安东尼

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decimvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept.

因为伟大的事业只有罗马的安东尼和克劳底亚是例外(3)。前者本性就好色荒淫，然而后者却是严肃多谋的人。这说明爱情不仅会占领开旷坦阔的胸怀，有时也能闯入壁垒森严的心灵----假如手御不严的话。

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept.

因为伟大的事业只有罗马的安东尼和克劳底亚是例外。前者本性就好色荒淫，然而后者却是严肃多谋的人。这说明爱情不仅会占领开旷坦阔的胸怀，有时也能闯入壁垒森严的心灵----假如手御不严的话。学软件，好工作，就读北大青鸟！电话：0379-63123123 QQ：

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept.

只有罗马的安东尼和克劳底亚是例外(3)。前者本性就好色荒淫，然而后者却是严肃多谋的人。这说明爱情不仅会占领开旷坦阔的胸怀，有时也能闯入壁垒森严的心灵----假如手御不严的话。

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept.

图为伟大的事业抑制了这种软弱的感情。只有罗马的安东尼和克劳底亚是例外(3)。前者本性就好色荒淫。然而后者却是严肃多谋的人。所以爱情不仅会占领开旷坦阔的胸怀，有时也能闯入壁垒森严的心灵——假如守御不严话。

Outstanding among them were the ambitious Egyptian Queen Cleopatra, who charmed both Julius Caesar and Mark Antony and sought to use them to restore real power to the Egyptian throne; Aspasia, who was known throughout Greece as the learned, witty, and beautiful mistress of Pericles; the masterful Empress Irene who dethroned her son and became the first female ruler of the Byzantine Empire, although in deference to tradition she was referred to in official documents as "Iren, the faithful emperor"; and also Empress Wu Chao, who dethroned her son to become not only the first and only female ruler of China but also one of the most capable and enlightened.

它们之间悬而未决的雄心勃勃的埃及女王克娄巴特拉，谁魅力都凯撒和马克安东尼，并试图利用它们来恢复真正的权力埃及王位；阿斯帕西娅，谁被称为希腊各地的经验教训，诙谐的，和美丽的情妇伯里克利；的高超皇后艾琳谁凯蒂丽丝她的儿子，并成为第一位女性统治者拜占庭帝国，但在尊重传统，她提到在正式文件中的& Iren ，忠实皇帝&，还武则天潮，谁她凯蒂丽丝儿子不仅成为第一个也是唯一的女性统治者，但中国同时也是最有能力的和开明的。

Outstanding among them were the ambitious Egyptian Queen Cleopatra, who charmed both Julius Caesar and Mark Antony and sought to use them to restore real power to the Egyptian throne; Aspasia, who was known throughout Greece as the learned, witty, and beautiful mistress of Pericles; the masterful Empress Irene who dethroned her son and became the first female ruler of the Byzantine Empire, although in deference to tradition she was referred to in official documents as "Iren, the faithful emperor"; and also Empress Wu Chao, who dethroned her son to become not only the first and only female ruler of China but also one of the most capable and enlightened.

未完成的有抱负埃及人女王克娄巴特拉，其使朱利叶斯和马可西泽和安东尼中魔法和寻求使用他们使真正力量恢复埃及人王位的在他们中间有；Aspasia，其在整个希腊作为Pericles的有学问，机智和美丽女主人是闻名的；熟练皇后号艾琳，虽然遵从传统她被在作为&Iren，忠实皇帝&官方文件中提到，其废黜她的儿子和成为拜占庭帝国帝国的第一女性统治者的；也皇后号吴语Chao，其废黜她的儿子成为中国但是也一个最能最和开明的不仅第一和仅仅女性统治者的。

But it remains to beseen how valuable he will be next season, now that Mike D'Antoni is nolonger coaching the team.

现在安东尼不再执教太阳，下赛季纳什能否继续体现他的价值呢？这尚待分晓。

Thus,in Italy in 1914,Antonio Sant'Elia envei-sioned a metropolis of fantastic industrial skyscrapers and multilevel circula-tion in LA Citta Nuova."I conclude in desfavor of preservation,reconstruction,reproduction of ancient monuments,"he declared.In France in 1918,Tony Garnier drew in great picturesque detail La Cite' Industrielle, a complete regional industrial village.In America in 1934,Frank Lloyd Wright constructed a vast miniature model of his imaginary modern town called Broadacre City.But it wasthe great Swiss-born Parisian architect Le Corbusier who,more than any of the other modern mastrs,devoted his energies to envisioing the conse-quences of modern architectural form upon the shape of the contemporary metropolis.His drawings were beautiful,adstract,and widely influential.

因此，在意大利，在1914年，安东尼奥sant'elia envei - sioned大都会离奇的工业摩天大楼和多层次的环流公告在La citta Nuova新&，我结束在desfavor的保存，重建，再现古代纪念碑&，他declared.in法国在1918年，托尼卡尼尔提请在风景如画的大香格里拉详细列举'工业，一个完整的区域产业village.in美国早在1934年，弗兰克劳埃德赖特修建了一个庞大的微型模型，其假想的现代城镇所谓广city.but它wasthe伟大瑞士生于巴黎建筑师柯布西耶的人，比其他任何一种现代mastrs奉献了精力envisioing该conse - quences现代建筑形式后，形成的当代metropolis.his图漂亮， adstract ，而且影响广泛。

Striding into the throneroom was a legend. Tall and cadaverously thin, with a long, gray-streaked brown beard and mustache and matching bushy eyebrows, his bald head covered by a gold-edged skullcap, was the Archmage Antonidas.

正在跨入这个王座厅的是一位传奇性的人物，这位有着瘦高的个子，夹杂着些灰色的褐色长须，与之相称的浓密眉毛，秃顶的头上戴着一个镶着金边的帽子的人正是大法师安东尼达斯。

It is needless here to trace its developments in detail as all its varieties are dealt with in special articles see ANCHORITES; ANTHONY,ST.; ANTHONY, ORDERS OF ST.; CAMALDOLESE; CARTHUSIANS; HERMITS; LAURA; MONASTICISM, EASTERN; STYLITES OR PILLAR SAINTS; PAUL THE HERMIT, ST.

这是不用在这里追寻其发展的详细其所有品种的处理在特殊的文章（见anchorites ；安东尼，圣；张炳良，命令圣； camaldolese ； carthusians ；隐士；劳拉；修道，东区； stylites或支柱圣人；保禄二世的隐士，圣）。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。