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室内乐

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Its intimacy suited his meditative rather phlegmatic nature and his taste for involved polyphony; and writing chamber music, absolute music, was the sign of his opposition to, and separation from, the dramatic and programmatic orchestral writing of the "New German" followers of Wagner and Liszt.

室内乐密切的关系适合他沉思冥想而非冷漠的天性,以及他于对位法的偏爱;写作室内乐这种纯音乐,也是他反对与脱离戏剧性和标题音乐管弦乐队写法的一个标记,就像瓦格纳和李斯特"新德国"追随者们主张的那样。

Rise of piano, standardisation of the orchestra, sonata form, chamber music, symphony, balance, enlightenment, absolute music ,concerto, homophonic.

钢琴地位的提升,管弦乐队的标准编制,奏鸣曲式,室内乐,交响乐,音乐平衡感,音乐教化作用,纯音乐,协奏曲,主调音乐。

The rise of piano, standardisation of the orchestra, sonata form, chamber music, symphony, balance, enlightenment, absolute music ,concerto, homophonic.

钢琴地位的提升,管弦乐队的标准编制,奏鸣曲式,室内乐,交响乐,音乐平衡感,音乐教化作用,纯音乐,协奏曲,主调音乐。

Key Concepts: rise of piano, standardisation of the orchestra, sonata form, chamber music, symphony, balance, enlightenment, absolute music ,concerto, homophonic.

主要音乐概念:钢琴地位的提升,管弦乐队的标准编制,奏鸣曲式,室内乐,交响乐,音乐平衡感,音乐教化作用,纯音乐,协奏曲,主调音乐。

Riseof piano, standardization of the orchestra, sonata form, chamber music,symphony, balance, enlightenment, absolute music ,concerto,homophonic.

钢琴地位的提升,管弦乐队的标准编制,奏鸣曲式,室内乐,交响乐,音乐平衡感,音乐教化作用,纯音乐,协奏曲,主调音乐。

Key concepts: rise of piano, stardisation of the chestra, sonata fm, chamber music, symphony, balance, enlightenment, absolute music ,concerto, homophonic.

主要音乐概念:钢琴地位的提升,管弦乐队的标准编制,奏鸣曲式,室内乐,交响乐,音乐平衡感,音乐教化作用,纯音乐,协奏曲,主调音乐。

She has a successful chamber music concert inBerlin.

在吴淑婷钟爱的室内乐演奏事业中,她长期担任上海音乐学院室内乐团首席。2007年在"欧洲青年交响音乐节"上与德国青年演奏家合作勃拉姆斯六重奏并成功举办音乐会;2008年曾与北德广播交响乐团的首席们合作在柏林举办室内乐音乐会;还曾组织在德国汉堡的中国留学生组成单簧管与弦乐四重奏的室内乐形式在汉堡市政厅与汉堡"门德尔松"音乐厅成功举办室内乐音乐会。

The string quartet is that the instrument being that two is composed of the violin , a handful viola and a handful cello from four pieces of stringed instruments performs combination , their tone colour both unite and be rich in change, be expert in weave the body and refined exquisite lingering charm, four pieces of instruments have and the expressive power big and powerful equally , accord with thought of four west music middle parts habit at the same time, this combination becomes chamber music therefore, being hit by the have most typical ensemble of two or more instrumentalists , each playing one part form, Also become a composer express music thought having imitates a means deep and individuation most .

弦乐四重奏则是由四件弦乐器——两把小提琴、一把中提琴和一把大提琴——组成的乐器演奏组合,它们的音色既统一又富于变化,以细腻的织体和精妙的韵味见长,而且四件乐器均具有强大的表现力,同时又符合西方音乐中四个声部的思维习惯,因此,这种组合成为室内乐中最具代表性的重奏形式,也成为作曲家表达最深刻和最个性化音乐思想的有效手段。文章分析室内乐与弦乐四重奏的基本内容及关系,讨论弦乐四重奏的发展概况,最后探讨了弦乐四重奏的"民族化"及未来发展趋势。

In July 2005, Guo has participated Guangdong International Music Camp, where she had a chance to play under the baton of Maestro Charles Dutoit and take the chamber music master class directed by Gary Graffman and Chantal Juillet. Apart from playing several symphony concerts and chamber music concerts, she has played Mendelssohn's Octet with Akiko Suwanai, Jia Hongguang, the concert master of Pittsburgh Symphony Orchestra, Brain Manker, the principal cellist of Montreal Symphonique Orchestre.

年7月,郭筱姮参加了广东省国际夏令营,在夏令营期间,得到了大师迪图瓦的亲自指导,参加了著名钢琴家加里-格雷夫曼小提琴家香特尔-朱丽叶的室内乐大师班,并演出了多场室内乐音乐会和交响乐音乐会,其中包括和小提琴家、美国匹兹堡交响乐团首席贾红光,加拿大蒙特利尔交响乐团首席大提琴布赖恩-曼克合作演奏的门德尔松八重奏,获得了巨大成功。

In this thesis, the characteristics, techniques and logic of his most notable work, String Quartet No, in F major, Op.

而德弗乍克却在那样的时代,拓展室内乐的领域,因而室内乐的创作,可说是在他艺术生涯发展中,有著重要的代表性与决定性成就。

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