宝石的

And the foundatio of the wall of the city were garnished with all maer of precious stones.

21：19 城墙的根基是用各样宝石修饰的。第一根基是碧玉。

And he garnished the house with precious stones for beauty: and the gold was gold of Parvaim.

又用宝石装饰殿墙，使殿华美；所用的金子都是巴瓦音的金子。

Then you hold the cannonball-size sphere in one hand up to the light; it sparkles with gemlike clarity.

然后你用一只手托起这个炮弹大小的生态球，对着光照，它会在光线下闪烁出宝石一样纯净的光芒。

Then you hold the cannonball-size sphere in one hand up to the light; it sparkles with gemlike clarity.

然后你拿起这个炮弹大小的生态球放在手里，把它对着光照，它会在光线下闪烁出宝石一样的纯净颜色。

Then you hold the cannonball-size sphere in one hand up to the light; it sparkles with gemlike clarity.

然后，你用一只手托起这个炮弹大小的生态球，对着光照，它会闪烁出宝石一样纯净的光芒。

Research on the origin and occurrence of gems and jades is one of the hottest topic in geology, gemmology and archaeology.

宝玉石产地来源的研究是近几年地质学、宝石学和考古学界的热门话题之一。

With the work of an engraver and the graving of a jeweller, thou shalt engrave them with the names of the children of Israel, set in gold and compassed about

以玉工雕刻法，好似刻印章，把以色列的儿子们的名字刻在这两块宝石上，嵌在金框内。

Insert good stability, it absolutely, under agitation to split with me, precious stones for a while flickered from Loligo edulis upload to the inexplicable force I bounce backward.

镶得好稳，简直纹丝不动，焦躁之下我使劲劈去，宝石一阵闪烁，从剑尖上传来的莫名的力量把我弹开。

While moissanite is used in jewelry as a diamond substitute, many experts feel it to be even more beautiful than the gemstone itself.

尽管碳矽石用於首饰作为金刚石的替代品，许多专家认为它是更美好的宝石本身。

While moissanite is used in jewelry as a diamond substitute, many experts feel it to be even more beautiful than the gemstone itself.

尽管碳硅石是首饰作为钻石的替代品，许多专家认为它甚至比宝石本身的美丽。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。