安东

Bassannio, Antonio's best friend, was in love with Portia, a rich

巴萨尼奥是安东尼奥最好的朋友，他爱上了一位富有

He was given a captain's post in the US Army, and in 1963 we moved to San Antonio, Texas.

政府让他担当在美军中担任上尉一职，在1963年，我们搬到了德州的圣安东尼奥。

If nothing else he bought himself a postgame free of requests and an off day devoid of explanations.

这些变化都是安东尼带来的，如果没有他赛后的要求，掘金今天一定会输的。

Karl tried to downplay the talk as nothing more than postgame emotion.

卡尔却尽力将安东尼的批评当作只不过是比赛结束后情绪的发泄而已。

While it's likely that most government business was conducted in the Antonia, the arrest of Jesus was accomplished in the middle of the night, and Pilate would undoubtedly have been in his living quarters, in the Praetorium, the palace itself.

很可能大多数的政府事务都在安东尼亚进行，逮捕耶稣是在午夜进行，彼拉多无疑已经在他的住处，帐幕，宫殿本身里面。

At the age of 16, Antonin went to Prague to study.

16岁时，安东宁到布拉格学习。

In August, 1902, the prior of Bonnecombe, France, the Rev. Father Anthony Piana and the Rev. Mother Lutgarde, prioress, with another sister, arrived in Montreal and afterwards at Our Lady of the Lake by way of Montreal.

今年8月， 1902年中，前的bonnecombe ，法国，牧师的父亲安东尼Piana说和牧师的母亲lutgarde ， prioress ，与另一个姐妹抵达蒙特利尔，并在事后圣母湖的方式蒙特利尔。

On the day when Verus assumed the toga virilis Antoninus Pius, who on that same occasion dedicated a temple to his father, gave largess to the people;24 and Verus himself, when quaestor,25 gave the people a gladiatorial spectacle, at which he sat between Pius and Marcus.

在维鲁斯被授予白色托加那天，安东尼。皮乌斯在同一场合上将一座神庙献给他的父亲，并慷慨地赠予人民（24）；而维鲁斯自己，作为财务官（25），给人民奉上了一场角斗，那次他坐在皮乌斯和马尔库斯中间。

He made Verus Antoninus consul after his quaestorship.

安东尼从财务官提升为执政官。

Through cultural exchange, the National Ballet of China has invited foreign ballet masters and choreographers Dolin, Nureyev, Darsonval, Stevenson, Dantzig and others, who have staged for the company, classical ballets as Don Quixote, Sylvia, Sleeping Beauty, Fountain of Tears, Pas de Quatre, Variations for Four etc.

剧团与国际芭蕾舞界进行着广泛交流，曾聘请外国著名芭蕾大师、编导安东·道林、努里耶夫、达桑瓦尔、斯蒂文森、范丹茨格等来团排演了《堂·吉诃德》、《希尔薇娅》、《睡美人》、《仙女》、《泪泉》、《女子四人舞》、《男子四人舞》以及当代芭蕾作品《小夜曲》、《最后的四首歌》等。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。