它们

For, said they, the buds are the children of the flowers; and the little playful streams that gambol down the hill-sides are the children of the water; and the smallest bright specks playing at hide and seek in the sky all night, must surely be the children of the stars; and they would all be grieved to see their playmates, the children of men, no more.

因为，他们说，蓓蕾就是花儿的孩子；从山腰上嬉戏着流淌下来的欢快小溪就是河流的孩子；整晚都在天空中玩捉迷藏的那些渺小至极的亮点，肯定就是星星的孩子；而它们会为再也看不到它们的玩伴——人类的孩子，而感到伤心的。

Finally they became the friend, the garden balsam girl have not dared to steal again slide the others in the family!

要求它们的原谅…… Finally 它们成为了朋友，金凤花姑娘再也不敢偷溜进别人的家里了！

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

In recent years, freezing or gassing them with carbon dioxide has been used.

在近些年，用二氧化碳冻住它们或者毒死它们的方法也在采用。

Gehenna's top layer borders Hades and the Nine Hells,so it is not a pleasant place.

严格意义上来说它们是有限的，但它们向四处延展至成千上万英里。

Armed with 8 cm long canines and WWF grappling skills, when Gelada baboons get it on, you better get out of the way.

它们有8公分长的犬齿和摔角联盟的格斗技巧，狮尾狒狒兴奋起来时，你最好别妨碍它们。

Instantaneous motions of the end effector of the typical industrial serial 6-DOF and 5DOF robots are also studied using reciprocal screw theory, The constrained and permitted motions at special configurations are given. Furthermore, the satisfied conditions for the special configurations are discussed, and in the reference coordinate system general expressions of the reciprocal screw and existed motion screw and the subspaces of the permitted rotational axes are obtained under all circumstances at special configurations.

本文中还用反螺旋理论研究了六自由度和五自由度工业机器人的瞬时运动，给出了它们在正常位形和特殊位形下的受约束的运动和存在的运动，以及它们在所有运动参数的不同组合下的反螺旋及存在运动螺旋系的一般表达式和转动轴线存在的子空间。

"We call them great earthquakes. Everybody else calls them horrible," said USGS geophysicist Ken Hudnut.

美国地质调查局的地球物理学家肯·赫德纳特说：我们称它们为超级地震，它们的力量十分可怕。

Acting very much like their movie counterparts, the Xenomorphs will hide in shadows, burst from air vents, and drop from ceilings, doing what they can to get the jump on you.

就像它们在电影中表现的一样，异形会躲在阴影中，从排气管中冲出来，从天花板上掉下来，总之它们会想尽办法跳到你身上。

We find them a little hard to understand because they take us into places like the Garden of Gethsemane.

我们觉得它们不容易理解，因为它们引领我们进到一个类似客西马利园的地方。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失