完全一样

But his "short, derisive bark" of alaugh, his Roman nose, and most of all his life with sharks, were justthe same.

虽然昆特船长的穿着比蒙杜斯更简朴，但是带有嘲讽意味的短笑，罗马鼻子，以及一生与鲨鱼的缠绵，这两人是完全一样的。

But his "short, derisive bark" of a laugh, his Roman nose, and most of all his life with sharks, were just the same.

虽然昆特船长的穿着比蒙杜斯更简朴，但是带有嘲讽意味的短笑，罗马鼻子，以及一生与鲨鱼打交道，这两人是完全一样的。

A second "s" apparently was pronounced exactly like Samekh,"s," though it looks like Shin (having a dot over the left upper corner instead of the right).

第二个" S "形显然是明显Samekh完全一样，"硫，"虽然看起来申（有一个点在左上角落，而不是右）。

He seemed to be quite as anxious as I that I should see for myself what he saw.

他好象与我的心情完全一样，急切希望我看到他所看到的一切。

"The mausoleum, of pure-white marble inlaid with semiprecious stones, is flanked by two red sandstone buildings, a mosque on one side and an identical building for aesthetic balance on the other."

陵墓由纯白色的大理石建成，上嵌硬石。陵墓两侧配有两座红色砂岩建筑，一边是清真寺，另一边是一座完全一样的建筑以实现审美上的平衡。

"The mausoleum, of pure-white marble inlaid with semiprecious stones, is flank ed by two red sandstone buildings, a mosque on one side and an identical building for aesthetic balance on the other."

陵墓由纯白色的大理石建成，上嵌硬石。陵墓两侧配有两座红色砂岩建筑，一边是清真寺，另一边是一座完全一样的建筑以实现审美上的平衡。

To this point, the knot is exactly the same as the Two Loop Shoelace Knot .

这一点，结婚是完全一样的两个环路鞋带结。

Up to this point, the knot is exactly the same as the Standard Shoelace Knot .

到目前为止，结婚是完全一样的标准鞋带结。

The top plate or soundboard is finished exactly the same way as the back and sides of the guitar except that it is not pumiced.

处理面板的方法和背侧板完全一样，只是不需要填孔。

A temporal part of you is spatially just as big as you are, and located just where you are, while it exists.

你的时间性部分，在空间上和你完全一样，处在你所在的位置，只要它存在。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。