安东

Shakespeares third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

C6 o;{4 Z2 t% ^5 Awww.zikao5.com 19. Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

Also, linebacker Anthony Waters, tight end Legedu Naanee and linebacker Brandon Siler agreed to four-year deals, as did cornerback Paul Oliver, who was taken in the fourth round of the supplemental draft.

除了戴维斯，球队在第三轮选中的线卫安东尼。沃特斯、第五轮选中的近端锋拉吉度。纳尼、第七轮选中的线卫布兰登。希勒以及在补选第四轮选中的角卫保罗。

The Alfa Romeo P2 was introduced by Alfa Romeo for the Circuit of Cremona in northern Italy in 1924, where Antonio Ascari won at over 158 km/h (98 mph), and then went on to win the speed trial at 195 km/h (121 mph).

阿尔法罗密欧的P2是由阿尔法罗密欧在意大利北部在1924年，在安东尼奥阿斯卡里超过一五八公里每小时（98英里），然后赢得195公里的速度审判/小时去赢得了克雷莫纳电路（ 121英里每小时）。

For centuries, musicians and music lovers have often attributed a Strad's magnificent, other-worldly tone--it has been likened to the voice of the human soul--to a secret-formula varnish used by Antonio Stradivarius three centuries ago in his stringed-instrument workshop in Cremona, Italy.

几个世纪以来，音乐家及爱好者们都把这归结于——一把斯琴的华丽、不属人间的音色——被造得与人类灵魂的声音相像，这条秘密处方3世纪前被安东尼奥斯特拉地瓦里在意大利Cremona的工作坊注入了他的弦乐器。

Central texts will include Shakespeare's Othello, Antony and Cleopatra, Cymbeline , and The Winter's Tale , and Woolf's A Room of One's Own , Mrs.

主要的文本将包括莎士比亚的《奥赛罗》、《安东尼与克莉奥佩特拉》、《辛白林》（译注：又译作《还璧记》）、《冬天的故事》（The Winter's Tale），以及吴尔芙的《自己的房间》（A Room of One's Own）、《戴洛维夫人》

I made it my mission to debunk the fantasies Spurs had about their team.

我把这事情当作是我一个任务，向对马刺充满幻想的人们揭示一支真实的圣安东尼奥马刺。

Of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former

只有罗马的安东尼和克劳底亚是例外。

You must except, nevertheless, Marcus Ant onius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; b ut the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an open heart, but also into a hear t well fortified, if watch be not well kept.

你应该看到，一切真正伟大的人物（无论是古代、现代，只要是其英名能永铭于人类记忆中的），没有一个人是因爱情而发狂的；完成伟大事业的人中只有罗马的安东尼和克劳底亚是例外。虽然前者本性就荒淫好色，但后者却是足智多谋的人。这说明爱情不仅会占领开明宽广的胸怀，也能闯入壁垒森严的心灵——只要你抵御不严的话。

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter

只有罗马的安东尼和克劳底亚是例外。前者本性就好色荒淫，然而后者却是严肃多谋的人。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。