对应物

Routine,as a reasonable counterpoint to corporate gene,has played an important role during this process.

惯例作为企业基因的合理对应物在这一过程起到了最为关键的作用。

There must be counterpoint when signal is being used, and then it's meanful for people.

符号在运用中必须有对应物，对于运用符号的人来说，才能具有实用价值。

Lastly, it makes similarity research about Nine Leaves School with the post- Symbolism represented by Yeats, which shows that both Nine Leaves School and Yeats emphasize on epic interpretation of reality from structural symbol, metaphysical intellect and "objective correlative", symbol construction show self-conscience of crasis of sensibility and intellectuality, give order to the chaos , or explore into the past and tradition, or create eternal art, pursue primitive tendency of harmony of flesh and soul.

最后，就九叶诗派和以叶芝为代表的后期象征主义的关系进行了类同研究，两者均注重以结构性象征、玄学化的智性以及"客观对应物"对现实做出史诗化的阐释，在象征营造上显示出感性与知性融合的自觉意识，力图为混乱赋予秩序，或是到过去的传统中去探寻，或是创造永恒的艺术，呈现出追求灵肉一致的原始主义倾向。

Lastly, it makes similarityresearch about Nine Leaves School with the post- Symbolismrepresented by Yeats, which shows that both Nine Leaves School andYeats emphasize on epic interpretation of reality from structuralsymbol, metaphysical intellect and "objective correlative",symbol construction show self-conscience of crasis of sensibilityand intellectuality, give order to the chaos , or explore into thepast and tradition, or create eternal art, pursue primitivetendency of harmony of flesh and soul.

最后，就九叶诗派和以叶芝为代表的后期象征主义的关系进行了类同研究，两者均注重以结构性象征、玄学化的智性以及"客观对应物"对现实做出史诗化的阐释，在象征营造上显示出感性与知性融合的自觉意识，力图为混乱赋予秩序，或是到过去的传统中去探寻，或是创造永恒的艺术，呈现出追求灵肉一致的原始主义倾向。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

All of those are apt to a kind of aesthetics "regarding frightfulness as beauty "、"disinterring beauty from evil".

另外在艺术方法上受法国象征派重象征、暗示的影响，喜欢通过"客观对应物"来象征、暗示自己的内心世界。

To say that tragedy 'imitate good men' while comedy 'imitates bad men' strikes a modern reader as almost meaningless. The truth is that neither 'good' nor 'bad' is an exact equivalent of the Greek. It would be nearer perhaps to say that, relatively speaking, you look up to the characters of tragedy, and down upon those of comedy. High or low, serious or trivial, many other pairs of words would have to be called in, in order to cover the wide range of the common Greek words.

说悲剧"模仿好人"而喜剧"模仿坏人"对现代的读者几乎毫无意义，但事实上无论"好"还是"坏"都不是希腊词汇的准确对应物，下面的说法可能更准确一点：相对而言，你仰观悲剧的角色而俯视喜剧角色，高或低，严肃或琐碎，等等很多对立的词汇并列才能涵盖希腊原文的广泛含义。

To realize the specialization and metaphorization of the themes and idea of poems by switching images, to realize the specialization and symbolization of the histrionic structures, scenes, librettos, and images by switching language signs.

通过意象形象的转换实现诗的思想与观念的对应物的具象化、隐喻化；通过语言符号的转换，实现戏剧性结构、场景台词、意象的具体化、符码化。

These planes found their rectilinear equivalent in the apartment.

这些平面在公寓中找到了其直线对应物。

Perception notion is relating to psychological counterparts acting in the brain's physiology, also experienced as the stimulus'self nature in psychology.

知觉概念是活动在大脑中生理力的心理对应物，在心理上被体验为刺激物本身的性质，因此，视知觉概念是活动在大脑视中心的那些生理力的心理对应物。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。