宣纸

Qiu's made-up term of "fissuring" is at the core of his art production, and can best be described as an artistic style that he has laboriously cultivated over the past 15 years, which is comprised of the painstaking process of tearing and ripping and repainting and relayering traditional Chinese Xuan paper into a final collage-like painting of multi-layered texture and expression.

仇所制定的术语&裂变&就占据着他的艺术2艺术的核心，最好把它描述为过去15年来所精心栽培的艺术风格，其中包括煞费苦心的撕开、划破、重缓及再分层工序，使传统中国宣纸最后成为拼贴画一般具有多层结构和表达方式的画作。

On the surface, it looks like she is using handcrafted techniques to imitate printing, but on a deeper level, she is spending immense amounts of time labouring away in a thought process about the profound contradictions between industry, mechanization, handcrafting and nature.

从表面上来看李威似乎是在手工模仿彩色印刷的效果，然而从更深层面上加以理解，则艺术家花费大量人工所完成的创作却是通过整个的创作过程致力于对现代工业化、机械化与手工、自然之间的深刻矛盾的思考。李威《大门》 115cmX80cm 宣纸木炭 2006。

Brush and ink represent much more as a culure and historic images, rather than merely painting tool.

笔墨一词所代表的中国画传统评价标准，使原本作为材料的水墨、宣纸和作为工具的毛笔充分历史化与文化化，其物质属性在创造活动中重新演化的可能性则被放到了极其次要的位置。

Marble, bamboo vine and textile may add infinite interest to people s life.

常用的设计材料如宣纸、大理石、木竹藤、纺织物等的巧妙结合、搭配，给人们的生活增添了无穷的兴趣。

Writing brush,ink stick,paper and inkslab are called four treasures of the study

毛笔、墨、宣纸、砚被称为文房四宝。

" Ink is the traditional painting medium of China and Japan, where it has been used with long, haired brush es of wolf, goat, or badger on silk or absorbent paper."

水墨是中国及日本的传统绘画材料，画笔为狼毛、羊毛或獾毛的长毫画笔，画常作在丝绸或宣纸上。

Prepare tools: choose wolf writing brush or Dazhulan Brush; use painting and calligraphy ink or prepared Chinese ink and crude Xuan Paper; lie a felt special for painting which convenient for keeping the ink far from absorb and taint.

准备工具：毛笔选择狼毫或专用的大兰竹笔；书画墨或书画墨汁；宣纸采用生宣；还要铺上一条专用的画画的毡毯，便于保持墨色而不会吸收和沾染。

On the one hand, she used the traditional Chinese proscriptions about lines and proportions, giving her work the feel of traditional Chinese outlines; on the other hand, she searched for a new kind of visual effect with her combination of Western charcoal lines and handmade paper.

李威一方面借用了中国传统界画的界尺使用法则来创造那些线条，使得她的线法貌似中国画中的线描；一方面她又力图在手工宣纸和西式炭条的结合中，找到某种全新的画面效果。

At the same time, He uses all kinds of brushwork techniques and manners, dabs at the paint bravely, matches the meaningful lines, and gives full play to the brush and ink. And he makes his vase flower series general and deformation effect with dip-dye on the Xuan paper. These effects reveal his educated tastes in art for dealing with the traditional ink and wash paintings.

与此同时，袁野运用多种笔墨技法和手段，大胆泼彩，配合有意味的线条勾勒，干湿浓淡之间，充分发挥用笔与泼墨的能量，以及在宣纸上的晕染变化效果，造成了&瓶花&系列概括而变形的效果，显现着画家对于传统水墨和构成处理的多方面修养。

The content is change of ink on the rice paper that controlled by the spectators' sounds and airflows. Guests participate themselves in the whole process to form a flowing ink and wash painting.

影像的内容是墨在宣纸上的变化，观众亲身参与到创作的过程之中，使水墨的影像随声音或气流的变化而变化，从而形成一幅流动着的水墨画。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。