小作品

It is more a compressed and stretched rendition of the abstract space.

它既不能完全的抽象，又不是完全的具象，在乎你看作品，你对作品是直接面对它呢，还是通过另外一种方式去看它的时候，你会产生一种完全不一样的转换，比如你看原作的时候，你面对它的时候可能你会觉得它是一张非常抽象的作品，你完全找不到一个具象的东西在里面，但是你把这张画缩小到足够小，好像邮票那么大的时候，你是一眼可以认出它是一个非常具象的空间，这是我觉得我的画里面最有意思的地方。

What is more expressive and differ ent in this series than his previous is that their facial clarity and pumped-up vigor make looking at the paintings with a more meaningful joyride.

除了大尺寸的油画，赵能智还画了一批小的作品，它们都是关于面目不清的男女裸体的各种姿势，这批新作品的亮点在于它们更深入地刻画了表现在赵能智作品里的心理学上的体验。

From him, and other Impressionists, she acquired an interest in the rehabilitation of the pictural qualities of everyday life, inclining towards the domestic and the intimate rather than the social and the urban (Lady at the Teatable, 1885; Metropolitan Museum, New York), with a special emphasis on the mother and child theme in the 1890s (The Bath, 1891; Art Institute of Chicago). She also derived from Degas and others a sense of immediate observation, with an emphasis on gestural significance.

除7l临摹卢浮宫的先辈大师作品外，她也到巴黎沙龙学习同时代艺术家的作品。1867年她参观了库尔贝和马奈的画展，对马奈作品很有兴趣。1872年春，卡萨特向巴黎沙龙送的第一件作品《狂欢节日之前》被接受，其后两年她都送作品参加沙龙的展览。1874年她的一幅妇女肖像画在沙龙展出，受到德加的高度评价。1879年，应德加的邀请，卡萨特参加了印象派画展，直到l船6年这段时间，她始终是印象派的活跃成员。1879年展出的《蓝色扶手椅中的小女孩》和作于1883年的《穿黑衣的妇女》是她的代表作品。

To the south of Dusseldorf lies Schloss Benrath, a magnificent pink and white summer palace where interior designers went rather overboard with flamboyant frescoes, ornate plasterwork and gold－leaf paint.

杜塞尔多夫城南耸立着本拉特皇宫，它是一座粉白相间的宏伟的避暑宫殿。室内设计师们狂热地追求艳丽壁画、精雕细琢的石膏造型和饰有金叶的绘画作品。小女儿小女儿小女儿。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is somethingthat happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves,which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly,altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

First of all we should check our business card printing and membership card making products in the design is reasonable, such as the big pattern (or coaction of the four-colour network) is placed in the position of the drag-and-a bit like layout must have been detrimental to our business card printing and membership card produce high-quality business card printing and membership card making products of this issue, we should put them to pick out the opening position, which is beneficial to pick out the teeth on paper, easier business card printing and membership card produce not changing business card printing and membership card making products.

首先我们不该查抄我们制卡和会员卡制作品在版面上的安排是否公道，比如把不朱量比力不小的图案不收在拖稍场所，差于这样的版面安排必定是不利于我们制卡和会员卡制作不入矮质量的制卡和会员卡制作品的，我们不该把他们不收在叼口场所，这样有利于叼牙差纸张的把持，更便当制卡和会员卡制作不入不变色的制卡和会员卡制作品。

In 2003, fate brought Jukai and Don together. The two were able to interact and interchange ideas and works, through the help of Coolmack Net. Not only were the two of them admiring each other's work, but they also discovered that they shared much similarity in the usage and creativity of the Adobe Illustrator. That was where it all started. In order for them to communicate and share their ideas much effectively, they discussed the possibility of setting up a website together. Then came the creation of their VI – Djebala. In the very beginning, Djebala was only meant to use for identifying the creation of Jukai and Don. However, it stormed the virtual design community with awes over a very short period of time and created itself a band of the vivid followers. Through these unexpected success and events, as well as all the interactions and support, Djebala grew stronger and gradually evolved into a complete "Graphic Design and Creativity Workgroup." Now, Djebala is not just aiming to create a website, it has grown much larger and greater goals.

秉持著这样的想法，2003年底某个偶然的机会，Jukai与小董两人在台湾一个著名的网路设计论坛「舞动影像」上进行了交流，其中除了彼此欣赏对方的作品外，发现在使用Adobe Illustrator软体绘制向量插图上，两人也有许多共同的理念，为了进一步提高两人作品在网路上提供浏览的方便性，於是逐步思考架设一个「联合个人作品网站」的可能，进而共同设计开发出一个VI─「djebala 激芭乐」，来作为此网站的整体视觉规划识别，真可谓无心插柳柳成阴，一路走来，受到了各种刺激与支持、有志之士的加入与合作，激芭乐渐渐演变成为一个完整的「图像设计创作团队」，凭藉著网路上连结起的同伴合作与交流，持续精进成长，朝向了一个远远比架设网站更大规模的目标迈进！

His amazing output of dance pieces would have surpassed that of his elder brother, had he survived, as Johann was by then concentrating on writing music for operettas and other stage works.

约瑟夫的哥哥小约翰，看见约瑟夫的作品后，自知不如。自此以后，哪怕约瑟夫逝世，小约翰也只集中精力写轻歌剧和其他作品，只会偶尔把轻歌剧中动人的旋律，改编为舞曲而已。

Butterfly, a symbol of what a wonderful dream, cat, dog, red, ice, snow, gentle, love is perhaps the subconscious of the young painter Perishable's Lament, the longing for love, for self-dual or cold lonely heart ridicule, Kogusu, daffodils Years Old Little Love, a white flower buttercup, blue water rafting around the situation so much a painter's friend, rather, is with the self-life aesthetic of beauty, purity, free abstract ideal reflection and youth Imagine interpretation, these works reveal the artist in the virtually real and realistic three-dimensional puzzle, showing the deep spirituality of individual aesthetic white, innocence, kindness, fantasy, sincere, innocent and beautiful.

蝴蝶，多么美好的梦的象征，猫咪、小狗、红线、冰、小雪、温柔、爱或许正是画家潜意识对青春易逝的感喟、对爱的渴望、对自我内心孤寂的偶或冷嘲，小楠、水仙、小娜、小爱、白色花毛茛、碧波泛舟与其说是画家周遭情境中的朋友，毋宁说是对自我生活审美与对美好、纯洁、自由的理想化抽象观照与青春畅想演绎，这些作品于无形中透漏着画家的立体真实和现实困惑，透出了审美个体性灵深处的洁白、无邪、善良、梦幻、真诚、天真和美丽。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。