导引亡灵之神

An animal skin hanging from a stick, this is a symbol of Osiris and Anubis .

吊挂在棍棒上的一张动物皮，这是奥斯里斯和导引亡灵之神、豺头人身神符号。

In some texts we find Anubis, the gaurdian of the tomb being referred to as "He who is upon his mountain."

某些文献里我们发现导引亡灵之神，坟墓的守卫被谈到犹如"在他山脉之上的他"那样。

She was also linked with Anubis during Greek Times as Sopdet-Anubis, probably because of the iconography of her as a god, or riding on the back of a dog.

她在希腊时期期间也跟导引亡灵之神联系在一起成为Sopdet-导引亡灵之神，或许因为她被视为神的肖像，或骑在狗背上的原因。

In some texts we find Anubis, the gaurdian of the tomb being referred to as "He who is upon his mountain."

某些文献里我们发现导引亡灵之神，坟墓的守卫被谈到犹如&在他山脉之上的他&那样。

He is then led to the scales of balance by Anubis ,the jackal-headed god of mummification and the afterlife.

他被导引亡灵之神阿努比斯——木乃尹化的来世、有着豺狗一样头颅的的神明，引导至一个有刻度的天平面前。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。