安特卫普

Provinces: Province- Antwerp, Brabant, East Flanders (Flandre-Orientale), Gent, Hainaut, Liege, Limburg, Luxembourg, Namur, West Flanders.

省：安特卫普、布拉班特、东佛兰德、根特、埃诺、列日、林堡、卢森堡、那慕尔、西佛兰德。

The library or the "Hagiographical Museum", as it became customary to call it, had already received, and continued to receive daily, thanks to the gifts of generous benefactors and judicious purchases, many acquisitions, so that Henschen during the course of his literary journey was able to say that he found very few libraries, public or private, that could compare with the Hagiographical Museum of Antwerp. This library was greatly enriched some years later when Papebroch, through the death of his father, a rich merchant of Antwerp, was enabled to apply to the work on which he was engaged his large inheritance.

图书馆或& hagiographical博物馆&，因为它成了习惯称呼它，已经收到，并继续接受每日多亏了礼物慷慨的恩人，以及明智的采购，许多收购，使亨申过程中，他的文学旅程能够说，他发现很少有图书馆，公共或私人的，可以比较与hagiographical博物馆，安特卫普，这个图书馆是极大地丰富了若干年后，当papebroch ，通过他父亲去世，具有丰富的商船的安特卫普，是能够适用於工作，对他所从事他的庞大遗产。

The library or the "Hagiographical Museum", as it became customary to call it, had already received, and continued to receive daily, thanks to the gifts of generous benefactors and judicious purchases, many acquisitions, so that Henschen during the course of his literary journey was able to say that he found very few libraries, public or private, that could compare with the Hagiographical Museum of Antwerp. This library was greatly enriched some years later when Papebroch, through the death of his father, a rich merchant of Antwerp, was enabled to apply to the work on which he was engaged his large inheritance.

图书馆或& hagiographical博物馆&，因为它成了习惯称呼它，已经收到，并继续接受每日多亏了礼物慷慨的恩人，以及明智的采购，许多收购，使亨申过程中，他的文学旅程能够说，他发现很少有图书馆，公共或私人的，可以比较与hagiographical博物馆，安特卫普，这个图书馆是极大地丰富了若干年后，当papebroch ，通过他父亲去世，具有丰富的商船的安特卫普，是能够适用于工作，对他所从事他的庞大遗产。

After a short stay in the neighbourhood of London the community of Antwerp divided into two sections, one proceeding to America, the other settling ultimately at Lanherne in Cornwall, whence they sent out an offshoot which finally settled at Wells in Somerset (1870); the community of Lierre found a home at Darlington, Co.

经过了短暂的停留在附近的伦敦社会的安特卫普分为两个部分，一个程序中，以美国，其他的解决，最终在lanherne康沃尔，何时，他们派出的一个分支，最终收于井萨默塞特（ 1870年）；社区利埃尔找到了家在达灵顿，公司达勒姆（ 1830 ），并认为霍赫斯特拉滕，经过多次徘徊，收于去年在奇切斯特，苏塞克斯有限公司，在1870年。

After a short stay in the neighbourhood of London the community of Antwerp divided into two sections, one proceeding to America, the other settling ultimately at Lanherne in Cornwall, whence they sent out an offshoot which finally settled at Wells in Somerset (1870); the community of Lierre found a home at Darlington, Co.

经过了短暂的停留在附近的伦敦社会的安特卫普分为两个部分，一个程序中，以美国，其他的解决，最终在lanherne康沃尔，何时，他们派出的一个分支，最终收於井萨默塞特（ 1870年）；社区利埃尔找到了家在达灵顿，公司达勒姆（ 1830 ），并认为霍赫斯特拉滕，经过多次徘徊，收於去年在奇切斯特，苏塞克斯有限公司，在1870年。

David Cullen has worked mainly as an orchestrator of musicals, most notably those of Andrew Lloyd Webber - Cats, Starlight Express, Song and Dance, The Phantom of the Opera, Aspects of Love, Sunset Boulevard, By Jeeves and Whistle Down the Wind.

亚瑟·马塞拉在斯德哥尔摩、汉堡、悉尼、阿姆斯特丹、曼彻斯特、巴塞尔、安特卫普、墨西哥城执导过多次由哈罗德·普林斯制作的《歌剧院幽灵》。

Then, thanks to the Portuguese discovery of the direct sea route to India, Antwerp flourished as a diamond center, as the city was well-situated to receive vast supplies of rough from Lisbon as well as from Venice.

由于葡萄牙人发现直通印度的海路，促使安特卫普蓬勃发展成为钻石中心。安特卫普优越的地理位置使它便于从里斯本和威尼斯进口大量钻坯。

In the top half, the inscription "ANVERS MCMXX".

奖牌背面是为纪念名叫巴拉沃的勇士而设立的安特卫普纪念碑，背景是安特卫普大教堂和港口；顶部刻有&ANVERS MCMXX&字样，意为安特卫普1920。

Haven / Antwerp / to West; Valencia /its Asia / Adriatic; cadiz /, Palermo /¨ri,/ Livorno /, where¨// Baltimore East; Thessaloniki / Beirut,/ Alexandria / Limassol, Antalya,/ Trabzon /,/ racke Weng edge of the Black Sea; Constanza /, Varna /, Odessa /, Novorossiisk±, Poti / Burgas

哈芬/安特卫普/地西；瓦伦西亚/拉丝佩其亚/亚得里亚海；加的斯/、巴勒莫/里杰卡、/里窝那/、里杰卡/、普罗彻/巴尔地东；赛萨洛尼基/贝鲁特、/亚力山大、/利马索尔安塔利亚、/特拉布宗/沃格斯、/拉克力翁黑海；康斯坦萨/、瓦尔纳/、敖德萨/、诺沃西比尔斯科、波季/、布尔加斯

A city of northern Belgium on the Scheldt River north of Brussels.

安特卫普市比利时北部一城市，位于布鲁塞尔以北的斯特尔特河边。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。