审美观念

In the mcantime,the main difference between grotesqueness and absurdness is that grotesqueness is qualified with some kind of creating techniques and styles while absurdness is more concerned about implications and conceptions.

怪诞与滑稽的区别主要在于反常程度、创作态度和审美价值的差异上；怪诞与荒诞的区别在于怪诞更多作为一种创作手法，荒诞更主要是一种观念和意识。

People's fashion desire and aesthete tastes are changing with their life style and way of thinking.

服饰作为一种文化，是反映社会物质文明和精神文明的一面镜子，人们的服饰动机和审美情趣随着生活方式和思想观念的变化而改变。

With the development of the times, people's concepts, aesthetic delight in the constantly changing.

随着时代的发展，人们的观念、审美情趣在不断发生着变化。

Analysis of antetype imago in the story revealed that the story of Cinderella controlled by paternity follows a set of gender orders. Gender power relations operate behind the set of orders gender, by which various imagoes are fixed in position.Through these imagoes some values are transmitted.The story of Cinderella belongs to some culture attribute, which women against the social background of paternity have to obey the male values and aesthetic ideal if wishing to improve their Social position .

通过对故事中原型意象的分析可以看出，在父权制操控下的"灰姑娘"型故事遵循着一套性别秩序，这套秩序背后有性别权力关系在运作，它为童话的各类意象安排好了固定的位置，并通过这类意象传达出一个价值观：灰姑娘型故事只不过是在父权社会背景下，女性希望改变自己的地位而不得不按照男性的价值观念和审美理想去塑造自己的文化属性。

This paper provides a good approach the subject such as how to develop the creationary thought,discover and organize colors,and enable them to mix with organization and thought under the guidance of the concept so as finally to endow to the modern design a colory aesthetic judgement.

本文就如何展开创意的思维，发现色彩、组织色彩，最终使色彩在观念的引导下，将创意与思维溶合一体，赋予现代设计色彩丰富的审美功能等问题作了初步探讨和剖析

Basing on the above, in the light of the developing history of Dai National jewelry and Dai national living consuetude, analyze the taste trend and value conception, seek the root character of Dai national jewelry.

在此基础之上，透过傣族首饰的发展历史和傣族的生活习俗，分析其审美取向和价值观念，探索傣族首饰的文化内涵。

Consumeristic culture has been spreading rapidly in China since the 1990s, thus bringing about remarkable changes in people's values and aesthetic sentiments.

摘要20世纪90年代以来，随着消费主义文化在中国的迅速蔓延，人们的价值观念、审美趣味都发生了重大变化。

The "Experiment" generation of artists broke through the traditional aesthetic value system of the ink painting, and their exploration to rebuild the way of ink painting language through borrowing modern artistic concepts highlighted a cultural criticism, while the next generation of creators have vaguely presented a value orientation rather alien to that of the "Experiment" generation in their expression of contemporary emotions, experience and cognition as well as their construction of sensitivity and criticalness of contemporary cultural expression through the language of ink painting.

如果说"实验"一代艺术家们打破了水墨的传统审美价值体系，他们借鉴现代艺术观念重建水墨话语方式的探索突显出一种文化批判精神的话，那么，当下一些创作者在水墨语言对当代情感、经验、认知的表现力，对当代文化表达的敏锐性和批判性等方面的建构，则隐约显现出了与"实验"一代相异的价值取向。

Chai Xiaohua's abstract language of art is spoken by symbols, lines, color and composition. Whichsoever, it not only incarnates the modern concepts but the oriental culture trait and the spirit of humanity as well. They are likely to be perceived by the masses.

蔡小华的抽象性的艺术语言，无论是符号、线条、设色、结构，都在现代观念中浮现出东方文化色彩与人文精神，是有与大众审美共同阅读的可能。

The pathway of course of Wolfflin's theory research had begun with the research to classicality art and the spiritual of civil, and gradually it belongs to a concept of the multiple cultures. This concept is the two sides of understanding which advocated by the ripeness applicability value of the style and the historic creed in every nation, every individual'creating and understanding. The unification of the two sides responded the dispute about the connection between the fact and the value. it had taken the view of creating perfection into a course of invariable, can be seen in the practice of art activity. Not only had his research provided a excisions illumination with the development of the emersion art, but also provided the integrated theory and a important visual angle to represent the development of modern occident art and China tradition art.

沃尔夫林理论研究的心路历程由对古典艺术和人文精神的研究开始，渐渐归于一种多元文化的观念，这种观念是人文主义普适价值观和历史主义所倡导的对每个民族、每个时代、每一个体的独特创造的理解两个方面，两个方面的统一以独特的方式回应了现代思想中关于事实和价值关系问题的争论，将对审美创造的完美性的永恒的观看，纳入一个永恒的、见之于具体艺术实践的流动过程之中，其研究不但对再现艺术的历史发展做出了卓越的说明，也为系统地表征西方现代艺术、中国传统艺术的发展，以及理解现代科学作为一个文化过程的发展，提供了重要的视角和完整的理论。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。