Roses, which I had liked very much, what interested me about him were the audacity of his mind and his verbal talents, but only as a kind of rhythmic gymnastics for learning to write.

我对Don Raman解释道，我在杂志上提到他不是因为小说本身，--事实上，除了《玫瑰之屋》，他的其他小说我都不是很喜欢，他的小说里能打动我的是他大胆的思想和文字的天才--而仅仅是因为对学写小说的人来说，他的作品像是一种可供练习的体操。

The first chapter analyses the ideal mythos in Su Wei"s novels according as the clerisy "s choice of ideal destroyed; then I discusse the characters in Su Wei"s novels according as geographical characteristics and the characteristics of the times; the third part focus on the artistic features on the basis of the image of wildemessness, sex delineation and the language of literature; In addition, the paper also examine the unique temperament of artistic and ideological sense in the context of Educated Youth literature and student abroad literature. Overall, this dissertation finish the systematic groundbreaking research on Su Wei"s novels.

论文首章是以知识者在理想泯灭后的选择为依据，细致分析苏炜小说中的理想主题；继而深入文本，以地域特点和时代特征为划分，讨论其小说里寓意丰富的人物形象；第三部分是从荒野意象、性爱描写和语言特点三个方面着眼，对苏炜小说的艺术特色进行基于文本的分析；此外，论文末章还将其创作放置在知青文学和留学生文学的开阔视域下，审视其艺术和思想意义上的独特气质，从而完成了对苏炜小说创作较为系统的、具有开创性的研究。

When we study the 20~ century Chinese clan/family novel systematically, we will find that the novel text of the clan/family novel in the times of May Fourth Movement: the conflict relationship of father and son is a metaphor for our nation situation in the traditional feudal symbol order; adopts unity of oppositions in the narrative mode, rebellious son perspective and look-down perspective; in the clan/family novel text in the "seventeen years", the complot of father-son relationship covers great narrative of revolution history and comply to the narrative syntax of revolution-centered, versatile perspective and "look-up" perspective; for the clan/family novel writing, the explanation of the relationship between father and son imitated and overturn the historical narrative and set up imitation and ironic narrative mode, the perspective of "I" and observation.

对20世纪中国家族家庭小说进行系统全面的梳理，我们发现："五四"时期的家族家庭小说文本，父子关系的对立隐喻着传统封建象征秩序下的民族遭际，采用二元对立的叙事模式及家族逆子视角与"俯视"视点；"十七年"时期的家族家庭小说文本，父子关系的共谋谱写着宏大叙事遮蔽下的革命历史，恪守以阶级斗争为中心的叙事语法及全知全能视角与"仰视"视点：新时期以降的家族家庭小说创作，父子关系的解构书写着戏仿与颠覆的历史叙事，创立戏拟与反讽的叙事模式及第一人称"我"的视角与"平视"视点。

In The Scarlet Letter,"the custom house", as the social background, in relation to the main body of the whole book, is extra-positioned.

红字》这部小说不适合关于一般小说的图式，在这部小说中，作为社会背景的"海关"一章相对于小说的主体结构而言是"外置"的。

He extended the theory of Depth Psychology into the study and criticism of novels , affirmed the human significance and modern aesthetic value of psychological novel , and revealed the psychological nature of the history of Western fiction from the phenomenon of the unconsciousness . Freud s theories pounded at the novel writing principle of Western Classicism , and affected the theoretical position and the writing concept of modern Western novelists .

从20世纪初期起弗洛伊德就在小说观念领域悄然发动了一次革命，他把自己的"深层心理学"理论延伸到了小说理论研究和批评之中，明确肯定了"心理小说"的人性意义和现代审美价值，并从"无意识"表现的历史存在揭示了西方小说史的心理学本质，对西方古典主义的小说创作原则造成了极大的冲击，有力地影响了西方现代小说家的理论立场和创作观念。

Due to late-Qing fiction theorist"s strong advocacy and fictionist"s active writing and translating, late-Qing traditional fiction concept gradually evolved into modern one. There were all sorts of fiction types. And new types of fiction constantly sprang up.

由于晚清小说理论家的大力倡导和小说家的积极创作与翻译，晚清的小说观念逐渐由传统向现代嬗变，小说类型比较完备，新的小说类型不断涌现。

I had done a similar thing in, in Central Station where as we were on the road and when we saw the religious processions in that part of Brazil, we soon incorporated them into the film and it didn't exist in the original screenplay either and here the boy started to imitate, you know, as we went back and forth to the location and the animals were there, he started to imitate all of them and then suddenly we started to incorporate that as well, er, same thing with the fire-eater, when she started to show us what she could do, we, we immediately started to, you know, to organically incorporate those elements into the screenplay and that is really a fascinating part of our film, it's the collaborative aspect of it, you know, it's when you realise that without every single person's input, the film wouldn't be the same and this is what really makes cinema depart from most medium, is that you have to accept it's democratic quality, you know, essence in order for a film to really be alive and interesting to watch, I guess.

唔，有趣的是当卡戴尔看完电影就跑来对我说，你知道吗这是最忠于原著的改编版，可很多元素都不同，最后，我认为当你改编小说时，当你把文学转化成电影时，真正需要重视的是小说精髓之处，这比什么都要紧，并且创造出一种两者如对立沟通式的对白而不只是改编，ipsis literis，你知道这书，运用他作为深刻的灵感来源，他允许你探究，你知道，没有素材来源不可能投入进去，有次我看库布里克的访谈，其中说到他偏爱主人公容易塑造的小说而不是小说本身，如此他就能专注于故事构架和情节而不是依照原本，这我可以明白，但换个角度说，如果我自己没有被故事打动，如果是这样，故事无法让我产生共鸣那进行二次创作很困难，因为人物本身就显得很单薄无法定位和改编，但我真的能理解他的感受。

The paper narrated the Lu Ling's novel's polyphonic factors from three aspects: the relation of the author and protagouist; the novel structure and the figure's relation structure; the protagonist's inner monologues. It pointed out the novel's generation reasons and essential features by describing the static phenomena, at the same time, it embodied the ego generation of the essay's art features by Dostoevsky, Fyodor's novel creation.

文章从作者与主人公在作品中的关系、小说结构与人物关系结构、主人公的内心独白三个方面入手分析路翎小说中的复调性因素；在对此进行静态的现象描述的基础上进一步指出其复调小说产生的原因和本质特征，同时以陀思妥耶夫斯基的小说创作作为参照，凸现出其文本艺术特征的自我生成性。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。