寡妇的

Xiang Lin-sao written by LuXun is the tragic image of working women who was op- pressed by feudal ethics.Xiao Cao in"Grass"、the Widow in"Remarries" written by XuJie,Shua- ngXi's wife in"Insane woman" written by Xu Qin-wen,these figures are the same with Xiang Lin-sao,who is the victims by the old cultural confuciansm.

其次是祥林嫂型，鲁迅笔下的祥林嫂是受封建伦理道德压迫的悲惨的劳动妇女的形象，许杰《小草》中的小草，《改嫁》中的寡妇，许钦文《疯妇》中的双喜媳妇，这些人物和祥林嫂一样，都是对命运苦苦挣扎而又无法获得解放的旧文化礼教的受害者。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

I think the memory of that dreadful afternoon, and of the tender care he then received, should have taught the doctor to keep his hand steady at Streatham, when he took his bed-room candlestick, from which it was his habit to shower rivulets of molten wax upon the costly carpet of his beautiful protectress; and might have even had a more enduring effect, and taught him to be merciful, when the brewer's widow went mad in her turn, and married that dreadful creature, the Italian singer.

我想，回忆那一个可怕的下午，以及那时他所得到的温情的关怀照顾，应该教导约翰生博士，在拿起卧室里的烛台时，他的手要保持平稳，要一反他的习惯，别让融化的烛油象小河似的淌到他那美丽的保护人的华贵的地毯上去；应该还有一个更加持久的效果，在挨到酿酒商的寡妇发疯、嫁给那个可怕的人物意大利歌唱家时，要教导约翰生博士能悲天悯人。

I will be quick to testify against sorcerers, adulterers and perjurers, against those who defraud laborers of their wages, who oppress the widows and the fatherless, and deprive aliens of justice, but do not fear me, says the LORD Almighty.

3：5 万军之耶和华说、我必临近你们、施行审判。我必速速作见证、警戒行邪术的、犯奸淫的、起假誓的、亏负人之工价的、欺压寡妇孤儿的、屈枉寄居的、和不敬畏我的。

Sorcerers, adulterers and perjurers, against those who defraud laborers of their wages, whooppress the widows and the fatherless, and deprive aliens of justice, but do not fear me, says theLORD Almighty.

我必速速作见证，警戒行邪术的、犯奸淫的、起假誓的、亏负人之工价的、欺压寡妇孤儿的、屈枉寄居的，和不敬畏我的。

Protect Thy Wife, That She May Protect Thee And All Thy Family; All That Ye Shall Do For Thy Mother, Thy Wife, For A Widow, Or Another Woman In Distress, Ye Shall Have Done To Aumen.

保护你的妻子，这样她会保护你和你的家庭；你对你的母亲、你的妻子、寡妇和其他不幸的妇女所做的，也是你对奥曼所做的。

Wherever at this period the descent of property was regulated by Will —— and over the greater part of Europe moveable or personal property was the subject of Testamentary disposition —— the exercise of the Testamentary power was seldom allowed to interfere with the right of the widow to a definite share, and of the children to certain fixed proportions, of the devolving inheritance.

在这个时期内，当财产的遗传由&遗嘱&规定时——在大部分的欧洲，动产是遗嘱处分的主体——遗嘱权的行使不能干预寡妇从遗产中取得一定分额的权利，同样不能干预子嗣取得固定比例的权利。

To look at :(do direct the eyes toward, watch) to look at亦可解释为考虑,调查,如: The judge said that he would look at the matter of the widow's right to the property.

法官说他将考虑寡妇对这财产的权利。）look一般都用作不及物动作，与许多不同的介系词结合而形成各种意义不同的片误。Look at 与see 并不相同，see的意思是看到，往往是无意的，上面两句里的look at 都不可改用

Living on the Island Star Island, a small glass sculpture hobbies heroic musical folk drama is fascinating dance make a votive offering of the old maid among sounds like widow "kangnan" a daughter of "Kaew with Wane shrewish wife's smug glass."

港岛星岛，小玻璃雕刻的爱好英雄生活的音乐剧是引人入胜的民间舞蹈作出的寡妇之间听起来像老女仆还愿提供 Kangnan的女儿与衰落泼辣妻子的如意算盘玻璃开奥。

The second part sets her new migration novel as object and expounds"loss of words","mistranslating"and student abroad's maladjustment while facing strange living environment in the new migration novel by intercultural communication theory. Meanwhile, the article read"Fusang"carefully and analyze how it broke the mould of pure romantic narration of actresses and prostitutes, and put the prostitute Fusang in the conflict of east and west cultures, thus completing expression of female experience by Fusang's controlling fate of herself.

第一章论述严歌苓小说的文化主题，首先运用文化理论梳理严歌苓在中西文化间的文化身份及其对她作家身份的影响，然后分析严歌苓作品中的文化认同与文化疏离现象，接着从历史角度并置阅读严歌苓的新历史主义作品《第九个寡妇》和《小姨多鹤》，试图从中剥离出作家独特的历史意识。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。