将去

I ain't gonna take this no more Bounce baby out the door Get up and move Don't make me act a fool Just bounce baby out the door Bounce baby out the door I ain't gonna take this no more Bounce baby out the door Get up and move Don't make me act a fool Said you're going with your boys today and "Don't worry cause I'll be home late" But I know you're creepin' out there, cheatin', You've been freakin' babe So let me tell you how it's going to be And you can run game but not on me boy So who the hell are you trying to kid You know this is what I did I called your pager and your two-way boy but no response Start looking and I found you in some other women's arms Don't try to front boy cause I saw you there with my own eyes Just get your stuff boy cause I'm tired of hearing all your lies I ain't gonna take this no more Bounce baby out the door Get up and move Don't make me act a fool Just bounce baby out the door Bounce baby out the door I ain't gonna take this no more Bounce baby out the door Get up and move Don't make me act a fool Baby boy I know you'll never find No stuff as good as mine She can't work you like I did You can look but you know I got that good shit I know that you're hating it But you better stay with the one you're with You made your bed and now you have to sleep in it baby I called your pager and your two-way boy but no response Start looking and found you in some other women's arms Don't try to front boy cause I saw you there with my own eyes Just get your stuff boy cause I'm tired of hearing all your lies Bounce baby out the door I ain't gonna take this no more Bounce baby out the door Get up and move Don't make me act a fool Just bounce baby out the door I ain't gonna take this no more I ain't gonna take this no more Bounce baby out the door Bounce baby out the door Get up and move Get up and move Don't make me act a fool Don't make me act a fool Just bounce baby out the door Wait a minute Sarah, give me a chance to explain I was just talking to shorty, I don't even know her name I ain't looking for no one to come and take your place Ain't no one out there baby that can fill your space No need to find a nickel got a dime at home Plus I love every night the freaky way we bone I ain't trying to get gone, ain't trying to roll I'd rather stay and be a part of your green eyed soul Just bounce baby out the door Bounce baby out the door Just bounce I ain't gonna take this no more Just bounce Bounce baby out the door Just bounce Get up and move Just bounce Don't make me act a fool Just bounce

我ain't去向前发生作用这个不更多弹起当作婴儿般对待出去门到达向上和移动做不制造我行动a开玩笑仅仅弹起当作婴儿般对待出去门弹起当作婴儿般对待出去门我ain't去向前发生作用这个不更多弹起当作婴儿般对待出去门到达向上和移动做不制造我行动a开玩笑假定你是去用你的男孩今天和"做不担心原因我希望在家迟"但是我知道你是creepin'出去那里cheatin'你已经是freakin 婴儿那样让我说出你，它怎样正将是和你能变得勇敢了但是不是在我上那样地狱对是你试一试的男孩哄骗你的知道这个是我所做的我呼吁你的寻呼和你的双向的男孩但是没有看和我反应出发发现你在情妇手臂不努力尝试的一些中我有我的自己眼睛的仅仅把厌烦你的我被的材料男孩原因带到那里听你所有的谎言处理前面的男孩原因你我ain't去向发生作用这个没有更多弹起当作婴儿般对待从里面门到达沿着和移动做不制造我行动a开玩笑仅仅弹起当作婴儿般对待从里面门仅仅弹起弹起当作婴儿般对待从里面门我ain't去向发生作用这个没有更多弹起当作婴儿般对待从里面门到达沿着和移动做不制造我行动a开玩笑小男孩我知道你希望从不裁决不材料实际已经开采矿她不能工作你相似我是做你罐看但是你知道我得到那个好排粪我知道那个你是讨厌它但是你更好些留下用一你是用你制做你的床和现在你富人向睡觉在中它当作婴儿般对待我打电话你的寻呼和你的双向地男孩但是没有反应开始看和发现你在中一些情妇's手臂做不请尝试向前男孩原因我拉来拉去你那里用我自己的眼睛仅仅到达你的材料男孩原因我被使厌烦的听见你所有的谎言弹起当作婴儿般对待从里面门我 ain't去向发生作用这个没有更多弹起当作婴儿般对待从里面门到达沿着和移动做不制造我行动a开玩笑仅仅弹起当作婴儿般对待从里面门我ain't去向发生作用这个没有更多我ain't去向发生作用这个没有更多弹起当作婴儿般对待从里面门弹起当作婴儿般对待从里面门到达沿着和移动到达沿着和移动做不制造我行动a开玩笑做不制造我行动a开玩笑仅仅弹起当作婴儿般对待从里面门仅仅弹起等候a分钟萨拉让步我a机会向说明我是仅仅说话向矮子我做不平稳知道她名字我ain't寻找没有任何人向来和发生作用你的地方Ain't没有任何人从里面那里当作婴儿般对待那个罐充满你的是一部分你的绿色是从从门公正弹起里面门公正弹起弹起小里面盯着精神公正弹起小我ain't去把这没有更公正弹起弹起小带到从门里面仅仅弹起组织和移动公正弹起不使我装出一傻瓜公正弹起的样子

Take me and cast me where thou wilt; for there I shall keep my divine part tranquil, that is, content, if it can feel and act conformably to its proper constitution.

带我去你将要去的地方吧，因为在那儿我将使我心中神圣的部分保持宁静，换言之，如果它能按照它恰当的结构感觉和行动，它将是满足的。

Goodnight Nurse - Death Goes To Disco Midnight and I'm dancing with the devil She whispers thoughts of pure evil I see a vision of an angel Gunshot and my heart goes Jumpstart my heart Burn on through the dark Poison in my blood I will come undone Midnight and I'm dancing with the devil She whispers thoughts of pure evil I see a vision of an angel Gunshot pull the trigger and my heart goes Oh, disco You make my body go Oh, baby Look what you do to me Give up the fight And kiss me goodnight Then let this disease Take hold of me My heart is dead I lift up my head It seems I have bled All that have left Midnight and I'm dancing with the devil She whispers thoughts of pure evil I see a vision of an angel Gunshot pull the trigger and my heart goes Oh, disco You make my body go Oh, baby Look what you do to me Oh, disco You make my body go Oh, baby Look what you do to me One more, one more, She softly speaks to me One more, one more, This nightmare helps me breathe One more, one more, She softly speaks to me One more, one more, This nightmare helps me breathe I see a vision of an angel Gunshot and my heart goes Oh, disco You make my body go Oh, baby Look what you do to me Oh, disco You make my body go Oh, baby Look what you do to me Midnight and I'm dancing with the devil She whispers thoughts of pure evil I see a vision of an angel Gunshot pull the trigger and my heart goes Midnight and I'm dancing with the devil She whispers thoughts of pure evil I see a vision of an angel Gunshot pull the trigger and my heart goes

晚安护士-死中迪斯科午夜时分，我与魔鬼跳舞她低声思想邪恶我看到一个理想的天使枪伤和我的心 Jumpstart的我的心烧伤通过黑暗毒药在我的血液我将撤消午夜时分，我与魔鬼跳舞她低声思想邪恶我看到一个理想的天使枪伤抠动扳机，我的心噢，迪斯科你让我的身体去噢，宝宝看看你做给我放弃斗争和吻我晚安然后让这种疾病把握箱我的心已经死了余抬起我的头看来我已经流血这一切都已经离开午夜时分，我与魔鬼跳舞她低声思想邪恶我看到一个理想的天使枪伤抠动扳机，我的心噢，迪斯科你让我的身体去噢，宝宝看看你做给我噢，迪斯科你让我的身体去噢，宝宝看看你做给我一，一，她轻轻地对我说话一，一，这场恶梦让我呼吸一，一，她轻轻地对我说话一，一，这场恶梦让我呼吸我看到一个理想的天使枪伤和我的心噢，迪斯科你让我的身体去噢，宝宝看看你做给我噢，迪斯科你让我的身体去噢，宝宝看看你做给我午夜时分，我与魔鬼跳舞她低声思想邪恶我看到一个理想的天使枪伤抠动扳机，我的心午夜时分，我与魔鬼跳舞她低声思想邪恶我看到一个理想的天使枪伤抠动扳机，我的心

The talk will review four 'narratives' of deinstitutionalization: 1 the positive narrative of moving care from the asylum to the community, from 'confinement' to 'hope'; 2 the dark narratives of 'deinstitutionalization' leading to neglect and 'reinstitutionalization'; 3 a cultural narrative of distinctive forms of institutionalization and deinstitutionalization in diverse regions of Asia; and 4 a reminder of the complex history of deinstitutionalization in the United States and Western countries.

这个讲座将回顾对去机构化的四种"表述"：1把服务从避难所转到社区的积极表述，从"拘禁所"到"希望"；2）"去机构化"导致忽视和"重新机构化"的灰暗的表述；3）在不同的亚洲地区有各具特色的机构化和去机构化形式的文化表述；4）让人回想起在美国和西方国家中去机构化的复杂历史。

Is this the real life - is this just fantasy - caught in a landslide - no escape from reality - open your eyes look up to the skies and see - I'm just a poor boy, I need no sympathy - because I'm easy come, easy go, a little high, little low, anyway the wind blows, doesn't really matter to me,- to me - mama, just killed a man, put a gun against his head, pulled my trigger, now he's dead, mama, life had just begun, but now i've gone and thrown it all away - mama, ooo, didn't mean to make you cry - if i'm not back again this time tomorrow - carry on, carry on, as if nothing really matters - too late, my time has come, sends shivers down my spine, body's aching all the time, goodbye everybody - i've got to go - gotta leave you all behind and face the truth - mama, ooo - i don't want to die, i sometimes wish i'd never been born at all - i see a little silhouetto of a man, scaramouche, scaramouche will you do the fandango - thunderbolt and lightning - very very frightening me - galileo, galileo, galileo, galileo galileo figaro - magnifico - but i'm just a poor boy and nobody loves me - he's just a poor boy from a poor family - spare him his life from this monstrosity - easy come easy go -, will you let me go - bismillah!

这是真正的生命，这只是幻想陷入了滑坡没有逃离现实打开你的眼睛仰望天空，看到--我只是一个贫苦男孩我不需要同情，因为我来得容易，去得也快，有点高，低，小，无论如何，风吹，其实并不重要，我-我-妈妈，刚刚杀害了一名男子，用枪顶着他的头，拉着我的触发，现在他死了，妈妈，生活刚刚开始，但现在我已经去了，搞得它冲走妈妈，公司OOO ，不是要你哭，如果我不回来这个时候明天进行，钙奥研究，因为如果有什么事情，为时已晚，我的时间已经来到，发出想起了我的脊柱，身体的疼痛所有的时间，大家再见，我拿到去-推荐你离开一切的背后，面对真相妈妈， 41 O型，我不希望死了，有时我想我倒从未诞生于一切，我看到一个小silhouetto一名男子，侯爵先生， SC aramouche将你的居心不良-霹雳闪电，非常非常可怕，我--伽利略系统，伽利略，伽利略，镓 lileo伽利略加罗-金瓶梅，但我只是一个贫苦男孩，没有人爱我--他是一个宝或男孩，从一个贫穷的家庭使他的生活从这个怪物-来得容易，去得也快-，无线镑，你让我去真主！

I love her, she's my everything I won't ever be without her...she's the reason why I sing I can't help myself I love her, what she does to me Makes me feel so good about her...music is my everything Very rarely does she disappoint She always says something good to me Whoever wrote the words that come out of her mouth They know just how to get to me Well she's my muse and I get sick to my stomach When somebody disrespects They don't value her opinion They just use her for her sex She's beautiful, sensual and I love the way her body works Sometimes she makes me happy And sometimes her message hurts No matter what she says to me I'll always be around Some will say she lost her way But here is where she's found...music When she was young and comin up Nobody really knew where she would go But now she's really opened up And now the whole world can feel here...don't you feel her Chorus Chorus Now if you're booed up with your baby This is what you say Say baby, don't go nowhere And I promise I'll stay Let me hear you say...

我爱她，她不是我的每件事物我曾经没有她。。。她是我唱的理由我不能帮助我自己我爱她，她对我做的有关她使我感觉如此好。。。音乐是我的每件事物绝少，失望吗她总是对我说好的事物任何人写了从她的嘴出来的字他们究竟知道该如何到达我很好地她是我的沉思和我对我的胃生病了当某人不敬他们不评价她的意见他们仅仅使用她作为她的性别她很美丽、官能，而且我爱她的身体工作的方式有时她使我快乐而且有时她的信息伤害无论她对我说话的我总是将会在附近一些将会说她迷路了但是这里是她被发现的地方。。。音乐当她年轻的时候和 comin 向上没有人真的知道她会去的地方但是现在她真的有话直说而且现在整个世界能在这里感觉。。。你不感觉她吗合唱合唱现在如果你被发出嘘声在与你的宝贝上面这是你说的发言权宝贝，不去无处而且我答应我将会停留让我听到你说。。。

Our study includes four aspects. In the first aspect we study several important conditions of porcine oocytes maturation in vitro and oocytes cleavage after parthenogenetic activation and found mNCSU-23+15IU/mlPMSG+20IU/mlHCG+15% PFF+0.57mMcysteine is a good culture condition .When the Cocs are cultured in it ,the maturation rate and oocytes cleavage rate are higher than those of foreign covered. Our result are (86.7±3.35)% and (86.3±4.16)% and the highest report of foreign is(85.7±4.1)%.In the second aspect we study the effect of different chemical activations on development of porcine parthennogenetic embryo and found two best activation method. The first one is that putting the maturation MII oocytes in the 20μmol/L ionomycin for 30 minutes and then putting them in the NCSU-23 condition containing 5μg/mICB and 5mM/L6-DMAP for 3.5 hours, the oocytes cleavage rate and morulae/blastocysts development rate are (76.7±7.6)% and (37.1±6.4)%.The second one is that putting the maturation MII oocytes in the 200μM/L Thimerosal for 20 minutes and then putting them in the NCSU-23 condition containing 8mM DTT for 30 minutes

本研究分为4个部分，第一部分对影响猪卵母细胞体外成熟和孤雌激活后胚胎分裂的几个重要条件进行了比较研究，确立了一种较好的培养方法：与颗粒细胞共培养，找到了一种适合猪卵母细胞体外成熟的培养基：mNCSU-23+15IU/mlPMSG+20IU/mlHCG+15%PFF+0.57mM半胱氨酸，成熟率和分裂率分别为(86.7±3.35)%和(86.3±4.16)%，国外报道的最高成熟率为(85.7±4.1)%；第二部分对猪卵母细胞孤雌激活的化学方法进行了研究，确立了化学激活猪卵母细胞的两种最佳方法：1将成熟的去卵丘颗粒细胞的MII期卵母细胞用20μmol/Lionomycin作用30min，再将卵母细胞培养于含5μg/mlCB和5mM/L 6-DMAP(6-二甲基氨基嘌呤)的NCSU-23培养液中，卵裂率和桑囊胚发育率达到(76.7±7.6)%和(37.1±6.4)%2将成熟的去卵丘颗粒细胞的MII期卵母细胞在200μM/L的Thimerosal中处理20min，再与8mM的DTT共孵育30min，卵裂率和桑/囊胚形成率为(81.0±2.8)%和(39.6±2.7)%；第三部分对孤雌激活胚胎的培养条件进行了研究，确立了一种最佳的胚胎培养条件：在SOF简单培养基中添加颗粒细胞进行前3天的培养，然后转入添加胎牛血清的NCSU—23培养基并和输卵管上皮细胞进行后期的培养，其桑椹胚和囊胚的发育率为(59.5±3.2)%；第四部分研究了IGF-I

I need love come set me free Give me one chance don't walk on by When I look deep into your eyes When I look into your eyes I know you tell me lies It's never gonna be the same again You will always make me cry Yous tarted to pass me by It's never gonna be the same again Look into your eyes It's never gonna be the same again without you Want to free my heart It's never gonna be the same again without you Here we go wo-o-woh wo-o-woh yeah...

我需要被释放我的被来的爱给我一个机会不走在被之上当我进入你的眼睛之内看起来深当我调查你的眼睛我知道你告诉我谎言它从不正在去再是相同的你将会总是使我哭你酸的漠视我它从不正在去再是相同的调查你的眼睛它从不正在去没有你再是相同的想要释放我的心它从不正在去没有你再是相同的我们去在这里了 wo-o-woh 的 wo-o-woh 是的。。。

There is a kind of monkey trap used in Asia, a coconut is hollowed out and attached by a rope to a tree or stake in the ground, at the bottom of the coconut a small slit is made and some sweet food is placed inside, the hole on the bottom of the coconut is just big enough for the monkey to slide in his open hand, but does not allow for a closed fist to pass out, the monkey smells the sweets, reaches in with hand to grasp the food and is then unable to withdraw it, the clenched fist won't pass, through the opening, when the hunters come, the monkey becomes frantic but cannot get away, there is no one keeping that monkey captive, except the force of its own attachment, all that it has to do is to open the hand, but so strong is the force of geed in the mind that is a rare monkey which can let go, it is the desires and clinging in our minds which keep us trapped, all we need to do is to open our hand, let go of our selves, our attachment and be free.

在亚洲某些偏远地区﹐流传著某种传统捉猴子的陷阱﹐他们把椰子挖空﹐然后用绳子绑起在树上或固定在地上﹐椰子上留了一个小洞﹐洞内放了一些美饵﹐洞口大小恰好只能让猴子空著手伸进去而无法握著拳伸出来﹐於是顽猴闻香而来﹐将手伸进去抓拿美食﹐而后理所当然的﹐手便伸不出来﹐紧握的拳头伸不出洞口﹐当猎人到来时﹐羣猴惊慌失措﹐但﹐就是逃不掉﹐并没任何人捉著猴子不放﹐它﹐只是被本身的执著所俘虏﹐它只需将紧握的手拳头松软放开便可伸出来﹐但是﹐就是内心中贪恋的欲念所致﹐鲜有顽猴能放下﹐因内心中的欲望与执著﹐使得我们一直受縳﹐面对这逆境﹐我们唯一要做的﹐只是将双手释然放下﹐放下自我执著的坚持﹐就能消遥自在了。

Remove the seals of cigarettes, cigarette case to the right side of the aluminum torn off, an extract himself, this time has been loose cigarette case, cigarette case to jitter (or use another hand of the index and middle fingers lightly percussion), which Douchu part of the tobacco, cigarette case will be delivered in the past, others have been out of his own cigarettes, tobacco, and so made good, you one by one cigarette.

撕去香烟封条，将烟盒的右边锡纸撕去，抽出一根给自己，这时烟盒已经松动，将烟盒抖动（或加用另一个手的食指和中指轻轻敲击），使其中的烟抖出一部分，将烟盒递过去，别人自己抽出已经露出的香烟，等发好烟后，你再逐个点烟。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。