安东尼

His last major tragedies, Antony and Cleopatra and Coriolanus, contain some of Shakespeare's finest poetry and were considered his most successful tragedies by the poet and critic T. S. Eliot.

他最后的主要悲剧《安东尼和克莉奥佩托》和《克里奥兰纳斯》，包含了部分莎士比亚最好的诗作，诗评家T.S艾略特称其为莎士比亚最成功的悲剧。

The tragedies of this period are Hamlet,Othello,King Lear,Macbeth,Antony and Cleopatra,Troilus and Cressida,and Coriolanus.

在此期间发生的悲剧是哈姆雷特，奥赛罗，李尔王，麦克白，安东尼与克莉奥佩特拉，特洛伊罗斯与克瑞西达和Coriolanus。

The tragedies of this period are HamletOthelloKing LearMacbethAntony and CleopatraTroilus and Cressidaand Coriolanus.

The此期间发生的悲剧是哈姆雷特，奥赛罗，李尔王，麦克白，安东尼与克莉奥佩特拉，特洛伊罗斯与克瑞西达和Coriolanus。

The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

Shakespeares third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

C6 o;{4 Z2 t% ^5 Awww.zikao5.com 19. Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

The Alfa Romeo P2 was introduced by Alfa Romeo for the Circuit of Cremona in northern Italy in 1924, where Antonio Ascari won at over 158 km/h (98 mph), and then went on to win the speed trial at 195 km/h (121 mph).

阿尔法罗密欧的P2是由阿尔法罗密欧在意大利北部在1924年，在安东尼奥阿斯卡里超过一五八公里每小时（98英里），然后赢得195公里的速度审判/小时去赢得了克雷莫纳电路（ 121英里每小时）。

For centuries, musicians and music lovers have often attributed a Strad's magnificent, other-worldly tone--it has been likened to the voice of the human soul--to a secret-formula varnish used by Antonio Stradivarius three centuries ago in his stringed-instrument workshop in Cremona, Italy.

几个世纪以来，音乐家及爱好者们都把这归结于——一把斯琴的华丽、不属人间的音色——被造得与人类灵魂的声音相像，这条秘密处方3世纪前被安东尼奥斯特拉地瓦里在意大利Cremona的工作坊注入了他的弦乐器。

Central texts will include Shakespeare's Othello, Antony and Cleopatra, Cymbeline , and The Winter's Tale , and Woolf's A Room of One's Own , Mrs.

主要的文本将包括莎士比亚的《奥赛罗》、《安东尼与克莉奥佩特拉》、《辛白林》（译注：又译作《还璧记》）、《冬天的故事》（The Winter's Tale），以及吴尔芙的《自己的房间》（A Room of One's Own）、《戴洛维夫人》

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。