宗教音乐

The function of Byzantine in the transition from ancient music to western ecclesiastical music is not incidental.

里斯在《中世纪音乐》中把拜占庭、叙利亚和犹太音乐传统之和视为西方宗教音乐的共同源头并不为过，拜占庭音乐能够充当古代音乐遗产向西方宗教音乐发展的桥梁并不是历史的偶然，因此，了解拜占庭音乐并且用辨正唯物主义的观点重新审视拜占庭音乐，特别是拜占庭基督教音乐在世界音乐发展史中的作用是极其有意义的。

The course covers seven aspects: 1 early American sacred music, 2 American roots music, 3 American popular music, 4 American art music, 5 American music before 1950, 6 American music after 1950, and 7 immigrant culture related to American music.

课程重点涉及美国音乐的七个要点：1、美国早期宗教音乐。2、美国本土音乐。3、美国大众流行音乐。4、美国专业音乐。5、20世纪上半叶美国音乐。6、20世纪下半叶美国音乐。7、移民文化与美国音乐。

The discussion touches upon the Buddhist, Daoist and Shaman religious milieu, the Confucian and scholarly circles, the calendric celebrations, folk weddings and funeral rituals, as well as entertainment and stage performances.

本文涉及到祭祀音乐文化、文人音乐文化、宗教音乐文化，民俗音乐文化以及当代音乐文化中洞箫类乐器的使用情况与意义，阐述了洞箫类乐器在中国传统音乐文化中的重要地位。

Therefore I want to analyze the characters of the composing techchnique of poly-phony in Bruckner"s "The 3rd Mass in this article,researching the sit-uation of compo-sing the western sacred music in 19~ century, emphasizing on the situ-ation and the rel-ationship of the creating technique between sacred music and polypho-ny music after 19~ century, and demonstrating the western polyphonous composing te-chnique help in developing the sacred music and the influence of sacred music on the western polypho-nous composing technique .

因此，笔者希望通过本文对布鲁克纳在其第三弥撒曲中的复调创作手法特征的论述，初探十九世纪西方宗教音乐的创作状态，并着重讨论十九世纪及其后的宗教音乐与复调创作手法之间的状况和联系，以期论证西方复调技法对其宗教音乐的发展，以及宗教音乐对复调技法创作的影响。

The recovery of Chinese Buddhist music research began in 1980s, during this period more and more music scholars began to concern with the Buddhist music activities in the country and made fieldwork, record, notated and transcribed the music.

如胡耀的《佛教与音乐艺术》（1992），韩军的《五台山佛教音乐》（1993），尼树仁的《中州佛教音乐研究》（1994），田青的《中国宗教音乐》（1997），袁静芳的《中国佛教京音乐研究》（1997）、《中国汉传佛教音乐》（2004），王昆吾、何剑平的《汉文佛经中的音乐史料》（2002），杨民康的《贝叶礼赞》（2003），等等。

Because there are many specific researches on the relationship between polyphony tuning and sacred music before 19th century,but there are less on the relationship between the polyphony music and the sacred music a-fter 19th century.especially some researches on representative work,for example Bruck-kner's "Mass in f minor"on which never has the monograph elaboration in domestic till now.

虽然国内关于十九世纪之前的复调音乐和宗教音乐之关系的专题研究成果已有不少，但研究十九世纪之后复调音乐与宗教音乐之间关系却不多，特别是对一些具有代表性的作品的研究，例如布鲁克纳 f 小调弥撒曲，至今尚未见到国内有相关的专著论述。

From the viewpoint of both geographical cultural feature and the category of music,the article searches for the characteristics of music in west Asia and North Africa,in which the music in Afghanistan,Arabian countries and countries in central Asia are all involved.It also discusses the common features of the music in West Asia and North Africa from the angle of religious music,folk music and classic music: namely,the use of microtones and the character fit for singing under certain conditions;the textural ...

从地域的文化特点和音乐的种类上探寻西亚和北非的音乐特点，其中涉及了以阿富汗、伊朗、土耳其、阿拉伯各国和中亚各国的音乐，并从宗教音乐、民俗音乐和古典音乐等几个方面阐述了西亚和北非音乐的共同性：具有微分音的运用和乐音有条件的带腔性；玛卡姆和达斯特加赫的旋律体系；均分律动与非均分律动同时存在；织体思维方式以横向性为主以及乐器的运用等。

He was a success in many different kinds of music-popular, country, religious, and rhythm-and-blues.

他在流行音乐、乡村音乐、宗教音乐以及节奏布鲁斯音乐等多种不同的音乐方面都有建树。

He was a success in many different kinds of music-popular, country, religious, rhythm-and-blues.

他在流行音乐、乡村音乐、宗教音乐以及节奏布鲁斯音乐等多种不同的音乐方面 www.sSbbww.com 都有建树。

He also listened to music that influenced his later singing, including country, rhythm-and-blues, and religious music. Elvis and his family moved to Memphis, Tennessee when he was thirteen.

他也倾听乡村音乐、节奏布鲁斯音乐及宗教音乐等多种音乐，这些音乐对他后来的歌唱有一定的影响。13岁那年，普雷斯利和他的家人移居田纳西州的孟菲斯。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。