寓言故事

It is not abut a real story.

这不是一个寓言是一个真实的故事。

In next 7 days, I will post 7 small stories from Aesop's Fables.

在接下来的七天里，我每天会贴出一篇来自伊索寓言的小故事。

Allegoric prose is classified by the three kinds of types such as allegoric tale, allegoric miscellany and general miscellany type.

再者，凡是主要以比喻的手段，借用寓言、故事或陈述类似的事情来对现实问题传达作家讽刺教导意义的文章就是讽谕文。

Some idioms are originated from people"s lives, customs and environment while other idioms are originated from religious belief, history, allegoric and mythical story, or literal works. Still others originated from the foreign borrowing.From the origins of English idioms, we know idiom, the culture-specific item, would like to challenge the translator"s proficiency.

有的习用语来源于人们的生活、风俗习惯和地理环境，另外一些习用语来源于宗教信仰、历史、寓言和神话故事，或文学作品，有的习用语甚至来源于外来语的借用。

Hawthorne is also a great allegorist and almost every story can be read allegorically, as is the case in "Young Goodman Brown." Whereas allegory is used to hold fast against the crushing blows of reality, the symbol serves as a weapon to attack and penetrate it.

霍索恩allegorist也是一个伟大的故事，几乎每寓意可以阅读、如同在"古德曼布朗年轻"而寓言是用来坚守对现实冲击破碎、符号作为武器，攻击和渗透。

One of the amoraim expressed his opinion in the presence of Samuel b.

Namani这项工作从未存在，而且整个故事是一个寓言（ BB心跳15A条）。

Bierce by providing texts of the Fantastic Fables, Can Such Things Be, An Occurence at Owl Creek Bridge and Other Stories, all hyperlinked to the famous Devil's Dictionary.

毕尔斯所提供的文本美妙寓言，可这些事情，发生在猫头鹰溪大桥和其他的故事，所有超文本链接到著名的魔鬼的字典。

They bring forth the Vedic knowledge and teachings by way of myths; parables, allegories and stories; legends; life stories of kings and other prominent persons; and chronologies of historical events.

他们通过神话、寓言、比喻和故事、传说；国王和其他卓越人物的生动故事、历史事件的年代表等方式来展示出吠陀知识和教导。

The book is a "business fable" that chronicles the adventures of a paperboy named Rain, and the simple tale has applications for job-seekers at all levels.

这本书是一部&商业寓言&--记叙了一个名叫Rain的报童冒险故事。简单的故事对所有各层次求职者都适用。

Therefore, the writing style characterized with imbalanced image and plot, prototyped story and proper-noun figure, and the focus on non-narrative ideological perspective in relation to story ending constituted a common characteristic of left-wing films.

因此，形象和情节的对列化、故事的原型化、人物的专名化等寓言创作体式和对故事结局的非叙事性的意识形态角度的关注和强调，就成为左翼电影作品的共同特征。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。