安排节目

The result is an odd combination of bravura[2] writing, clear and original insights, and incoherence.

他的截稿时间似乎都是根据电视节目安排而确定的（这本书有关的节目将在6月19日英国四频道播出），而与研究或思维进程无关，结果导致精彩的著述、清晰独特的视角以及杂乱无章的文法奇怪地掺杂在一起。

Bunbury from me to be kind enough not to have a relapse on Saturday for I rely on you to arrange my music for me.

这种句法就顺译不得，只好拆而复装，成为"要是你能替我求梁勉仁先生做做好事，别尽挑礼拜六来发病，我就感激不尽了，因为我还指望你为我安排音乐节目呢。"

Square signs Wulingyuan in Zhangjiajie National Forest Park and at the entrance, local people dressed in festive costumes performed Mao Goose Dance of the Tujia, Miao folk, and so encouraged by copper's program to allow tourists into the Hill for a long time and never want to leave; Tianzishan cable company In the Station Road travel arrangements for non-singers, singing the passion of the original eco-Yi Shoushou folk songs, in order to line up additional tourist stop in a journey of joy; Huanglong scenic ecological square hole of the opening of the new farm structures, Tujia, water tankers, such as the pastoral suspension bridge Scenery, so that tourists around the eyes, one after another praised the "content of the Zhangjiajie tourism more and more enriched, more value, a worthwhile trip!."

武陵源标志门广场和张家界国家森林公园入口处，当地群众身着节日的盛装表演了土家族的茅古斯舞蹈、苗族的铜鼓舞等民俗节目，让进山游客久久不肯离开；天子山索道公司在上站游道安排的民间歌手，激情演唱的一首首原生态民歌，为排队进站的游客增添了旅途中的欢乐；黄龙洞景区生态广场新开放的土家农舍、水车、吊桥等田园风光，都让各地游客眼前一亮，纷纷赞叹"张家界旅游内容越来越丰富了，来得值，不虚此行！"。

Because of the live, current-events nature of the show, HBO does not re-air older episodes between breaks, though occasionally a move module be shown when the information takes a hebdomad soured during the season.

由于节目针对的是时事，所以HBO电视台一般在节目间歇的月份不会安排重播，但偶尔如果有一周节目不播的话，会安排重播之前的节目。

Many people expect this to change fundamentally the nature of television programming and viewing, from a broadcast medium (dominated by big networks like Britain's BBC and ITV and the big US networks, showing a mixture of programme types with something for everyone) to a "narrowcast" medium more like today's magazines and radio.?

许多人预期这将根本改变电视节目安排和收视的本质特征，从一种广播媒体(主宰者是像BBC、ITV和美国的各大电视网络，涵盖每个人所需要的节目类型)变成小范围播送的媒体，更像今天的杂志和收音机一样。？

This is your resident DJ signing off for another week with our signature tune.

这是本台流行音乐唱片节目主持人，现在播放信号曲来结束我们为您安排的这一星期的节目。

C end a broadcast in some way, eg by playing a short piece of music 结束广播: This is your resident DJ signing off for another week with our signature tune.

这是本台流行音乐唱片节目主持人，现在播放信号曲来结束我们为您安排的这一星期的节目。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

We also cover them traipsing around through the jungle and certain things that didn't come out well in production because they don't mic reality shows for those sounds the way they do when they are shooting in a controlled setting. They mic for dialog, but no one bothers sticking a mic into the tank of cockroaches and I don't even know if they would, what that would sound like.

我们也会负责那些那些丛林里游荡的内容，或是那些在现场并没能有效拾取到的内容，因为真人秀类的节目和那种预先安排好在拍摄的节目不一样，现场录音的方式也大不相同，他们主要管对白，但么人会把话筒放进爬满蟑螂的鱼缸，而且我也不知道就算真的放进去了，声音会是什么样。

This was a time to light bonfires and put on plays.

他们会在这个时候以点燃营火及安排节目演出的方式来庆祝这个节日。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失