封闭的

The same period of a few of the new fund has its own unique features, the only fund manager's point of view, Hua-core optimization of aspiring fund managers Chen Yu Qiao is relatively good, Qiao Chen Yu was in charge of the Hua is Manulife in 2007,"Taurus Award" winners, leaving early in 2008, she became Manulife closed-end fund's manager, EMC, EMC this year's performance in closed-end funds are also among the best in both open-end funds in the bull market's performance in the lead, There are also closed-end funds in the bear market leader in the industry's resilience in the performance of the fund's manager of new products cause for concern.

了一个新的基金数同期都有自己独特的功能，唯一的基金经理的角度来看，华有抱负的基金经理的核心优化陈于乔石委员长是比较好的，乔石在谌渝负责的华于2007年宏利，"金牛奖"得主，在2008年初离开，她成为宏利封闭式基金的经理，EMC公司，EMC公司今年的业绩在封闭式基金也几乎是在开放式最佳结束基金在牛市的中，也有封闭的，在行业中的基金经理的新产品性能弹性熊市资金方面领导带头的表现令人担忧。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

Ageing rebels, second-year master's students with lacquered nails, broad-shouldered phonies in Norfolk jackets, snappers from Newsweek, all approached the cringing, little house where he had lived, or battened down, or holed up—you, general reader, can choose the word you please—ever since a great wave of fame had broken over him in 1953, two years after he happened to write a book called "The Catcher in the Rye".

这些人当中有上了年纪的愤青，有涂着指甲油的二年级研究生，有穿着诺福克上衣宽肩膀的装酷男，有《新闻周刊》的摄影记者；他们都接近了那个拒外的小房子，那是他居住的地方，或者说是他自我封闭的地方，或说是自我囚禁之所——读者你们可以选择自己喜欢的词来形容——自那股巨浪般的盛名突然向他砸来之后，他就住到了那里，那是1953年；在那两年之前，他恰巧写了一本书，书名叫作《麦田里的守望者》。

For reconstruction from contours, this dissertation uses Active Contour Model to check the boundary contours. The algorithm can generate single, continuous and close contours quickly. For reconstruction from voxel, this dissertation presents an algorithm to trace the boundary contours from segmented regions based on Active Contour Model. The algorithm can trace the contours of inter and outer connected multi-regions correctly and accurately, and can prevent tracing from jumping out to the neighbor region, also can define the contour precision and contour key points actively as snake is growing up.

对于基于轮廓线的表面重建，利用主动轮廓模型（Active Model，又称Snake Model）来完成断层图象上目标轮廓的提取，可以获得单象素连通的封闭的目标边界轮廓；针对基于体素的表面重建中实施了分割后的体数据，提出了一种基于主动轮廓模型完成二值图象中轮廓跟踪记录的方法，可以对同属于重建目标的内外邻接多区域进行正确和准确的边界轮廓跟踪，使得在跟踪当前轮廓时不会跨越到相邻轮廓，且主动轮廓的精度可以根据参数交互决定，尤其是能够在主动轮廓成长的同时主动定义轮廓关键点。

This action which is later perceived as spoiling the realistic illusion of the cinema, is action which is later perceived as spoiling the realistic illusion of the cinema, is here undertaken with brio, establishing contact with the audience From comedians smirking at the camera, to the constant bowing and gesturing of the conjurors in magic films, this is a cinema that displays its visibility, willing to rupture a self-enclosed fictional world for a chance to solicit the attention of the spectator

这个 行动是后来溺爱的电影现实的幻想被认为是行动是后来溺爱的电影现实的幻想被认为是这里开展的快板，建立与警方在相机面带笑容的喜剧演员观众接触，以不断鞠躬，并在魔术电影conjurors手势，这是一个电影，显示其知名度，愿意破裂自我封闭的虚构世界的机会，争取到注意旁观者

Basing on describing the basic knowledge of school management system of Chinese basic education, this article bring forward some new ideas: first, the author dont simply discuss the theories on school management system of school management system of Chinese basic education from perfect situation, but combining the factual condition of school management system of Chinese basic education; second, the article analysis profoundly the problem of School management system of Chinese basic education; third, after discussing the reform mode of Chinese basic education, the author further advance to change the coverall and unchangeable school management system and set up the school management method, which call integral whole two lines.

本文在梳理我国基础教育办学体制的基础之上，也不乏创新之处：一是对我国基础教育办学体制改革的理论阐释不是简单从理想状况去推理，而是结合我国基础教育体制改革的实际进行了系统地说明；二是对我国基础教育体制改革所面临的问题进行了深层次的分析；三是在对我国基础教育办学体制的几种有益的探索进行剖析的基础上，试图探索对我国基础教育体制改革的模式，提出在改革&包揽封闭&的办学体制，构建&一体二线&的办学框架，并希望对我国基础教育改革有所启示。

This thesis insists that farmer household should be re-cognition in such condition, which analyzes peasants in a developing and historical process. The thesis tries to prove that peasants are at the entrance of socialized small agricultural economy stage although the scale of farmer household' s management is still too small. It also points out that peasants are engulfing into an open mobile socialized system with division of labor, which is far-off closed traditional small agricultural economy.

本文基于家庭经营体制长期不变的条件，提出&重识农户&，即将农户放在历史变迁的过程中加以考察，认为，尽管当今的农户经营规模小，但他们已越来越深地进入或者被卷入到一个开放的、流动的、分工的社会化体系中来，与传统的封闭的小农经济形态渐行渐远，进入到社会化小农的阶段。

Jakarta was still a sleepy backwater in those days, with few buildings over four or five stories high, cycle rickshaws outnumbering cars, the city center and wealthier sections of town—with their colonial elegance and lush, well-tended lawns—quickly giving way to clots of small villages with unpaved roads and open sewers, dusty markets, and shanties of mud and brick and plywood and corrugated iron that tumbled down gentle banks to murky rivers where families bathed and washed laundry like pilgrims in the Ganges.

雅加达在那时仍是穷乡僻壤，很少有楼层高过四五层，三轮黄包车比汽车多得多，城市中心和市镇中比较富有的地区——带有殖民时代建筑的高雅和豪华，得到精心照料的草坪——极快地被密集的小村落占据了，包括，没有铺石砖的路径，未封闭的下水道，多尘的市场，泥浆、砖、夹板和瓦垅钢皮建成的棚屋，坐落于不太陡峭的堤岸上，建筑下是混浊的河水，人民在河里洗浴、洗衣服，就像印度人在恒河的生活一样。

The BRE Bank building in Bydgoszcz realizes consistently the vision underlying the competition entry It was Intended as a structure whose form would be finished, closed referring fo the typology of granaries, made adequately contemporary.incorporating a new function-that of a bank, i.e.a modern-doy granary for money. The overall design idea stemmed from the desire to show respect for.

比得哥什的BRE银行大楼实现了参赛作品一致的视觉景象，建筑师的本意是想把建筑设计成完整而封闭的，形式来源于谷仓，并具有足够的当代性，同时结合进银行的功能，也就是说，是一个现代化的存钱的仓库，整体设计的创意除了源于谷仓的形式之外，还要做到尊重并展现整个场所的氛围——港口与码头。

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢？

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我，一个心中布满虚荣的女孩子真实的想法。