小小的

This is the method of a few conventions that we had told, take today tell everybody, that is to say a little sense, do not feel subentry is small, because,be small, so ace just is not done, we go doing ability to have the market.

这都是我们讲过的一些传统的方法，今天拿出来告诉大家，就是说一个小小的道理，不要觉得小项目小，就是因为小，所以高手才不去做，我们去做才有市场。

It was only a question of a trifling substitution of names.

那不过是一件小小的冒名顶替的事罢了。

THIS LITTLE OPERATOR WALKS THE ENTIRE SUBTREE LOOKING FOR MATCHES.

这个小小的运算符会遍历整个子树来进行查找婚配。

This tiny, sun-baked patch of sand in the midst of a war-torn and isolated region started with few advantages other than a long tradition as a hub for Middle Eastern trade routes.

这个在战乱和孤立中的小小的骄阳似火的沙漠之国，除了曾经是中东贸易商路的一个贸易中心之外，鲜有其他什么优势。

In a small, sunken garden by the roadside there were quantities of bright flowers.

路边的一个小小的凹陷的花园里有许多明亮的花。

Small, inky-black, almost perfectly circular, it's no ordinary sunspot.

小小的、墨黑色的、一个近乎完美的圆，而不是普通的耀斑。

Walking through the seemingly endless halls of the Chancelry, passing continuously from covered passage to open courtyard and back under cover again—this part of the castle was dotted with small, enclosed yards—he superstitiously avoided looking up at the tower.

走过Chancelry里看上去没有尽头的那些大厅，不断地走过有屋顶的走道、来到宽敞的庭院、再走进另一个有屋顶的走道——城堡的这一部分布满了小小的封闭和院落——他心里有鬼地不去抬头看那座塔。

Give him/her this little survival kit.

给他/她这个小小的生存装备，将他们和宣传资料一起放在一个棕色午餐袋中

And sweet-smelling rosemary plants are hung on doors or cut to look like little Christmas trees.

还有香味的迷迭香可以悬挂在门口，像是一个小小的圣诞树。

There is a little bitterness in my busy life, but at the same time, there is sweetness.

那里是我的忙碌生活的一个小小的悲痛，但是同时，有甜食。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。