宏大的

Without exception, this obelisk, whose structure is so special, touches upon two ancient historical codes. It traverses space and time to begin a new chronicle of history, interweaving the beautiful form of reason. At the same time, it also represents a particular milestone; a great undertaking that deals with human movement, development, and expansion; and a metaphor that exposes mankind's sins. Further, it is simply itself, which will one day become the only existing fact that deals with global human society.

亦不例外，这座独特结构形式的方尖塔，拨动的是两个古老的历史密码，它穿越时空开始新的编年史，交织出理性美的形式，它也同样是一座别具一格的里程碑，一个关于人类迁移、开拓、延伸的宏大业绩，一个揭示人类罪恶的隐喻，而且也仅是它，将成为涵括全球人类社会文明唯一存在的事实。

The imagos accomplish the epical intellective space,with the compression ,feeling,meantime acting and duplicating.

这主要体现在抒情的介入、意象的狂欢上，而后者通过意象的高浓度、直觉度、共振度、同一度的四个维度的建立，完成了对于史诗智力空间的开掘，构成了史诗精神气韵的宏大。

As artists of a young generation, we naturally turn to individuality, sensibility and everydayness. For our departure is a refusal of the weight of thoughts, conventionality of idea, and big issues, in this sense we are called backpackers.

作为年轻一代的艺术家，我们本能地以个人的、感性的、日常化的方式为出发点，这种出发是卸下思想负载的、拒绝既定思路的、回避宏大问题的出发，因此我们的出发是一种轻装上路。

Ethnic style bridge sub-hundred strong, large and medium-sized bridges in the country's largest gradient Jiang Jian斜桥, silver jade lion雕栏build bridges, the Rainbow Bridge飞架the air, the moon隽秀elegant bridge ...... a single seat style a bridge, into the classical style and modern style, with macro macro纤纤Daguan silk in one show, Duyun result as a "bridge museum."

民族风格浓郁的百子古桥、全国大中型桥梁中斜度最大的剑江斜桥、玉砌雕栏的银狮桥、凌空飞架的彩虹桥、清雅隽秀的月亮桥……一座座风格独具的桥梁，融古典情调与现代风格、宏宏大观与纤纤绢秀于一体，都匀因之被誉为&桥梁博物馆&。

Any one who had chanced to pass through the little town of Vernon at this epoch, who had happened to walk across that fine monumental bridge, which will soon be succeeded, let us hope, by some hideous iron cable bridge, might have observed, had he dropped his eyes over the parapet, a man about fifty years of age wearing a leather cap, trousers a waistcoat of coarse gray cloth, to which something yellow which had been a red ribbon, was sewn, shod with wooden sabots, tanned by the sun, his face nearly black his hair nearly white, a large scar on his forehead which ran down upon his cheek, bowed, bent, prematurely aged, who walked nearly every day, hoe sickle in hand, in one of those compartments surrounded by walls which abut on the bridge, border the left bank of the Seine like a chain of terraces, charming enclosures full of flowers of which one could say, were they dddtt.com larger:"these are gardens," were they a little smaller:"these are bouquets."

当年如果8 tt t8.com 有人经过 ssbbww 小城韦尔农，走到那座宏大壮丽的石桥上去游玩（那座桥也许 ssbbww.Com 不久将被一道丑恶不堪的铁索桥所替代），立在桥栏边往下望去，便会看到一个五十左右的男子，戴一顶鸭舌帽，穿一身粗呢褂裤，衣衿上缝着一条泛黄的红丝带，脚上穿的是木鞋，他皮肤焦黄，脸黝黑，头发花白，一条又阔又长的刀痕从额头直到脸颊，弯腰，曲背，未老先衰，几乎整天拿着一把平头铲和一把修枝刀在一个小院里踱来踱去。在塞纳河左岸桥头一带，全是那种院子，每一个都有墙隔开，顺着河边排列，象一长条土台，全都种满花木，非常悦目，如果8 tt t8.com 园子再大一点，就可以 www.ssbbww.com 叫做花园，再小一点，那就是 www.8ttt8.com 花畦了。

Chapter Two takes on the deconstructive perspective. In this chapter, the author emphasizes how Morrison deconstructs the grand narrative through the exposure of the relations between power and truth. Also included in this chapter are Morrison's employment of self-reflexive narrative in "writerly texts" and the deconstructive effects of myths and allusions.

第二章从解构理论出发，讨论莫里森对宏大历史叙述的解构，主要涉及莫里森对话语权力和真理的关系的揭露，叙述者的内省在&可写性文本&中的运用，以及神话和典故的解构作用。

Any one who had chanced to pass through the little town of Vernon at this epoch, and who had happened to walk across that fine monumental bridge, which will soon be succeeded, let us hope, by some hideous iron cable bridge, might have observed, had he dropped his eyes over the parapet, a man about fifty years of age wearing a leather cap, and trousers and a waistcoat of coarse gray cloth, to which something yellow which had been a red ribbon, was sewn, shod with wooden sabots, tanned by the sun, his face nearly black and his hair nearly white, a large scar on his forehead which ran down upon his cheek, bowed, bent, prematurely aged, who walked nearly every day, hoe and sickle in hand, in one of those compartments surrounded by walls which abut on the bridge, and border the left bank of the Seine like a chain of terraces, charming enclosures full of flowers of which one could say, were they much larger:"these are gardens," and were they a little smaller:"these are bouquets."

当年如果有人经过小城韦尔农，走到那座宏大壮丽的石桥上去游玩（那座桥也许不久将被一道丑恶不堪的铁索桥所替代），立在桥栏边往下望去，便会看到一个五十左右的男子，戴一顶鸭舌帽，穿一身粗呢褂裤，衣衿上缝着一条泛黄的红丝带，脚上穿的是木鞋，他皮肤焦黄，脸黝黑，头发花白，一条又阔又长的刀痕从额头直到脸颊，弯腰，曲背，未老先衰，几乎整天拿着一把平头铲和一把修枝刀在一个小院里踱来踱去。在塞纳河左岸桥头一带，全是那种院子，每一个都有墙隔开，顺着河边排列，象一长条土台，全都种满花木，非常悦目，如果园子再大一点，就可以叫做花园，再小一点，那就是花畦了。

It inherits Chinese traditional aesthetic ideology of regarding people as the basic matter,gets away from "the grand narration",and reveals the neorealist style,shaping the unique aesthetic features of the televised news .

它继承了中国传统文化中的民本思想，远离传统新闻的&宏大叙事&，并体现出新写实主义风格，形成了电视民生新闻的独特的美学特征，体现了其独特的审美价值。

Compared with meta-narratives, micro-narratives are plain, private and self-admired, but they tell the true story of the existence of our ordinary people.

相对于宏大叙事，小叙事是朴素的、私密的以及孤芳自赏式的，可是它却讲述了平凡如尘的我们真实的生存状态。

In some latest works of those contemporary outstanding architects,the great scale of modern city has been respected,and they also has achieved friendly effect through processing detailedly on sculpt and space of the archit...

而一些当代优秀建筑师的一些近期作品即尊重了当代城市的宏大尺度又在建筑的造型和空间的细部处理上取得了丰富多彩亲切近人的效果。

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢？

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我，一个心中布满虚荣的女孩子真实的想法。