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Francois Truffaut, one of the most widely acclaimed directors in the history of cinema, is also the most famous of the French New Wave directors.

法国新浪潮导演杜鲁福,可算是有史以来最能够拍摄雅俗共赏电影的导演之一。

The purpose of this paper is to analyze how Julie Taymor applies the theories and techniques of avant-garde theatre directors, and how she listen diverse media, such as visual arts and animation, to reinterpret Shakespeare's story about an ancient ruthless Roman general's revenge. The whole film serves as a dream itself, filled with postmodern montage; and along with its artistic style of provoking morality and reason, all reveal the director's intention of creating a black somnambulating journey where the boundaries between dream and reality, good and evil, reason and consciousness, pain and joy are vague and undistinguishable.

本文的目的是分析茱利泰摩是如何运用前卫剧场导演大师的理论与技巧,并融合视觉艺术和多媒体动画等异媒材,来重新诠释一个莎翁笔下残暴的古罗马将军复仇的故事,全片宛若梦境,充满后现代拼贴色彩,挑动道德理性神经的艺术风格,在在显示出导演意欲营造出一个梦与真实难辨、善与恶交错、理智与清醒不分、痛与乐共存的黑色梦游旅程。

In this critically acclaimed bittersweet and highly entertaining comedy, director and co-screenwriter Danièle Thompson ( Décalage horaire / Jet Lag ) unpretentiously tackles the big themes of Life and Art.

在这部备受赞赏,苦乐参半又娱乐性丰富的影片中,导演兼剧作家丹妮尔。汤逊以毫不矫饰的手法处理生命和艺术这两大题目。本片的编剧兼导演米高歌治是一位创意无限的创作人,他的电影《无痛失恋》、音乐和广告创作曾赢取多个奖项。

The movie is produced by Sin City director Robert Rodriguez based on a script he wrote over fifteen years ago and is being helmed by Armored director Nimrod Antal.

这部影片是由罪恶之城导演罗伯特罗德里格兹的基础上对剧本,他说15年前,正由装甲尼姆罗德安塔尔导演操刀。

Beside his work as a director/writer, Pepe works as a teacher at various film schools in Germany (dffb in Berlin, film academy in Ludwigsburg, ZFP) and works as a dramaturgical advicer and producer for documentary films.

除了身兼导演和作家外,Pepe 还在德国不同的电影学校(柏林影视学院 dffb、Ludwigsburg 电影学院、 ZFP)任电影导演课老师,他还为纪录片担任表演顾问和监制。

Fanal fantasy is the brain child of director hirond broof subrichief ,the creator of popular fanal fantasy video game.he and his team of some 200 digital artists spend four years studying the tiny UNCs of light, movement in human anatomy.there might be tequile to detail the film was consitite to over 100million dollars.

最终幻想是导演坂口博信的杰作,坂口导演是倍受欢迎的游戏最终幻想的创作者。他和他的制作组共200余数码艺术家花费四年时间研究光线,动作和人体解剖学的细微之处。他们对细节的注重使得电影成本达到1亿美元。

Composed of long takes of indirect gazes and oppressively alienated temps morts (where an eclectic assembly of anonymous residents alternately stare out the window, smoke a cigarette, handle their rifle, voyeuristically peep, awkwardly flirt, become inebriated, and even mischievously set on fire laundry that has been hanging on a clothesline), the fragmented, collage-like portraits of the tenants are interstitially connected through the recurring image of the building's dimly lit hallways, a visual metaphor for a culture adrift and in transition - a conduit to an undefined destination.

塔尔齐名的东欧诗电影导演,他的大部分电影都没有对白,只用近乎静默的长镜头去探索人物内心的孤独和绝望,展现后共产主义的东欧社会巨变下人们精神世界的空虚,94年的《走廊》无疑是这种风格的代表作,其中的长镜头堪称能与同年那部赫赫有名的《撒旦探戈》相媲美。巴塔斯与俄罗斯的安德烈。索科洛夫,匈牙利的贝拉。塔尔共同被称为继承塔尔科夫斯基诗电影风格的当代重要导演,他们的作品或多或少都受到了塔尔科夫斯基的影响,无论是在电影艺术语言还是在作品的主题上,但三人之间又有所不同。

That's what director Wes Anderson and animation director Mark Gustafson managed in this delightful version of the Roald Dahl children's classic about a dapper, larcenous fox who aims to pull off one last, impossible heist.

这就是导演韦斯安德森和动画导演马克古斯塔夫森在这个罗尔德达尔的经典儿童约dapper 中,盗贼福克斯(由乔治克鲁尼表示愉快的版本管理)的目标是谁拉过最后一个,不可能是海斯特。

Producer Zhang Xianmin and Samantha Culp, filmmaker Liu Jiayin and Peng Lei will share the shooting experience with us, along with the production stills presented by young photographer Madi Ju and 223.

制片人张献民、高文雅将与导演刘伽茵、彭磊一同讲述创作体验,并加映三位导演其他短片作品。该片剧照师Madi Ju和223也将分享他们用镜头捕捉到的《暂停》故事。

Producer/director Richard Rush's The Stunt Man (1980) presented Peter O'Toole as a manipulative,power-hungry,megalomaniacal film director.

制片人/导演理查德·拉什让演员彼得·奥图尔在电影《特技替身》(1980)里塑造了一个有操纵和权利欲望的狂妄的导演形象。

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