安东

Anthony:Well, my dream is to be a stand-up comedian.

安东尼：嗯，我的梦想是成为单口相声家。

Obadiah Stane plays on the piano a musical piece written by 18th-century composer Antonio Salieri.

欧巴迪亚·斯坦恩弹奏的一段钢琴曲是由18世纪的作曲家安东尼奥·萨列里编写的。

Since the days when stipple was king, Antony Ward has grown with the game development industry, adapting his skills to match its increasing thirst for polygons.

当点画还是为王的年代，安东尼*沃德已经随着游戏开发工业成长，适应他的技能，去符合其日益为主流的多边形技术。

We shall send Strabo along to make sure Antony behaves himself.

我们将会派斯特雷波前去确定安东尼行为良好

The quality of his instruments are generally considered second only to those of Antonio Stradivari.

他制作的乐器的品质仅次于安东尼奥·斯特拉迪瓦利制作的乐器。

Perhaps the most famous, and certainly the most pristine is the "Le Messie"(also known as the 'Salabue') made by Antonio Stradivari in 1716 and never used.

最有名的小提琴，应该是安东尼奥·斯特拉迪瓦里在1716年制作的"弥赛亚"，也作"萨拉贝"。

Almost three centuries after his death, Antonio Stradivari is still a legend for the sound of his instruments, from the rich depths of his cellos to the soaring clarity of his violins .

在距离他逝世足有三个世纪的今天，安东尼奥·斯特拉迪瓦里仍然因为他所制乐器的卓越音色而被视作一个传奇，他所制的大提琴音色深厚饱满，而小提琴则清澈激越。

A Stradivari violin sold for just over two million dollars at auction in New York, smashing the previous world record for a musical instrument.The violin made by Antonio Stradivari in 1699, the year before his golden period, was sold by Christie's for 2,032,000 dollars, far above its pre-sale high estimate of 1.2 million dollars.

据法新社4月22日报道，这把小提琴是由意大利著名的小提琴制作家安东尼奥·斯特拉迪瓦里在1699年制作完成的。22日，这把名为"Lady Tennant"的小提琴在纽约佳士得拍卖行拍出了203.2万美元的高价，而此前这把小提琴的预计拍卖价则在80万美元到120万美元之间。200多万美元的实际拍卖价格远远超出了此前人们对这把小提琴的最高估价。

Antonio Stradivari 史特拉底瓦瑞 Antonio Stradivari (1644-1737) was an Italian violin-maker, the most prominent member of that profession.

安东尼奥·史特拉迪瓦瑞(1644-1737)，意大利小提琴制造家，公认是最杰出的制琴家。

The album is named after Antonio Stradivarius treasure violin that Edvin plays.

这专辑以安东尼奥斯特拉底瓦里命名——马顿心爱的提琴的制作者。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。