对位法

Its intimacy suited his meditative rather phlegmatic nature and his taste for involved polyphony; and writing chamber music, absolute music, was the sign of his opposition to, and separation from, the dramatic and programmatic orchestral writing of the "New German" followers of Wagner and Liszt.

室内乐密切的关系适合他沉思冥想而非冷漠的天性，以及他于对位法的偏爱；写作室内乐这种纯音乐，也是他反对与脱离戏剧性和标题音乐管弦乐队写法的一个标记，就像瓦格纳和李斯特"新德国"追随者们主张的那样。

The roar of the waves served counterpoint to the chaplain's soft, but powerful voice.

波浪的吼服侍了对牧师的柔软，但是有力的声音对位法。

I think that the necessary of contraposition is: 1, the equality of line; 2, indivisibility of integer.

然而对于我，小说对位法的必要条件是：1、个'线'的平等；2、整体的不可分割。

" Contrapuntal :Of, relating to, or incorporating counterpoint."

对位的：对位的、与之有关的或体现对位法的。

The combination of modal counterpoint with tonal logic of cadences created the sense that there were two style of composition- the homophonic dominated by vertical considerations and the polyphonic dominated by imitation and contrapuntal considerations.

模式对位法和调性逻辑的结合创造了作曲的两种风格--纵向思维主导的合唱音乐和对位思维主导的复调音乐。

But what's often overlooked is a common-sense counterpoint: in some circumstances, it can be good for you, too.

但是，常常被忽略的是一种常识性的对位法：在一些情况下，压力也能有利于你。

Bach was unique in his handling of counterpoint.

巴赫在处理对位法方面是独一无二的。

Did not quite recall though the name certainly sounded familiar, for sixtyfive guineas and Farnaby and son with their dux and comes conceits and Byrd who played the virginals, he said, in the Queen's chapel or anywhere else he found them and one Tomkins who made toys or airs and John Bull.

还有在对位法的先导主题与应答主题上下过功夫的法纳比父子。此外就是伯德。斯蒂芬说，此人不论是在女王小教堂或任何其他地方，只要看到了维金纳琴就非弹上一通不可。还有个姓汤姆金斯的，作过诙谐的或庄重的歌曲。再就是约翰。布尔了。

I have always enjoyed observing patterns: the point and counterpoint in Beethoven's 15th string quartet and the intricate fingerings and crescendo in his Kreutzer sonata, for example, as well as the rise and fall of the empires of history.

我总是喜爱观察模式：在贝多芬的第15首弦乐四重奏里的点与对位法和和他的克罗伊策奏鸣曲里的高潮和错综复杂的弹奏，例如，就像历史帝国的建立和灭亡一样。

Key terms: ostinato, counterpoint, polyphony, reaction against romanticism, absolute music, baroque forms - suite, toccata, etc...

主要音乐概念：固定音型的使用，对位法，复调音乐，反对浪漫主义的手法，纯音乐，再现巴洛克时期的形式-组曲，托卡塔等等

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。