审美距离

Aesthetic distance is also called"psychical distance", which is one of the most influential theories in aesthetics.

"审美距离"也被称作"心理距离"，是美学中最有影响的理论之一。

Modern literary critic W·C·Booth introduces the theory of aesthetic distance into the analysis of novels. He also puts forward and explains the concepts of unreliable narrator and the implied author.

当代文学批评家韦恩·布斯将"审美距离"的概念引入了小说分析，并提出和阐释了不可信的叙述者和隐含作者的重要概念。

The acceptance of the readers to the text can be achieved through three levels: expectation horizon , aesthetic distance and appealing fe.

读者不是一个被动的阅读者，而是能动的参与者，一篇微型小说没有读者接受只能算作文本，读者对文本的接受要通过三个层次来完成，期待视野，审美距离，召唤结构。

Only when the distance is well controlled can readers immerse in the fictional world and at the same time discriminate the work from reality, examine and comment the characters and the circumstances objectively in a more widely view. Then a sense of aesthetics can be acquired by reading the work. This thesis is going to analyze the aesthetic distance in The Adventures of Huckleberry Finn, which is always regarded as Mark Twain's masterpiece. It embodies great artistic appeal and is one typical example in the masterly control of aesthetic distance. The thesis is divided into three chapters. Chapter One demonstrates various distances presented in this novel.

只有恰当地控制审美距离，读者才能融入作品，同时能够将作品与现实区别开来，以更广阔的视野和冷静客观的态度去审视、评品小说中人物的言行及其所处的环境，从而对其有更全面深刻地认识，感受作品的美学效果本文运用韦恩·布斯的"审美距离"理论分析了马克·吐温的杰作《哈克贝里·费恩历险记》中的审美距离及其带给读者的独特的审美体验。

Material technological basis and spreading style of visual culture are producing visual products, promulgating "virtual reality", dispelling "aesthetic distance", deconstructing people's subjectivity and imagination, gradually depriving existing condition and space of traditional culture, dispelling the aesthetic style of watching quietly, and constructing modern entertaining style.

视觉文化的物质技术根基和传播应用形式在制造视像产品、传播"虚拟现实"、消解"审美距离"、解构人的主体性和想象力的过程中，逐步剥夺了传统文化艺术的生存条件和生存空间，进而消解了静观这种传统的审美方式，建构起消遣这种现代的接受方式。由此，使人类由静观的审美时代进入到了消遣的娱乐时代。

The circulation, consumption and reproduction of the trilogy have not only testified to its historical significance and literariness, but also invested it with new meanings.

该三部曲的流通、消费与再生产不仅验证了其历史意义及文学性，而切还赋予它以新的意义。

If he thought that he could buy me off, he would be wrong.

如果他认为他可以收买我，那他就大错特错了。