小诗

Chapter Five deals with four imageries—rain, and evenfall, flowers, mother,—and the various layers of meanings they carry in the versicle.

第五章〈小诗的意象之美----一象多意〉主要分析小诗选中，雨和黄昏、花与母亲，这四种物象展现出的多重意蕴。

In Neruda's poem titled Lament , the poet expresses everybody's hatred for what they are good at. There is a touch of poetic grayness in it. However, when I was making the book, I couldn't be happier. I hope I succeeded in concealing the contrast of our feelings in the pictures...

聂鲁达这首名为「哀悼」的小诗，诉说著每个人讨厌自己工作或专长的悲哀，其实带著诗意的灰暗，但是我在制作小书的过程，却是无比的开心，要怎麼隐藏我们之间情绪的反差呢？

When you read to a poem or saw that to a picture, fresh smooth and beautiful, sentiment meaningful verset, the style, the charm ease traditional Chinese painting, you have no alternative but to be excited, you have no alternative but to envy, only if you are the fool.

当你读到一首诗或看到一幅画，一首清新流丽、情味隽永的小诗，一幅别有格调、神韵悠然的国画，你不能不激动，你不能不羡慕，除非你是傻瓜。

Chapter Two briefly outlines the history of the verscile and discusses what the versicle is all about.

第二章〈文献探讨〉阐述小诗的进程与界定，分析出现在各类文学刊物以及学位论文中，与小诗相关的研究论述。

Chapter Four discusses the aesthetic and rhetoric values of the techniques of metonymy, simile, analogue, inversion, couplet, metaphor etc., in the versicle.

第四章〈小诗的修辞之美〉以修辞为经，美学为纬，爬梳小诗呈现在类叠、排比、映衬、层递、倒装等五种主要形式修辞中的美感。

The exemplarily exhibition of the intellectual character in modern Chinese poetry, then, are as follow: the theoretical inclination in initial pai-hua poetry, the metaphysical character in "Little Poems", and the pursuit of the priority of reason over emotion in the late period of the Crescent Moon Society, the achievements of which established the foundation of the development of the intellectual poetry.

初期白话诗歌的说理倾向、小诗派的哲理化色彩以及后期新月派以理性节制情感的追求等，这些可以视作中国现代诗歌中的知性滥觞，它们为知性诗的真正兴起奠定了基础。

He set up a little piece of poetry, which he made, himself, out of his own head -- three verses -- kind of sweet and saddish -- the name of it was,"Yes, crush, cold world, this breaking heart"-- and he left that all set up and ready to print in the paper, and didn't charge nothing for it.

他还写了一首小诗，是他自己发了诗兴写的――一共三首――是那种既甜美又带点儿悲凉的――有一首诗的题目是：&啊，冷酷的世界，碾碎这颗伤透了的心吧&。他临走前，把这首诗排好了铅字，随时可以印出，登在报上，分文不取。

I'm reminded of an untitled poem I love by Franz Wright, a contemporary American poet, which has new meaning.

我记起了一名当代美国诗人 Franz Wright 的无名小诗，这首诗如今对我有了新的含义。

His one small picture is just like a one non-rhyming poem and like a little flower on a remote mountain or a prairie. It silently eulogizes the gifts nature and life gives us.

他的一幅幅小画，就像一首首无言的小诗，更像深山中或草原上的小花，在默默地歌颂着给予我们生命的大自然。

That represents to the Chinese, not just a pleasant poetic mood but the summum bonum of life.

这一首小诗不独表现诗的情感，它同时表现着人生的&至善至美&的概念。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失