客观现实

What's more, construction of service government has obtained people's general acceptation.

在西方新公共管理改革浪潮的影响下，加之我国所处的特殊时代背景和现实国情，决定了我国建设服务型政府的客观必然性，而且已经得到了社会各界的共识。

Only when the distance is well controlled can readers immerse in the fictional world and at the same time discriminate the work from reality, examine and comment the characters and the circumstances objectively in a more widely view. Then a sense of aesthetics can be acquired by reading the work. This thesis is going to analyze the aesthetic distance in The Adventures of Huckleberry Finn, which is always regarded as Mark Twain's masterpiece. It embodies great artistic appeal and is one typical example in the masterly control of aesthetic distance. The thesis is divided into three chapters. Chapter One demonstrates various distances presented in this novel.

只有恰当地控制审美距离，读者才能融入作品，同时能够将作品与现实区别开来，以更广阔的视野和冷静客观的态度去审视、评品小说中人物的言行及其所处的环境，从而对其有更全面深刻地认识，感受作品的美学效果本文运用韦恩·布斯的"审美距离"理论分析了马克·吐温的杰作《哈克贝里·费恩历险记》中的审美距离及其带给读者的独特的审美体验。

Company cross-shareholding as an objective phenomenon, but the law is a reflection of social reality, the law must reflect the real needs of China's Company Law should be taken into account the relevant legislation to improve regulation.

公司交叉持股作为一种客观存在的现象，而法律是现实社会的反映，法律必须体现现实的需要，对中国公司法立法完善时应考虑相关的规制。

As this dissertation' s viewpoints, the traditional assumed hypotheses are not realistic any more, so the traditional conclusions of monopoly are somewhat biased, which needs a new theory to modify it, and reanalyze the monopoly together with the antitrust, so to represent the market objectively.

本文认为，传统理论的假设前提已经不能正确的反映现实情况，因此，有关垄断的结论在一定程度上失之偏颇，需要运用新的理论进行补充和完善，并重新分析有关垄断和反垄断的问题，以客观反映现实情况。

In "Chang'an Avenue", the original clear scene is smashed and changed into a flat wall which blocks our sight and interferes with our psychological needs of the depth of field when seeing photos. However, there is still a kind of flat visual form which makes the infinite depth transform into a limited flat. When facing the variegated image, we are made to find the reality so faraway and dim by the glint of the adjusted photo, the extremely clear marks and the deep hue which seems like the result of underexposure.

长安街》中，本来清晰可见的远景，在揉的过程中其客观存在被改变，演变成一堵平面的墙，封堵了人们的视线，打破了人们观看照片时对空间景深的心理需求，但又存在着一种平面的视觉形式，使无限的景深陡然变成了有限的平面，仿佛是曝光不足所导致的低沉色调与照片被处理后所带来的映衬着现实若隐若现的反光，以及清晰无二的皱痕，让人感觉在沧桑斑驳的平面前，现实是那么遥远与模糊。

Although such questions assume that reality is our perception, they also axiomatically presuppose the existence of an objective deterministic world "out there" that nevertheless must be responsible for how we perceive our reality.

虽然这种假设的现实问题，是我们认识、他们还自明假定存在客观世界的确定性&出去&，但是必须对我们如何看待我们的现实。

Analyzing the practical situation of our country's minority religion problem objectively, recognizing the disharmonious factors, exploring practical way to resolve it is the practical request of firming Party's regnal foundation, enhancing Party's regnal ability and building a well-off society in an all-round way as well as constructing socialist harmonious society.

历史客观地分析当前我国民族宗教问题的实际状况，认清目前影响我国民族宗教问题的不和谐因素，积极探索妥善解决民族宗教问题的现实路径，是牢固党的执政基础，提升党的执政能力，以及实现全面建设小康社会和构建社会主义和谐社会的现实要求。

Under the background of digital DEM of maor mountain area, and through the program of Avenue in Arcview, the result of potential ravine highly inosculates with the real ravine. With the comparison of potential ravine and real ravine, it can reflect the developing tendency of ravine in this area. Through positioning with GPS and investigation in this area, we can divide the potential ravine of this area into three forms, that is parallel ravine area steep ripe ravine area and evenness swamp area. It can provide scientific reference for forest management and tree planting, and it is a new theory to prevent soil and water loss, and carry through the ravine controlling by people.

在数字化生成的帽儿山地区DEM基础上，通过二次开发生成的潜在沟系，具有与现实沟系高度的吻合性，并通过与现实沟系的比较，能客观的反映出该地区沟系发生、发展的趋势，借助于GPS的定位及实际踏查研究，可将帽儿山地区的潜在沟系划分为平行沟系区、陡坡显沟区和平坦沼泽区三种类型，可为合理的森林经营和植树造林提供科学的借鉴，并为防止水土流失，进行沟系治理提供了新的理论依据。

Marx's "the World History" theory reflected on the social development criterion,indicating that social development couldn't follow the simplex productivity criterion,if so,it would neglect the human realistic living conditions and lead to the opposition of the productivity criterion and human criterion.It then discussed that the social development should follow the unification of the objective criterion of developing the productivity and the human subjective value criterion,realizing the unification of purs...

马克思晚年的&世界历史&理论对社会发展尺度进行反思，指出社会发展不能遵循单一的生产力尺度，否则会导致对人的现实生存状况的忽视，出现生产力尺度与人的尺度的对立，进而论述社会发展应当遵循发展生产力的客观尺度与人的主体价值尺度的有机统一，在社会发展中实现对人的理想生存状况的追求和对现实个人生存状况的改善的有机统一。

Contact found in 80 works will impose upon space and the norm of thinking seems to exist faults and barriers, ahead of fashion conscious consumers continue to derive more imaginative ideas to make their work a kind of weightlessness a sense of unconscious, self-desire expansion and to meet the Gengrang has become such a vague sense of, when hidden, at times, a lot of 80, after describing himself as an artist is not weight of objects, flying freely in the air, floating, this subjective state of consciousness driven by the description of means that the objective mental states, disorders and emptiness, extreme inflation and a good self-concept of a serious departure from the idealism and sense of reality, greatly outstrips reality, a feeling based on fantasy or fantasy thinking.

在我们接触的作品中会无形中发现80后的思维空间与常态似乎存在着断层和隔阂，超前时尚的消费意识不断派生出更有想象力的观念使他们的作品有种无意识的失重感，自我欲望的膨胀和满足更让这样的意识变得虚无飘渺、时隐时现，很多80后艺术家将自己描述成没有重量的物体，在空中自由自在的飞行、飘浮，这种主观意识状态驱使下的描述，意味着客观精神状态的失常和空虚，极度膨胀和自我良好的唯心意识观严重背离了现实，凌驾于现实之上的感觉建立在空想或幻想的思维中。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。